Marvel’s Slotto Blocktavius melds with Judge Dredd, hurts sales and industry

It was just one year ago that I made the leap to YouTube and began a channel with the intention of providing honest reviews of comic books and the industry at large. I met up with a small group of individuals who sought to counter the Marvel-approved content that was published by mainstream websites, and before long we started to gain traction.

I knew it was only a matter of time before our collective efforts struck a nerve, and July seemed to be the first of many industry-wide screams by its ideologues.

My latest YouTube review covers the reaction by Dan Slott of The Amazing Spider-Man to guys like Diversity & Comics and Captain Cummings. His obsessive blocking of fans and critics on social media has even earned him a new nickname: Slotto Octavius.

Tune in for all the details on Slotto Octavius, the decision to liken his efforts to Judge Dredd, and the Twitter hashtag #BlockedByDanSlott. As always, feel free to sound off in the comments section below. I’m always eager to hear what you have to say.

Editor’s Note: I’d like to say a big thanks to Mr. Dystopian for the artistic compliment below!

Douglas Ernst Fan Art

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‘Spider-Man: Homecoming’ saves Sony’s bacon (just don’t you dare mention the writer’s ‘slavery’ sucker punch)

There are times when I wish that I never made the leap to YouTube and instead stayed on my little old blog churning out content for people who understand things like nuance. My reaction to Spider-Man: Homecoming highlighted that fact quite nicely yesterday.

Your friendly neighborhood blogger said that he loves the movie and wants people to see it, but that a weird scene involving “MJ’s” comment on slavery was a social justice-y sucker punch out of nowhere. I then used that scene to discuss real-world “MJ’s” populating college campuses and influential circles of activists across the nation.

Translation:Doug is an SJW! Doug is triggered! Doug can’t enjoy anything that includes a whiff of SJW politics.”

Sigh.

Below are my videos on the old web-head’s return to the big screen. As always, if you enjoy the content then be sure to subscribe. And if you too think I’ve gone full “SJW” then go for it in the comments section. Let me know! I find this conclusion fascinating.

Here is the full review with one major spoiler for those who haven’t seen the film.

Amazing Spider-Man #29: Dan Slott’s infantile hero needs Mommy Marconi

Question: What happens when a comic book has strong art, strikes the right tone and nails the pacing, but the author’s fundamental understanding of the main character is flawed?

Answer: The world gets something along the lines of The Amazing Spider-Man #29, Marvel’s Secret Empire tie-in featuring the collapse of Parker Industries.

As this blog has demonstrated for years, writer Dan Slott often emasculates Peter Parker as a means of elevating female characters (some created by the author) in his sphere of influence. ASM #29 further solidifies that case, as the hero — an intelligent grown man — is treated like an irresponsible teenager by Anna Maria Marconi. She, another near-perfect woman in his life, scowls and wags her finger at him like an overbearing mother. She sparks epiphanies that he — an intelligent grown man — should have realized on his own months ago.

A Homer Simpson-ized version of Peter Parker also appears in scenes with the villain,  Doctor Octopus, but for more on that I will direct you to my latest YouTube video.

As always, I’m interested in hearing your thoughts in the comments section below.

Amy Pascal officially Kevin Feige’s Mephisto with MCU blindside, proves this blog’s 2015 warning prescient

Kevin Feige
The world is only days away from Spider-Man: Homecoming, but the Spidey buzz got real over the weekend when Sony Pictures producer Amy Pascal blindsided Marvel Studios President Kevin Feige during a promotional event. She directly contradicted previous statements by Mr. Feige that Sony’s “Venom” and “Silver & Black” (Silver Sable and Black Cat) would not be connected to the MCU.

Ms. Pascal said:

“Well, those movies will all take place in the world that we’re now creating for Peter Parker. They’ll all be adjuncts to it. They may be different locations, but it will still all be in the same world. They will all be connected to each other as well. […] There’s a chance [Tom Holland will appear]. There’s always a chance.”

The look of utter disbelief on Mr. Feige’s face — and one monstrous swallow — are proof that he severely underestimated how devious the woman can be.

It also proves that Mr. Feige would be wise to take some advice from yours truly, perhaps the only one who warned that his “deal” with her to get access to Spider-Man was his very own “One More Day” moment.

Yes, that’s right, Amy Pascal is Kevin Feige’s personal Mephisto.

Mephisto Amy Pascal

I wrote on Feb. 10, 2015:

“Question: Will Amy Pascal become Kevin Feige’s Mephisto? […] It will be a sad day if Kevin Feige’s name is attached to future Spider-Man failures because of Amy Pascal’s intransigence. While Spider-Man fans should be thrilled that the character will show up in future Marvel Studios movies, they should seriously ask themselves if Marvel made a deal with the devil when total victory was within reach.”

Marvel Studios had Sony on the ropes. Through Sony’s own moronic moves under Pascal’s leadership, the studio ran its reputation into the ground. And while it’s great that the world will now see Spider-Man in the MCU for Avengers: Infinity War, there is no doubt that individuals like Ms. Pascal are petty, vindictive, and untrustworthy.

The Sony hacks by North Korea demonstrated it, and the point was hammered home further by the viral video.

The good news is that Kevin Feige is about 10,000 times more intelligent than anyone at Sony. He will likely come out on top in the end. The bad news is that Sony’s suits know this and will subject Marvel Studios to all sorts of public and private pain for the ignominy of taking orders from their betters.

Cross your fingers that Spider-Man: Homecoming isn’t a train wreck, but if it is then just watch this video with Ms. Pascal to remind yourself who is to blame.

Amazing Spider-Man #28: Dan Slott’s nostalgia smokescreen can’t hide horrible writing

The Amazing Spider-Man #28 sounds on the surface like it would be a great book. It features classic bad guy Norman Osborn going face-to-face with Peter Parker in a “no holds barred” brawl. Neither man has his powers to rely on, which means it’s just a gold old fashioned slugfest — the winner will likely be the guy with a deeper reserve of intestinal fortitude. Sadly, writer Dan Slott once again over-promised and under-delivered.

If you ever wondered what Marvel’s editors like Nick Lowe do these days, ASM #28 provides the answer: not much.

  • This is the kind of comic you get when you use nostalgia as a crutch to hide a lack of character development.
  • This is the kind of comic you get when you want to be buddies with your writer instead of his editor.
  • This is the kind of comic you get when you, as the writer, create a digital echo chamber and block anyone who offers intelligent criticism of your work.
  • This is the kind of comic you get when you think that giving a tacit nod to your critics somehow erases the legitimacy of their claims.

Aspiring writers should read ASM #28, if for no other reason than to see what happens when a decent idea crashes head-first into a wall of hubris.

Listen to your critics. Learn from them. Humble yourself before the collective wisdom of your fans and then adjust to what you’re hearing because if you don’t then you will write stories that fall flat.

For more on this topic, I invite you to check out my latest YouTube review. As always, make sure to subscribe if it’s up your alley and leave any feedback you have in the comments section below. Whether it’s on YouTube or this blog, I read them all and try to respond to as many as possible.

Spider-Man #27: Ends justify the means in Dan Slott’s ‘Private War’

Question: What do you get when you take 3/4 of a cup of “ends justify the means” and 1/4 of a cup of “moral relativism” and mix it in a bowl with one serving of Peter Parker and a bag of goblins?

Answer: The Amazing Spider-Man #27.

My new YouTube review details how “A Private War” is a sterling example of what happens when every character in a comic adopts a “might makes right” mentality. It’s hard to root for any character — including the protagonist — when a properly functioning moral compass is nowhere to be found. The heroes in ASM are whomever Dan Slott says are heroes, even if their idea of justice is defined as, “Whatever I want to do at any given moment.”

Check out the video below and be sure to ask yourself the following question: Would Spider-Man really make a moral equivalency between his personal vendetta against Norman Osborn and  Captain America fighting with the Allied Powers during World War II?

I say “no.”

Scarlet Spider #1: Peter David gives Ben Reilly his own Tyler Durden

Imagine you were a Marvel editor not too long ago and someone said, “We should totally bring back Ben Reilly from the infamous Clone Saga days. That would be cool. People liked him and his fans will flock to a book if we give him his own series.”

Got it? Now ask yourself this question: If you wanted the base of your book to consist of long-time Ben Reilly fans, would you a.) Turn the character into a crazed man out of something from Fight Club, or would you b.) Try to woo loyal readers with something resembling the character in their mind’s eye for almost 20 years?

Marvel went with the first option for Scarlet Spider, which is rather odd. That’s the bad news. The good news is that Peter David seems to be doing his best with the marching orders he’s been given in the first issue.

There’s much more to say, but for that I invite you to check out my latest YouTube video. As always, feel free to sound off in the comments section below.

Renew Your Vows #6: Gerry Conway, Ryan Stegman give Marvel blueprint for success

The sluggish sales of Marvel comics as of late is no secret. The “House of Ideas” is on fire, and anyone who has paid attention to the industry for the last couple of years knows it. Luckily, there is a way to extinguish the flames, and the answer comes from the creative springs of writer Gerry Conway and artist Ryan Stegman.

If Marvel truly wants to fix what ails it, then it will look to Amazing Spider-Man: Renew Your Vows #6.  Sound storytelling, strong art, respect for classic characters and an absence of weird political preaching is the key to motivating readers who are disgusted with the Marvel brand.

For more on this topic, check out my latest YouTube review and hit the “subscribe” button if that video format is up your alley.

As always, I invite you to leave your two cents (or more!) in the comments section below.

Dan Slott’s moral relativism takes Peter down Otto’s path in Amazing Spider-Man #26

Moral relativism is a problem in Marvel comic books these days. If you ever wanted to see what it can do to a good character, then look no further than The Amazing Spider-Man #26 by writer Dan Slott. The character who recently resorted to corporate espionage to gain access to another company’s intellectual property rights now has decided to risk everything to topple a sovereign nation.

Yes, that’s right, Parker Industries is supposed to be a technology empire worth billions, but its CEO is willing to risk it all — the jobs of his employees, the Uncle Ben Foundation, the livelihood of his shareholders — all for some out-of-the-blue quest to take down Norman Osborn. Peter Parker under Dan Slott has turned into a Captain Ahab-ish character who is on the hunt for an elusive green whale. And to find the mysterious Goblin Whale he will do anything — no matter what the costs or who he hurts in the process — to make it happen.

In short, when Doctor Octopus calls Spider-Man a “self-righteous twit” in an issue of ASM, the reader should never side with the villain. Sadly, that is exactly what happens in ASM #26.

For more details, I invite you to check out my latest YouTube video. I’m interested in hearing your thoughts in the comments section below, as always.

J. Michael Straczynski: Partisan writer hits the block button because douglasernst.blog is effective

JMS1

Regular readers of this blog know that on any given day there will be an honest comic book review or a post that exposes the hypocrisy of partisan writers within the industry. If a book is good — like Renew Your Vows — I’ll say it. If a book is bad, like Brian Michael Bendis’ Invincible Iron Man, then readers will know exactly why. Certain Marvel scribes have tried to claim over the years that this blog is irrelevant, but a strange thing keeps happening to me: Writers and editors who I never even talk about block me on Twitter. That seems like an odd action to take for someone who is not effective…

Consider J. Michael Straczynski, for instance. I never talk about the man in my blog posts, never tweet the man, and in the rare events I have mentioned him in my comments section I have been extremely kind. He was the last writer on The Amazing Spider-Man who got me excited about the book after years of mediocre writing. He “gets” Peter Parker, and if it weren’t for weird “Gwen-rape” stories then I would have even more nice things to say about his work.

Why, then, did he block me on Twitter? Tonight I ran across his name in a follower’s feed and thought, “Hmmm. JMS. I wonder what his tweets are all about,” before getting Twitter’s classic “you are blocked from following…” message.

I tweeted, “I guess he’s not a fan of limited government?” before checking it out via another account, and what do you know? I was right!

JMS Melania

Just like most of the other industry writers, J. Michael Straczynski is such a petty man that he turns First Lady Melania Trump into a vehicle to attack her husband — because it must feel so good to get dozens of “likes” or “loves” on social media for rage-tweeting.

Whether it’s Hydra-Cap writer Nick Spencer talking about the “myth of the good Republican” or ASM writer Dan Slott telling Christian supporters of Hobby Lobby to go to “Christ-Land,” this blog has consistently called out their mean-spiritedness and hypocrisy. And because it has a growing number of readers here and on YouTube, guys like Mr. Straczynski have taken notice.

Given this latest development, I will once again reiterate to you, dear reader, that if you want to see someone expose the self-proclaimed “tolerant” comic writers for the intolerant ideologues they are, then you have come to the right place. And since Mr. Straczynski was so concerned about what yours truly might find in his Twitter feed, I will give it extra attention going forward.

Stay classy, Mr. Straczynski.

Exit Question: How long will it be before Mr. Straczynski starts using weird comments about Barron Trump to attack his father?