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It was only a few short years ago — 2015 to be exact — that your friendly neighborhood blogger tried to warn Marvel’s Joe Quesada that seeds of unprofessionalism planted at the company were going to bear bad fruit. He liked to play dumb when readers confronted him on the partisan bile spewed by Dan Slott, Mark Waid, and others within the industry, and in time my predictions came to pass.
Fact: Alienated but social-media savvy readers connected in 2017 on YouTube after years of sounding the alarm bells in small pockets across the internet. Our collective efforts to discuss the need for professionalism, strong storytelling, and honest journalism became known as Comicsgate.
Cut to Mr. Quesada, the company’s chief creative officer. He’s flummoxed. He’s angry. He doesn’t know what to do because guys like Richard C. Meyer, aka Diversity & Comics, have over 90,000 subscribers who are regularly learning just how corrupt the comics industry has become.
What does Mr. Quesada do in response to the new status quo, you ask? Does he admit to dropping the ball in 2015 when he was warned of the coming backlash?
Answer: Of course not. Instead, he looks for the most unstable people on Twitter and tries to exploit their condition. He cozies up to anonymous individuals who spend all day (and many nights) obsessing over Comicsgate and ways to destroy the personal and professional reputations of those associated with it.
In short, Mr. Quesada has tried to weaponize troubled individuals — those who come across like Mark Wahlberg’s character in the 1996 movie ‘Fear’ — against the industry’s critics in an embarrassing display of “ends justify the means” vindictiveness. He literally follows and interacts with what amounts to full-time Twitter trolls because he has no answers for guys like myself, Just Some Guy, That Umbrella Guy, artist Ethan Van Sciver and others.
Yes, telling the truth is always an option, but Mr. Quesada decided at some point in time that honesty and transparency regarding the industry’s problems was off the table.
What Mr. Quesada fails to realize is that it’s no longer 2015. A tipping point was reached with the creation of Comicsgate, and for every underhanded and unprofessional move he (and his ideologue peers) make, tens-of-thousands of people soon hear about it.
Those alienated customers talk. They tell one, two, three, four or more friends about what’s going on. There is a cascading effect — and not in a positive way for Marvel Comics.
That, dear reader, is why more and more people every month are speaking out about the industry.
YouTube, Twitter and other social media platforms have freed consumers from shill websites with Orwellian moderators.
Consumers are better organized, better informed, and unafraid to shine giant spotlights on the immature behavior of men like Mr. Quesada.
There is much more to say, but for a better picture of what’s going on I invite you to watch my latest YouTube video: Joe Quesada exploits Wahlbergian ‘Fear’ clones in blind hatred of Comicsgate.
As always, make sure to hit the “like” and “subscribe” buttons if the format is up your alley.
Also, let me know what you think of Mr. Quesada’s behavior in the comments section below.
There once was a time when Marvel writers and artists didn’t use the Christmas season to go on bizarre and bigoted rants against “white” people. Saladin Ahmed, however, is a sterling example of the “House of Ideas” (or was it the House of Ideologues?) under Sana Amanat and editor-in-chief C.B. Cebulski.
Mr. Ahmed — for years — has publicly offered his “white people” lamentations, and yet he is a.) rewarded for his bigotry by the company’s top brass, and b.) plays the victim with a straight face.
This weekend the Marvel scribe must have watched your friendly neighborhood blogger’s live-stream on his disgusting rhetoric because he came into work on Monday with fresh rants about “right wingers” who are “trying to get me fired.”
Given that Mr. Ahmed is obsessed with white people, it is perhaps fitting that a White Stripes song spotlights what he does after professionally embarrassing himself on social media.
From Jack White’s Effect & Cause:
Well, first came an action
And then a reaction
But you can’t switch ’em ’round
For your own satisfaction
Well you burnt my house down
Then got mad
At my reaction
Well in every complicated situation
Of a human relation
Making sense of it all
Takes a whole lotta concentration, mmm
Well you can’t blame a baby
For her pregnant ma
And if there’s one of these unavoidable laws
It’s that you can’t just take the effect
And make it the cause, no
Take a bow, C.B. Cebulski. While you tweet about your “Air Supply” dreams, Marvel writers are doing everything in their power to alienate readers with bigoted Twitter accounts.
Check out my latest YouTube video for a more extensive look at what is permitted at Marvel on Mr. Cebulski’s watch.
The White Stripes’ Effect & Cause:
Stan “The Man” Lee’s death last week left fans across the world with a heavy heart. Kind words filled Facebook walls, Instagram pages, and Twitter feeds. There were random exceptions (e.g., professional wet blanket Bill Maher), but in general millions of people handled themselves as expected when a beloved public figure exits this world and enters eternity.
Marvel editor Tom Brevoort, however, didn’t get the memo.
Yes, that’s right, one of Marvel’s very own decided it would be a great idea to remember Stan Lee’s life by weirdly turning it into an excuse to play “Who Will Have the Greatest Legacy?”
Tom “King Nothing” Brevoort tweeted:
“Stan Lee was both the best-known comic book editor in the world and the best writer of his era, the 1960s. The fact that others surpassed him in this endeavor by building on what he did changes nothing of it,” (emphasis added).
Ask yourself this question: What kind of person uses the death of an industry giant to immediately begin figuring out creative and professional pecking orders?
Ask yourself this question: What kind of person gives a backhanded compliment about Stan Lee that translates: “Yeah, he was an pretty amazing guy — in the 1960s!
People ask me why and when the movement often labeled “Comicsgate” started. Giving an exact date is a rather pointless endeavor, but readers can glean important information merely by looking into the social-media musings of Mr. Brevoort.
Sadly, the kind of creator who would downplay Stan Lee’s significance right after his death is not the exception to the rule at Marvel Comics these days. Furthermore, the kind of man who is willing to rhetorically hit Mr. Lee below the belt is also the kind of man who is willing to do so to long-time readers.
There is much more to be said, but for a primer on the origins of Comicsgate I suggest watching my latest YouTube video. As always, make sure hit the ‘subscribe’ button if the video format is up your alley.
Your friendly neighborhood blogger has covered all things “Spider-Man” for many years. Readers are familiar with the charge that Peter Parker has been emasculated in his own book, but inevitably there are always skeptics.
“Doug, it’s just one issue!” they essentially say. Whether it’s Captain America turning into a de facto Nazi, Iceman randomly turning gay, Iron Man being replaced by a teenage girl for years, etc., the refrain always comes up that Comicsgaters are “exaggerating” or “seeing things that aren’t really there.”
The past few weeks, however, presented the world with ThunderCats Roar — a bastardization of the original and the 2011 reboot — and now Peter Parker in all his “soy face” infamy.
The image is so striking and so telling on a deeper level that a single tweet from my account has reached nearly 30,000 pairs of eyes and over 400 likes in less than 24 hours.
This isn’t a one-time thing. Over … and over … and over again the creative teams assigned to watch over the character have found ways to turn him into an absolute buffoon.
Ask yourself this question: Why are all fictional heroes who represent many aspects of traditional masculinity being stripped of their credibility and turned into gags for ironic hipsters?
Check out my latest YouTube videos on both Spider-Man and ThunderCats for a clearer picture as to what’s going on.
As always, I invite you to leave your feedback section in the comments section below. I’d really like to hear what you have to say.
Marvel’s Nick Spencer is the guy who essentially turned Captain America into a Nazi for its infamous Secret Empire event. Given the fallout from the creation and extended stay of “Hydra-Cap,” one would hope that he would be extra careful with his handling of The Amazing Spider-Man.
Spoiler alert: It didn’t happen.
Mr. Spencer’s preview of The Amazing Spider-Man for Free Comic Book Day managed to undermine the hero’s origin within two panels, and at one point he lets a criminal get away in a manner that clearly echoes his failure to stop the robber who killed his uncle.
Ask yourself this question: How sick is it for the main character to pivot from one of the defining moments of his life — his culpability for Uncle Ben’s murder — to a yuk-yuk joke about how New York City’s views also played a role in convincing him to become a hero?
If you want to hear the full story, then check out my latest YouTube video. As always, make sure to hit the subscribe button if the format is up your alley.
Your friendly neighborhood blogger has been away for awhile, but I’m back — and with good reason. The #Comicsgate community continues to grow, dear reader, and left-wing ideologues like Marvel’s Dan Slott are terrified.
For those who haven’t been paying attention, a YouTube community of men and women who want sound storytelling formed in 2017. “Comicsgate” flexed its muscles, and in the end (with help from vocal retailers and fans who voted with their wallets), Marvel Editor-in-Chief Axel Alonso was shown the door. Books that should have been canned long ago were finally put out of their misery.
The past few days has seen the explosion of #MoveTheNeedle, which utilizes Twitter to show insiders just how much money the Comicsgate community spends on superhero fare.
Note: It’s a lot.
Week after week we are figuring out new ways to grow our channels and better disseminate the message. Diversity & Comics is a bigger boogeyman than ever before (Dan Slott refuses to even speak or write his name).
In short, the fight for comics culture is white-hot in 2018 and shows no signs of cooling off.
Check out my latest YouTube video for an extensive rundown of Hulk Hogan Wannabe Dan Slott, along with the desperate behavior of his ideologue peers.
The universe works in mysterious ways.
Those who have followed this blog for years know that two Marvel characters hold a special place in my heart: Peter Parker (The Amazing Spider-Man), and Tony Stark (The Invincible Iron Man).
Those who have followed this blog for years know also know that your friendly neighborhood blogger has a unique relationship with Marvel scribe Dan Slott — I was writing reviews that had him rage-reading and rage-tweeting years before making the leap to YouTube.
Given this history, I thought we would both go our separate ways with the announcement that he was exiting The Amazing Spider-Man. He may have put Peter Parker into an “Ask Me About My Feminist Agenda” t-shirt, but that was in no way going to prompt me to follow his work on some random character.
The universe, my friends, had other plans!
Watch my latest YouTube video for a preview for what is to come in the years ahead as Dan continues to write for Marvel and I continue to review his work (always, mind you, with the goal of making him a better writer).
Imagine a moment in time where Marvel writer Dan Slott was interacting with a friend — perhaps someone of Jewish or Islamic faith — and he said that not even King David or Allah could convince him of the following: Former President Obama failed the American people.
Got it? Now imagine that yours truly made a joke about said left-wing ideologue, which required me to call the religious figures mentioned a “cuck.”
Question: How would Dan Slott react to my joke?
May conservative guys like myself make fun of Jewish and Islamic ideologues of a left-wing persuasion, or is there are hypocritical double standard?
Can I make fun of Muslim left-wing ideologues with the same ease displayed by Dan Slott’s feminist crush as she refers to Jesus Christ as a “cuck”?
You tell me, dear reader. Let me know what you think, and then watch my latest YouTube video. I think you’ll find Mr. Slott’s latest attack on your friendly neighborhood blogger quite telling.