It was only a few short years ago — 2015 to be exact — that your friendly neighborhood blogger tried to warn Marvel’s Joe Quesada that seeds of unprofessionalism planted at the company were going to bear bad fruit. He liked to play dumb when readers confronted him on the partisan bile spewed by Dan Slott, Mark Waid, and others within the industry, and in time my predictions came to pass.
Fact: Alienated but social-media savvy readers connected in 2017 on YouTube after years of sounding the alarm bells in small pockets across the internet. Our collective efforts to discuss the need for professionalism, strong storytelling, and honest journalism became known as Comicsgate.
Cut to Mr. Quesada, the company’s chief creative officer. He’s flummoxed. He’s angry. He doesn’t know what to do because guys like Richard C. Meyer, aka Diversity & Comics, have over 90,000 subscribers who are regularly learning just how corrupt the comics industry has become.
What does Mr. Quesada do in response to the new status quo, you ask? Does he admit to dropping the ball in 2015 when he was warned of the coming backlash?
Answer: Of course not. Instead, he looks for the most unstable people on Twitter and tries to exploit their condition. He cozies up to anonymous individuals who spend all day (and many nights) obsessing over Comicsgate and ways to destroy the personal and professional reputations of those associated with it.
In short, Mr. Quesada has tried to weaponize troubled individuals — those who come across like Mark Wahlberg’s character in the 1996 movie ‘Fear’ — against the industry’s critics in an embarrassing display of “ends justify the means” vindictiveness. He literally follows and interacts with what amounts to full-time Twitter trolls because he has no answers for guys like myself, Just Some Guy, That Umbrella Guy, artist Ethan Van Sciver and others.
Yes, telling the truth is always an option, but Mr. Quesada decided at some point in time that honesty and transparency regarding the industry’s problems was off the table.
What Mr. Quesada fails to realize is that it’s no longer 2015. A tipping point was reached with the creation of Comicsgate, and for every underhanded and unprofessional move he (and his ideologue peers) make, tens-of-thousands of people soon hear about it.
Those alienated customers talk. They tell one, two, three, four or more friends about what’s going on. There is a cascading effect — and not in a positive way for Marvel Comics.
That, dear reader, is why more and more people every month are speaking out about the industry.
YouTube, Twitter and other social media platforms have freed consumers from shill websites with Orwellian moderators.
Consumers are better organized, better informed, and unafraid to shine giant spotlights on the immature behavior of men like Mr. Quesada.
There is much more to say, but for a better picture of what’s going on I invite you to watch my latest YouTube video: Joe Quesada exploits Wahlbergian ‘Fear’ clones in blind hatred of Comicsgate.
As always, make sure to hit the “like” and “subscribe” buttons if the format is up your alley.
Also, let me know what you think of Mr. Quesada’s behavior in the comments section below.
A funny thing happened as the movement called Comicsgate grew over the past two years: YouTube personalities with millions of subscribers joined industry professionals in calling any criticism “racist” and anti-LGBT.
Guys like Rob from Comics Explained said in 2017 that individuals who openly reject “forced diversity” sound “racist” (e.g., turning Iceman gay after decades of continuity that says otherwise; trying to replace iconic heroes with minority derivatives).
Guys like Benny, aka Comicstorian, called Comicsgate a bunch of “idiots” despite previously claiming that he wanted to remain a neutral.
Enter Linkara from Atop the Fourth Wall this weekend. He echoed the “raaaaaaacist” and “homophobic” allegations on Twitter while simultaneously asking to hear about quality comic book reviewers.
Your friendly neighborhood blogger/YouTuber was tipped off by someone who has frequented this website for years — Carl — and within 24 hours Linkara blocked me for having the temerity to call out his passive-aggressive shots at Comicsgate.
Linkara claimed that he suddenly had to hit the block button because racists were coming out of the digital woodwork, but is that true?
He provided zero evidence and his Twitter feed shows a different story — users were recommending YouTube channels like Professor Geek, ClownfishTV, Captain Frugal, #1 Marmaduke Fan, and Just Some Guy.
The reality, dear reader, is that certain YouTube personalities desperately want to stay in the industry’s good graces. They like freebies. They like getting press passes. They like getting invited onto convention panels, and they like to be offered all sorts of other perks that having the right political bent brings within a corrupted industry.
The bitter pill to swallow for many people is that Comicsgate is an incredibly diverse network of individuals who are tired of unprofessionalism, cronyism, partisan politics shoehorned into books, subpar writing, and uninspired art.
Comicsgate as a whole is not hated because its critics’ allegations are true; Comicsgate as a whole is hated because its critics allegations are false.
Once upon a time the term “SJW” was a form of sweet music to the ears of writer Mark Waid. The comics industry veteran literally said in 2017 that he wore it with “pride.”
Something happened, however, between then and now to change his mind: He was sued for tortious interference and defamation by the popular YouTuber Diversity & Comics, aka Richard C. Meyer, aka ‘Ya Boi Zack.’
These days, according to Mr. Waid, calling him exactly what he wanted to be called is “the language of a bully.” Interesting, isn’t it?
One would think that a respectable journalist within the comics industry would ask Mr. Waid why he was allowed to use “SJW” as a rhetorical cudgel in 2017 while standing atop a self-made moral pedestal, yet now the term is a slur that can be used against the Comicsgate movement in court.
Sadly, dear reader, Mr. Waid only goes to shill outlets like Nerdist to discuss his lawsuit. And yes, “shill” is the correct description to use for the creator’s live-stream with Nerdist, given the following: a.) the moderators rushed to delete any chatroom comments on the lawsuit while Comicsgate was simultaneously being framed as a “hate” movement; b.) the host only asked softball questions and agreed with everything Mr. Waid said; and c.) the normal comments section was disabled after the live-stream ended.
If you’re asking yourself why all of this sounds familiar, then simply step into this blog’s time machine and travel to July 26, 2013.
Fact: Your friendly neighborhood blogger was covering “Comicsgate” before it was ever called Comicsgate. Anyone who wants to debunk the industry’s current lies can often do so by mining my old coverage of “Marvel’s Orwellian message boards” and the unprofessionalism by men like *cough* Mark Waid.
There is much more to be said about Mr. Waid’s hypocrisy and his lawsuit with Mr. Meyer, but for brevity’s sake I suggest checking out my latest YouTube video. Please make sure to hit the subscribe button if video content is up your alley.
Something happened in the wee hours of the morning on Sunday, Sept. 9, 2018: Marvel’s Chief Creative Officer debated the existence of Comicsgate with the networks’s supposedly insignificant members. There was, however, some big problems with his performance: Mr. Quesada wanted to pretend as if he had anterograde amnesia straight out of Christopher Nolan’s Memento.
In short, the Marvel executive wanted to act as if your friendly neighborhood blogger wasn’t trying to warn him for years that the industry’s bad business practices would produce something akin to Comicsgate.
Marvel’s personal boogeyman (i.e., Diversity & Comics), is supposedly the root of all that ails the industry. Spontaneous Comicsgate Combustion happened in late 2017 and a fire of bad behavior soured the relationship between creators and readers, if Marvel’s top brass is to be believed.
The fact of the matter is that Mr. Quesada and his peers had countless opportunities to right the ship. Myself and others (e.g., Dave Huber when he was writing at Colossus of Rhodey) gave Marvel a series of simple steps to avoid a large-scale consumer revolt.
We were ignored.
Regular readers know that I made the leap to YouTube with the assumption that I needed a bigger megaphone if I was ever going to help spearhead said consumer revolt.
What started on blogs eventually transformed into Comicsgate when myself, Capn Cummings, Diversity & Comics and a core group of others united behind the idea that we could create a parallel industry to “SJW Marvel Inc.”
The response by left-wing ideologues was to double down on unprofessional and immature antics — like Max “feast upon my a**” Bemis putting the “Uncle Ernst” villain into Moon Knight.
Question: Did Mr. Quesada, who stayed up until about 5 a.m. EDT. talking about Comicsgate, dare to answer questions about Mr. Bemis’ lack of professionalism?
Answer: Not a chance. He stayed far, far away from me because he knows the facts are on my side and I would make him look like a buffoon.
The good news about the industry’s decision to dig in its heels into a quicksand pit of stupidity is that readers finally have other options. Indiegogo campaigns like Jawbreakers: Lost Souls have been wildly successful. The products will soon ship, and when that happens the paradigm will have officially shifted.
There is no turning back, and for that we can oddly enough thank guys like Mr. Quesada, Dan Slott, Mark Waid, Erik Larsen, Tom Brevoort, Alanna Smith, Max Bemis and a whole host of ideologues.
If you want to learn more about Mr. Quesada’s faux short-term memory problems, then be sure to check out my latest YouTube video. As always, make sure to hit the like and subscribe button if the format is to your liking.
Question: What happens when Marvel Executive Editor Tom Brevoort sees the success of the Jawbreakers: Lost Souls INDIEGOGO campaign and then decides to take out his anger on customers?
Answer: Mr. Brevoort likens readers to an evil worm while he’s in a blind rage, but it only comes across as projection. People know that he is such an angry man that he even uses Twitter to call his son an “entitled white a**hole.”
Ak yourself, dear reader, who is more of a worm: Comic book readers who think it’s gross to call Peter Parker’s “devil deal” a form of medicine, or the guy who airs his own family’s dirty laundry on Twitter for cheap “likes” by total strangers.
If you want to know what Jawbreakers: Lost Souls has readers energized while Tom Brevoort only has people shaking their head disgust, then look no further than his Twitter feed.
Check out my latest YouTube video for the full story regarding Marvel’s meltdown, along with the growth of the Comicsgate/Save Comics community that lives rent free inside Mr. Brevoort’s head.
Your friendly neighborhood blogger has been away for awhile, but I’m back — and with good reason. The #Comicsgate community continues to grow, dear reader, and left-wing ideologues like Marvel’s Dan Slott are terrified.
For those who haven’t been paying attention, a YouTube community of men and women who want sound storytelling formed in 2017. “Comicsgate” flexed its muscles, and in the end (with help from vocal retailers and fans who voted with their wallets), Marvel Editor-in-Chief Axel Alonso was shown the door. Books that should have been canned long ago were finally put out of their misery.
The past few days has seen the explosion of #MoveTheNeedle, which utilizes Twitter to show insiders just how much money the Comicsgate community spends on superhero fare.
Note: It’s a lot.
Week after week we are figuring out new ways to grow our channels and better disseminate the message. Diversity & Comics is a bigger boogeyman than ever before (Dan Slott refuses to even speak or write his name).
In short, the fight for comics culture is white-hot in 2018 and shows no signs of cooling off.
Check out my latest YouTube video for an extensive rundown of Hulk Hogan Wannabe Dan Slott, along with the desperate behavior of his ideologue peers.