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Make sure to subscribe to my YouTube channel if you want more content on comic books, superhero movies, and cultural issues.
Make sure to subscribe to my YouTube channel if you want to see more videos on the comic book industry, superhero movies, and more.
Marvel’s Chris Evans has tried so hard for so long to convince the world that SJW Captain America is the real deal, but along the way he turned into Hydra-Cap.
Your friendly neighborhood blogger made video on it, but for some strange reason *cough*cough* YouTube is playing all sorts of weird shenanigans so not even my own subscribers can see it.
Why would YouTube be so concerned about a video on the media’s smear of innocent teenager from Covington Catholic High School? Check the link to find out.
Make sure to like and subscribe for those few times I get through YouTube’s Orwellian staff and its algorithm.
Make sure to subscribe on YouTube for regular content.
Make sure to head on over to YouTube and subscribe if you enjoy these videos. As always, let me know what you think in the comments section below.
One of the cool things about YouTube is that you never know when a video is going to hit a nerve. I recently saw Star Wars: The Last Jedi, and then posted my review. The post racked up over 50,000 views and roughly 2,000 comments in one week.
Here’s the abridged version for those who are in a hurry: Director Rian Johnson has given generations of fans a giant “middle finger chin scratch.”
If you want to see male characters get emasculated in a $200 million commercial for producer Kathleen “The Force is Female” Kennedy’s political agenda, then see it soon.
If, however, you want to see a product that honor’s George Lucas’ original trilogy, then you should avoid Last Jedi at all costs.
Below are my latest YouTube uploads on the movie, although you can head on over to Conservative Book Club if you want a more traditional review.
NOTE: There are SPOILERS in all of my videos. You have been warned.
Next up is my video titled: “Last Jedi: ‘Milking’ Luke, ‘leaking’ Fozzi Finn not in trailers for a reason.
Finally we have my two-hour live-stream on “sellout critics, spin doctors and more.”
Remember: Star Wars: The Last Jedi apologists say this guy has no agenda…
There will come a time many years from now when film historians will analyze Marvel Studios, and some of them will rightfully conclude that Thor: Ragnarok won over critics and fans despite its forgettable script. Producers gave the world a $180 million stick of cinematic bubble gum and the world cheered.
Once upon a time, superhero fans watched Thor movies in which actor Chris Hemsworth and his supporting cast attempted to channel literary classics like Beowulf. Director Kenneth Branagh infused Thor (2011) with tinctures of Shakespearean tragedy, while Alan Taylor churned out similar work on Thor: The Dark World (2013).
All that is over with the arrival of director Taika Waititi, who has the first “family-friendly” Marvel Studios/Disney movie that drops an “orgy” reference into a scene involving the cosmic equivalent of billionaire Jeffrey Epstein’s infamous “Lolita Express.”
Thor: Ragnarok is essentially two movies mashed into one. Half of Ragnarok involves a ancient prophecy in which Asgard is captured by Thor’s sister Hela (Cate Blanchett) and ultimately destroyed by a giant demon named Sutur; the other half deals with an exiled Hulk (Mark Ruffalo) fighting as a gladiator on a planet ruled by Grandmaster (Jeff Goldblum). The god of thunder and his brother Loki (Tom Hiddleston) end up stranded on the planet as well, but they soon find a way to escape through “The Devil’s Anus.”
The two brothers are helped along the way by a disillusioned Valkyrie (Tessa Thompson), and the whole thing is tied together by a series of jokes that often follow (i.e., undermine) dramatic scenes.
In short, Ragnarok is a film that doesn’t take itself seriously — even as it sometimes asks the audience to do so. It is a movie that is seemingly so terrified of being parodied at the MTV Movie Awards that it decided to deny them the opportunity. Chris Hemsworth, at times, seems as though he’s parodying himself playing Thor. Potential moviegoers simply need to imagine a Batman movie in which the actor was required to alternately channel Joel Schumacher’s notorious Batman Forever (1985) and Christopher Nolan’s The Dark Knight (2008).
“Even when you had two eyes, you still only see half the picture,” Odin (Anthony Hopkins) says to Thor during a near-death experience. “Are you ‘Thor, the god of hammers’? Hmmm? That hammer is to help you control your power — focus it. It’s not your source of strength. […] Asgard is not a place, never was. This could be Asgard. Asgard is where our people stand. Even now — right now — those people need your help.”
“I’m not as strong as you,” Thor replies.
“No. You’re stronger,” says Odin.
The exchange is meant to be poignant, but it comes after nearly two hours of improv and slapstick comedy — it’s hard to appreciate Hopkins’ turn as Odin when the audience is still wondering how a thinly veiled masturbation joke involving Thor’s hammer made it into the finished product.
The question that fans of the genre need to ask themselves after the joke-a-minute Guardians of the Galaxy: Vol. 2 and now Ragnarok is this: If a superhero movie struggles not to inject a gag of some kind into every heartfelt moment, then what does it say about the audience? What does it say about our culture?
If you’re looking for a Marvel movie that most closely resembles Ace Ventura: Pet Detective (1994), then run out an see Ragnarok before it leaves theaters. If you expect your god of thunder to possess a Game of Thrones gravitas, then stay far away.
Editor’s note: Check out my “Thor: Ragnaflop?” live-stream if you want to hear almost two hours of Thor-talk.