Some people will be angered by the new Spider-Man's race. They have problems. Others will be angered by Marvel's obsession with alliteration. They are healthy.

In Marvel Comics’ Ultimates line, the new Peter Parker is Miles Morales. Miles is a half-black, half-hispanic boy. Of all the angles to this story, his race is one of the least noteworthy aspects—even more so than Marvel’s continued use of alliteration. (Will the next Spider-Man be named Guillermo Guillen?) Since I’m sure there are conservatives who will be annoyingly offering “unhelpful” comments about this new character, someone needs to set the record straight:

  1. The original Peter Parker is right where he’s always been. Unfortunately, liberal writers and editors had their way with him and he now makes deals with (for all intents and purposes) the Devil.  If Spidey fans are upset, their anger should be directed at what is quite possibly the worst editorial mistake in the history of the character. That’s saying a lot, since Marvel has botched him for years.
  2. The Ultimates line is completely separate from the universe casual fans know about.
  3. Everyone’s seen and experienced the black Nick Fury. It worked. Big time. Sometimes switching it up is a good thing.

With that said, here’s where the story gets interesting:

Italian artist Sara Pichelli, who was integral in designing the new Spider-Man’s look, says, “Maybe sooner or later a black or gay — or both — hero will be considered something absolutely normal.”

Note to Sara Pichelli: It is normal! It’s only not normal when it’s shoved in our faces. It’s only not normal when political points are shoe-horned into a story for no other reason than to make readers wear a Progressive worldview. There’s a difference between crafting a story that has—or requires—a black, gay hero, and crafting a story with a black, gay hero just so you can have one. Or so you can play sociological experiments with your readers.

As a business, it makes sense that Marvel would want to reach out to a growing demographic of young, multi-ethnic readers. As the pigment of our population changes, so will the color of our fictional heroes. And there isn’t anything wrong with that—as long as they’re fighting for Truth, Justice, and the American Way. Would you rather have a black Superman who fights for the American Way, or Brian Singer’s white Superman who fights for “all that stuff”? The answer is simple.

Fact: future generations of Americans will be increasingly brown. And no one in their right mind should care. What they should care about are the principles that will guide those future Americans. Will they be the kind of people who consider balanced budgets an “extremist” position, or will they be fiscally sane? Will they believe in limited government and the increased personal liberties that come with it, or will they allow an ever-expansive entitlement mentality to eat away at their entrepreneurial spirit? Will they believe in American Exceptionalism, or will they believe that America’s rightful place in the world is as an also-ran (or worse) with Belarus?

Welcome to the Marvel Universe, Miles Morales. Best of luck to you. I just wish the same could be said for those penning your exploits.

1 comment

  1. Minor correction: But he’s not the Ultimate universe’s “Peter Parker” there was a peter parker over there. He died in battle and Miles replaced him, making the Ultimate U Spider-man a legacy hero. (like terry mcginnis of batman beyond)

    What sucks is that it’s so hard to take his stories as stories. No, instead things have got to be so politically loaded, that you can’t read any single sentence from him & the books without constantly questioning what extra meaning is supposed to be there (or isn’t).

    Of course I’m a huge fan of Spider-girl, but part of me wonders what a book might have been had Miles become a spider-protege like Terry did to Batman. Spider-girl always had a bit of tension because it wasn’t just Peter mentoring her, she was also his little girl so he had a heavy personal involvement. What if he had a trainee he wasn’t emotionally invested with? One that had to grow on him?

    Hmm… something could have been done perhaps with one of those high school students Peter was teaching awhile back? Man you want to talk about revolution? Forget Slott doing a body swap, doing a “job swap” with a new kid, and create the books such that it really seems like this might be a passing the torch movement (so that the audience forgets about the “inevitable” protege-dies-Peter-retakes-the-mantel moment that would be coming)… THAT would be memorable storytelling.

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