It’s here — Marvel’s attempt to tackle the “Legacy” of Tony Stark, aka The Invincible Iron Man. There’s only one problem, my friends: Writer Brian Michael Michael Bendis really wanted to keep the main character dead (for all intents and purposes) for a long, long time. Those pesky fans got in Editor in Chief Axel Alonso’s way, and now everyone who wanted to crown Riri Williams “the” Iron Man must to pretend as if they’re not backtracking against their will.
My latest YouTube video covers The Search for Tony Stark: Part 1, although what’s really going on is a search for ways to placate Disney overlords while still undermining Tony Stark’s long-term credibility.
Give my latest “quick-take” on the situation a listen and then let me know what you think in the comments section below. And, as always, if the video format resonates with you then make sure to like and subscribe. I don’t always cross-post these days (I need an intern!), but I try to do so as time permits.
Sometimes Marvel write Dan Slott tells Christians to go to “Christ-Land” after they win supreme court cases. Sometimes Marvel writer Dan Slott mocks prayer after terror attacks with “God isn’t fixing this” Twitter re-tweets. And sometimes Marvel writer Dan Slott mocks serious prayers by yours truly when he knows deep down that he would never do that to a Muslim comic book critic.
Check out my latest YouTube video if you want to see just how low modern Marvel Comics has fallen. Then ask yourself the following question: When will Disney step in?
BONUS: When all else fails and Marvel writer Dan Slott doesn’t know what to do about my videos, he goes back to his tried and true option — he lies.
Thoughts become words. Words become actions. Actions become habits. Habits become character, and character becomes destiny.
Therefore, it’s incredibly sad that Marvel’s Tom Brevoort and his activist friends make a habit of lying — to themselves, to fans, and anyone else who is willing to listen.
The House of Ideologues has attempted (and failed) for months to defame YouTube creators who are exposing its hypocrisy, and the latest effort involves blaming “toxic fandom.” It’s not going to work because, as my latest YouTube video demonstrates, the partisan propaganda spewed by Marvel’s writers and editors can always be juxtaposed with their laughable moral grandstanding.
As always, let me know what you think of the latest developments in the comments section below. If you like the format, make sure to subscribe for regular updates since I don’t always have time to cross-post onto the blog.
New York Comic Con 2017 is over, but the After Action Report for Marvel Comics will not be a good one. Retailers exploded on the company behind closed doors early on, and then an event with defense contractor Northrop Grumman was cancelled on Saturday.
Ask yourself this question, though: Why did the outrage brigade not seem to care that a Planned Parenthood panel was held at NYCC, but a comic book designed to promote STEM fields generated enough anger to make Marvel buckle?
Here’s the deal: I don’t want anything political at a convention that is supposed to be focused on superheroes, but if comic industry pros are going to celebrate abortion providers, then a handful of angry fans on Twitter shouldn’t be able to end a Marvel/Northop team-up.
Check out my latest YouTube video for the full rundown. I experimented with a new format today, so feel free to share your thoughts in the comments section below. I prefer scripted content whenever possible, but creating it can be very time consuming.
Some people are saying that “Comics Gate” is upon us. Others say that we’re in a “comic book culture war.” Whatever you decide, the bottom line is that Marvel writer Dan Slott gives bloggers and YouTuber creators like yours truly plenty of material to work with on a weekly basis.
If you want to know why Marvel Comics is struggling these days, then look no further than Mr. Slott’s stance on the “job of the artist,” which he shares with Alan Moore.
Both men believe “it is the job of the artists to give the audience what they need“ (emphasis mine).
Ask yourself, though: Is that true? Do artists decide what you “need,” or is that the position of men with seriously bizarre god complexes? Check out my latest YouTube video on the proper role of the artist, and then sound off in the comments section below.
This topic lit up YouTube, Twitter, and writer Roger McKenzie’s Facebook page this weekend, so I’d like to hear what you think.
Editor’s Note: When backed into a corner, Dan’s go-to option is to look for the “Stan Lee escape hatch,” even if the damage control is painfully obvious.
Regular readers of this blog know that I have chronicled the problems within the comic book industry for many years. Therefore, I hope I’m seen as a credible witness when I say that that things are nearing a breaking point.
The insertion of ham-fisted partisan politics into the books, unprofessional online behavior by creators, and mainstream comic websites that shill for the industry have contributed to a bubble that appears ready to burst. Sales continue to plummet and writers regularly lash out at YouTube creators like Capn. Cummings, Diversity & Comics, yours truly, and many others.
Check out my latest video for the full run-down on Marvel’s downward spiral and the YouTube channels that are putting pressure on them to change course before its too late.
Marvel Comics released Generations: The Iron #1 this week, which theoretically should have excited fans of Tony Stark. The cover features old-school armor and it looks like writer Brian Michael Bendis was going to show the billionaire in his prime — paired up with protégé Riri Williams.
Given that this is 2017 and Marvel is run by writers and editors who downright loath long-time customers, that is not what the company delivered.
- If you always wanted to see Tony Stark as a 126-year-old man who oversees a mystical police state, then this story is for you.
- If you always wanted to hear someone tell Riri Williams that she will eventually be one of the most important characters in “the galaxy,” then this book so for you.
- If you just can’t get enough of SJW-Marvel characters who take selfies with adoring fans, then this book is for you.
In short, Marvel is practicing a “death by 10,000 paper cuts” approach with older readers to push them away. The bet is that young people (who generally steal comics online instead of buying them in stores) will somehow be convinced to fork over cash. If the plan fails and it turns out that Marvel needlessly alienated men and women who would have purchased comics for another 30-40 years, then writers and editors can always blame other factors for the industry’s implosion.
Check out my latest YouTube video for a full rundown, and as always feel free to leave your thoughts in the comments section below. I’m interested to hear what’s on your mind.
Over 20 years have passed since director Kevin Smith made Dante Hicks and Randal Graves famous. Clerks put him on the Hollywood map and endeared him to a generation of young writers, but there is no doubt that many of them learned the wrong lessons from his 90s “slackers.” Two contenders include Nick Spencer and Chip Zdarsky, who are guilty of what I’ve deemed the Clerksification of Marvel Comics.
To give you an idea of what my latest YouTube video is about, consider the tagline for Clerks, which goes as follows:
“Just because they serve you doesn’t mean they like you.”
Indeed, Marvel creators these days make no secret of their disdain of long-term customers, and will even tell fans not to buy the product during political disagreements. To better understand what’s going on, we must examine Mr. Smith’s work and how its sensibilities continue to reverberate in the minds of Marvel’s employees.
If you read through Secret Empire and Peter Parker: The Spectacular Spider-Man, then you should see the creative fingerprints of Mr. Smith, Quentin Tarantino, and a slew of others. Unfortunately, instead of Pulp Fiction-quality work fans received Hydra-Cap and Hipster Spider-Man.
Question: When is regime change acceptable in the Marvel Universe?
Answer: When It’s a Ri-regime change written by Brian Michael Bendis, or a self-serving effort by Dan Slott’s version of Peter Parker.
Yes, dear reader, writer Brian Michael Bendis is ten issues into Invincible Iron Man and the book’s protagonist (note: It’s not Tony Stark), is toppling problematic regimes, declaring herself queen, and then issuing a number of demands that must be met before she steps down. Meanwhile, the so-called genius has never spent one second trying to find the men who killed her best friend and stepfather.
If you think this is downright strange, then fans of the book will inevitably called you a “raaaaaaaaacist.” We’re living in strange times, but if you’re like and want to chronicle this era for future comic book fans, then check out my latest YouTube review for the full rundown.
It looks as though comic book fans have a frontrunner for the best story of the year: DC’s Mister Miracle, written by Tom King with art by Mitch Gerads.
If you want to know why DC is churning out successful projects like Rebirth, The Button, Metal — and know Mister Miracle — while Marvel is … turning Captain America into a Hydra goon, then all you have to do is look at each company’s business model — DC is consciously focusing on the craft of writing while Marvel embraces partisan politics.
If you want to see how to save the comics industry, then pick up a copy of Mister Miracle #1. Companies that think big and shoot for the starts will be rewarded. Companies that pander to partisan activists while demonizing fans, in the long-run, will be punished. It’s really that simple.