Heather Antos: Marvel’s manufactured milkshake drama for fragile tea cups

Those who follow the comic book industry witnessed a Marvel-wide “milkshake” meltdown over the weekend, which is emblematic of everything that is wrong with the company. The whole story is incredibly bizarre, but it boils down to this:

Gwenpool editor Heather Antos saw three tweets that she didn’t like over the weekend and decided that random insults are the equivalent of harassment.

Despite the fact that a random insult is not the same as harassment or a human rights violation, the industry’s writers and artists acted as if she had barely dodged an acid attack by Taliban thugs in Afghanistan. Marvel Editor Tom Brevoort put on his daddy pants to let her know that everything would all be okay; he then told her that tens-of-thousands of fans who are tired of partisan politics at the company are “racist turds.”

There is more to the story, but for that I suggest checking out my latest YouTube video. Also, I would like to thank Mr. Brevoort for his overreaction, which netted me scores of new YouTube subscribers and Twitter followers.

Fun fact: Guys like me are not “racist turds.” Every time you criticize us, people check out our work and realize, “Hey, this seems like a pretty nice dude. I want to hear more of what he has to say.”

My suggestion for Marvel Editor-in-Chief Axel Alonso would be to concentrate on good stories instead of partisan hackery, but at this point I don’t see him listening to reason. Given that, I will continue to make videos as the House That Axel Alonso built implodes.

Editor’s Note: Twitter user GoodEggJoe sent me this image today, which I told him was pretty darn good and worthy of being included on a blog post. His work shows that there are numerous ways to put pressure on the comic industry’s activist-writers. One doesn’t need a blog or a YouTube channel to have their voice be heard.

GoodEggJoe

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Marvel’s ‘America’ tries to ‘slay the patriarchy,’ kills last bits of Axel Alonso’s credibility

The past couple of years have been rough for Marvel Editor in Chief Axel Alonso. People got sick and tired of having partisan politics jammed down their throats, and as a result they withheld their cash. DC Rebirth showed the world that sound storytelling has the strange ability to win over people who like … sound storytelling, but that hasn’t changed Mr. Alonso’s mode of operation.

Exhibit: Z-971 is America #5, by Gabby Rivera. Instead of “Ask Me About My Feminist Agenda” covers, Marvel now has its characters talking about ways to “slay the patriarchy.” Each month this book brings forth new and unexpected ways to add to its badness. It seems as though this book inspires a never-ending string of creative missteps, and for that reason it will be chronicled.

Behold! One of the ill-conceived Marvel comics is before us, dear reader. Check out my new YouTube review of the title and then let me know what you think in the comments section below. And, as always, if you enjoy the format then make sure to subscribe for regular updates.

Marvel Fall Previews 2017: Lies, like Venom symbiote, envelop company

Anyone who has a job knows that you do not want to make a habit of over-promising and under-delivering with you boss. A person who does that too many times will soon find themselves in the unemployment line.

Marvel Comics under Editor-in-Chief Axel Alonso, for some weird reason, does not seem to have learned that lesson. It’s almost like every person who was habitually fired for over-promising and under-delivering got together and managed to land top jobs at Marvel.

For example, take this week’s Marvel Previews 2017 issue. It was billed as evidence of an industry-changing event when, in reality, fans are getting more of the same. Cosmetic changes have been made that allow for a ‘Happy-Happy Joy-Joy press’ release, but everything that caused sales headaches for the company over the past year remains.

In short, Marvel is showing the world what happens when a company lives out so many lies that it no longer knows the value of telling the truth.

For more on the sad state of affairs that is Marvel Comics in 2017, check out my YouTube video below. As always, feel free to share your thoughts in the comments section below.

‘Dark Days: The Forge’ proves why DC is a cut above Marvel

The Forge Dark Days

The past year or so has seen the classic “DC vs. Marvel” debate take on added significance due to the success of DC Rebirth and the faltering (to put it lightly) of Marvel under the tenure of Editor-in-Chief Axel Alonso. There are many reasons for Marvel’s failures, but DC’s Dark Days: The Forge #1 shines a giant Bat-Signal spotlight on one of them.

The bottom line is that DC, whether it’s something like The Button or Dark Days: The Forge, is telling good old-fashioned “yarns” because it’s actually concentrating on big ideas — namely the issue of Good vs. Evil.

The Forge #1 is a tale that revolves around two beings — one of goodness and light, the other of darkness and evil — who are granted immortality via a mysterious metal and then tasked to fight each other in cycles of reincarnation. Batman’s discovery of the metal prompted a years-long investigation into its origin, which led him down a dangerous rabbit hole. It’s one that no man — even Bruce Wayne — should explore.

What separates modern DC from Marvel is that the former is willing to explore ideas of good and evil in serious ways. If you pick up most Marvel comics, then what you’ll find is moral relativist heroes fighting each other over a catty disagreements; and heroes fighting villains in a “going through the motions” manner because that’s what they’ve always done; political allegories that primarily use characters as vehicles to vent anger at [insert politician here].”

Out of all the comics I’ve read over the past two years, I think only Charles Soule’s Daredevil confronted a character described as truly “evil.” When most Marvel heroes talk about good and evil, they do so in ironic Deadpool-speak.

Paraphrase [insert hero here]: “Do you think we’ll come out of this one alive? Of course we will — we’re the good guys!”

People who believe good and evil are real — not just artificial constructs in a godless universe — typically do not become jaded. If you believe that your life has meaning and is intrinsically good, then you are not prone to hold life in contempt.

DC appears to have enough writers and editors on its staff who understand this, who are genuinely inquisitive about big issues, and then willing to appropriately use their iconic stable of characters to explore them.

Marvel, on the other hand, appears to be populated with a cloister of bitter moral relativists who write books for a small population of philosophical malcontents. Then, when their screeds don’t sell, they rhetorically lash out at fans for not being embracing Mighty Marvel Pessimism Pods.

I don’t know too much about Dan DiDio, but I do know quality work when I see it. I got into DC in a significant way for the first time in my life this year, and I don’t plan on leaving anytime soon as long as I keep getting books like The Button and Dark Days: The Forge.

Kudos to DC’s creative team for a job well done.

Editor’s Note: I’ll be reviewing Dark Days: The  Forge #1 on my YouTube channel soon. If you haven’t already subscribed, then please do. I don’t always have time to transfer the videos over to WordPress as quickly as I’d prefer.

Subs Dare Doug: Answers on Jordan Peterson, Star Wars, and Marvel politics

A friend of mine used to call me “Daring Doug” when I was a kid because I was willing to do all sorts of crazy stuff in the neighborhood. That fun element of my past has morphed into a new segment on the YouTube channel called “Subs Dare Doug.” In short, my subscribers dare me to answer questions on all sorts of subjects, and then I answer in a future broadcast.

Today’s “Subs Dare Doug” is focused on Dr. Jordan Peterson, Star Wars: Episode VII, politics at Marvel Comics, a comic recommendation, and progressive activists.

If this is something you’d like to take part in, then just head on over to the YouTube channel on any day and ask in the following format: SubsDareDoug: [Insert question here].

I can’t promise I’ll answer everyone’s question, but I’ll try my best.

Iceman #1: Purifiers show Marvel’s double-standard, cowardice

Marvel Comics is known for having a “world outside your window” approach to its storytelling, and for decades the company did it well. These days, however, editor Axel Alonso appears to have issued a fiat that creates the politically correct world outside your window.”

Iceman #1  — along with its Christian villains known as “Purifiers” — demonstrates the state of affairs quite nicely.

Ask yourself these questions:

  • Would Marvel Comics ever have an anti-mutant group called “The Sons of Jihad” that hunts down metaphorical minorities?
  • Would Marvel Comics ever have an anti-mutant group  called “The Sword of Allah” with costumes featuring a star and crescent moon?

Magic 8 Ball says, “Not likely.” But yet, for some peculiar reason, the “Purifiers” and their Christian crosses are on full display. Meanwhile, the defining national security threat of the last 20 years has had nothing to do with Catholic guys like me.

If you want to hear more about the double-standards and hypocrisy of Marvel, then check out my new YouTube video below. And, as always, feel free to sound off in the comments section.

Editors Note: Make sure to stay tuned after the “outro” music for my “letters to the editor”-type idea for future broadcasts.

Secret Empire #3: Nick Spencer event is really his ‘Secret Lecture’

Marvel’s Secret Empire #3 came out this week, although at this point it really should be called Secret Lecture. As I have said before, writer Nick Spencer is an intelligent man who knows a thing or two about the technical aspects of storytelling. The problem, however, is that he uses his gig at Marvel as a psychiatrist’s couch and a college professor’s podium. He seems to care less about entertaining readers than he does about working out his own political issues and lecturing America for electing President Donald Trump.

There’s much more to say, but for that I invite you to check out my latest YouTube review. If the format is up your alley, then make sure to subscribe and leave your thoughts in the comments section below.

Marvel’s ‘America’: 50 Shades of Ororo, more race politics in 3rd issue

It was only a few months ago that Marvel Comics released America, by writer Gabby Rivera. Fans who thought Editor-in-Chief Axel Alonso had reached a saturation point with politicized comics were proven wrong, as America turned out to be the perfect storm of social justice activism meeting Alonso-vision. I analyzed the first two issues on my YouTube channel and thought I would be done with it, but the sheer interest in this train wreck all but guaranteed another review.

Behold, brave readers! America #3 is what happens when Marvel superheroes mix with racial politics, the “fly girls” from the 1990s show “In Living Color,” bizarre sexual fetishes best left to 50 Shades of Grey, and elderly luchadores.

DC’s ‘The Button’ offers lesson for Marvel, Axel Alonso

I used to have an irrational disdain for DC superheroes as a child. I was a “Marvel kid.” Sure, I loved Batman, but outside of his adventures I turned up my nose at DC fare. The echoes of my own irrationality reverberated into the future as I stuck to reading The Amazing Spider-Man, Captain America, and then occasional X-Men book as an adult. But somewhere along the line, Marvel decided to adopt a business model that needlessly alienates long-term readers. That, my friends, is where our discussion on DC’s The Button comes in.

Marvel Editor-in-chief Axel Alonso and everyone who takes their marching orders from him would be wise to look at what DC is doing under the watchful eyes of Geoff Johns. DC Rebirth was a creative home run, and now it seems as if the same can be said of The Button.

Check out my latest YouTube review on parts 1-3 of The Button, which is a great blueprint for Marvel to follow if it wants to win back fans. And, as always, I’m interested in hearing your feedback in the comments section below.

Secret Empire #1: Hydra-Verse and Marvel PR damage control in full swing

Marvel’s comics division has been taking it on the chin in terms of bad press for well over a year now, and the official kickoff to its latest event is no exception. This week saw the release of Secret Empire #1 and a tie-in issue for Free Comic Book Day, which theoretically should bring elicit smiles across the country. Wrong. In fact, the project is so controversial that Marvel had to put out a statement earlier this week asking fans to be patient (even though the story has been building for well over a year).

My latest Youtube review covers the good, the bad and the ugly of writer Nick Spencer’s reality-warping Hydra-Cap tale. And yes, on some level it is good — but the whole situation is a bit complicated.

Anyway, check out the review and let me know what you think in the comments section below. Also: If anyone knows YouTube’s exact rules for using music clips without getting copyright infringement strikes, then let me know — I don’t want to make a habit of joke-singing songs like “Patience” by Guns N’ Roses…