Here is a social experiment for you: Ask your average person on the street what they would expect from the 700th issue of Captain America. Ask them what the cover might look like. Ask them about the themes a writer would be expected to highlight by his editors. Ask them how they should feel after closing it.
More than likely the individual will telegraph that a 700th issue of Captain America should be a celebration of Steve Rogers.
What they won’t tell you is that it should be a lament over the election of President Donald Trump.
What they won’t tell you is that Marvel Comics should design a cover that puts the hero into the background as a new character basks in the limelight.
Sadly, writer Mark Waid has delivered a book for long-time Captain America fans that is little more than a Trump allegory for angry people who don’t buy comics. He wished upon a mushroom-cloud star for the ability to shoehorn his personal politics into an important issue and the wish came true — at the expense of loyal customers.
You can get the full rundown in my latest YouTube video. Be sure to subscribe for regular updates if the format is up your alley, and let me know your thoughts in the comments section below.
Regular readers of Marvel Comics know all too well that its writers have been obsessed with Donald Trump since his primary campaign. Twitter rants coincided with weird editorial decisions (e.g., turning the man into an alternative-universe M.O.D.O.K.), and writer Nick Spencer used multiple books — including the Secret Empire event — to throw political tantrums.
Marvel scribe Mark Waid, however, has taken the industry’s Trump Derangement Syndrome to a whole new level for the company’s “Legacy” run. Captain America #699 is a fascinating read for all the wrong reasons.
Yes, it is boring. Yes, it is predictable. Yes, it comes across as if it were written by a freshman college student who just completed his first semester of political sciences classes.
What makes Captain America: Out of Time it interesting, however, is the psychology behind it all. Mr. Waid does not seem to even realize that all of his irrational fears regarding the president are rooted in his own ideological extremism. He fears Mr. Trump because he sees much of himself in the man.
Mr. Waid is, whether he wants to admit it or not, eerily similar to the villain referred to as “King Baby,” aka Donald Trump. Check out my latest YouTube video for the full rundown, and as always feel free to share your thoughts in the comments section below.
Your friendly neighborhood blogger has been away for awhile, but I’m back — and with good reason. The #Comicsgate community continues to grow, dear reader, and left-wing ideologues like Marvel’s Dan Slott are terrified.
For those who haven’t been paying attention, a YouTube community of men and women who want sound storytelling formed in 2017. “Comicsgate” flexed its muscles, and in the end (with help from vocal retailers and fans who voted with their wallets), Marvel Editor-in-Chief Axel Alonso was shown the door. Books that should have been canned long ago were finally put out of their misery.
The past few days has seen the explosion of #MoveTheNeedle, which utilizes Twitter to show insiders just how much money the Comicsgate community spends on superhero fare.
Note: It’s a lot.
Week after week we are figuring out new ways to grow our channels and better disseminate the message. Diversity & Comics is a bigger boogeyman than ever before (Dan Slott refuses to even speak or write his name).
In short, the fight for comics culture is white-hot in 2018 and shows no signs of cooling off.
Check out my latest YouTube video for an extensive rundown of Hulk Hogan Wannabe Dan Slott, along with the desperate behavior of his ideologue peers.
Thoughts become words. Words become actions. Actions become habits. Habits become character, and character becomes destiny.
Therefore, it’s incredibly sad that Marvel’s Tom Brevoort and his activist friends make a habit of lying — to themselves, to fans, and anyone else who is willing to listen.
The House of Ideologues has attempted (and failed) for months to defame YouTube creators who are exposing its hypocrisy, and the latest effort involves blaming “toxic fandom.” It’s not going to work because, as my latest YouTube video demonstrates, the partisan propaganda spewed by Marvel’s writers and editors can always be juxtaposed with their laughable moral grandstanding.
As always, let me know what you think of the latest developments in the comments section below. If you like the format, make sure to subscribe for regular updates since I don’t always have time to cross-post onto the blog.
New York Comic Con 2017 is over, but the After Action Report for Marvel Comics will not be a good one. Retailers exploded on the company behind closed doors early on, and then an event with defense contractor Northrop Grumman was cancelled on Saturday.
Ask yourself this question, though: Why did the outrage brigade not seem to care that a Planned Parenthood panel was held at NYCC, but a comic book designed to promote STEM fields generated enough anger to make Marvel buckle?
Here’s the deal: I don’t want anything political at a convention that is supposed to be focused on superheroes, but if comic industry pros are going to celebrate abortion providers, then a handful of angry fans on Twitter shouldn’t be able to end a Marvel/Northop team-up.
Check out my latest YouTube video for the full rundown. I experimented with a new format today, so feel free to share your thoughts in the comments section below. I prefer scripted content whenever possible, but creating it can be very time consuming.
Regular readers of this blog know that I have chronicled the problems within the comic book industry for many years. Therefore, I hope I’m seen as a credible witness when I say that that things are nearing a breaking point.
The insertion of ham-fisted partisan politics into the books, unprofessional online behavior by creators, and mainstream comic websites that shill for the industry have contributed to a bubble that appears ready to burst. Sales continue to plummet and writers regularly lash out at YouTube creators like Capn. Cummings, Diversity & Comics, yours truly, and many others.
Check out my latest video for the full run-down on Marvel’s downward spiral and the YouTube channels that are putting pressure on them to change course before its too late.
Over 20 years have passed since director Kevin Smith made Dante Hicks and Randal Graves famous. Clerks put him on the Hollywood map and endeared him to a generation of young writers, but there is no doubt that many of them learned the wrong lessons from his 90s “slackers.” Two contenders include Nick Spencer and Chip Zdarsky, who are guilty of what I’ve deemed the Clerksification of Marvel Comics.
To give you an idea of what my latest YouTube video is about, consider the tagline for Clerks, which goes as follows:
“Just because they serve you doesn’t mean they like you.”
Indeed, Marvel creators these days make no secret of their disdain of long-term customers, and will even tell fans not to buy the product during political disagreements. To better understand what’s going on, we must examine Mr. Smith’s work and how its sensibilities continue to reverberate in the minds of Marvel’s employees.
If you read through Secret Empire and Peter Parker: The Spectacular Spider-Man, then you should see the creative fingerprints of Mr. Smith, Quentin Tarantino, and a slew of others. Unfortunately, instead of Pulp Fiction-quality work fans received Hydra-Cap and Hipster Spider-Man.