Iron Man #6: Brian Michael Bendis’ Riri sadly no Jessica Cruz

Comic book writer Brian Michael Bendis recently gave an interview with Marvel on his approach to writing, and during the exchange he took time to discuss Invincible Iron Man’s Riri Williams. He said that at this stage in the game the character “doesn’t know who she is yet,” which is interesting since it appears as though he is equally lost.

It is perfectly okay for a character to lack self-awareness, but readers should generally be able to peg the character and empathize with him/her within the first or second issue.

The problem with Mr. Bendis’ Invincible Iron Man after six issues is that he seems to think readers should just love his character because the entire Marvel universe loves her. Unlike DC’s Jessica Cruz, who became a hero after overcoming crippling anxiety and fear, Mr. Bendis’ creation stresses out because too many individuals and groups want to experience her awesomeness first-hand.

For those who have been wondering why Marvel’s sales have faltered over the past year while DC’s Rebirth continues to impress, look no further than IIM #6. It should serve as a case study in what not to do if you want to build momentum for a new character.

Anyway, check out my latest YouTube review for a full rundown of why IIM fails while books like Green Lanterns: Rage Planet have guys like me saying, “Who is this Jessica Cruz character? She seems kind of cool.”

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Super Sons #1: Peter J. Tomasi writes Super-Awesome DC book

It has been some time since your friendly neighborhood blogger purchased a superhero comic book that made him think, “These guys get it. They really get it,” but that is exactly what happened with Super Sons.

Long story short, writer Peter J. Tomasi and artist Jorge Jimenez have put together a DC Comics product with “Superboy” Jon Kent and “Robin” Damian Wayne that is a pure joy. I have historically groaned any time young kids with superpowers appeared in my favorite books, but Super Sons is pitch perfect across the board. Even better, it’s only $2.99.

There’s much more to say, but for that you’ll have to check out my latest YouTube review. If Mr. Tomasi keeps this kind of work up, then Super Sons will be my favorite book on the market. Bravo.

Marvel flinches on hack writing after backlash, but actions speak louder than words

Iron Man 7

It appears as though sagging sales, fan backlash, The New York Times dropping comics from its “bestseller” list, and a general consensus that Marvel has lost its way has finally pushed the “House of Ideas” to return to its roots. Bleeding Cool reported Feb. 6 that a back-to-basics approach will take place in 2018.

The website said:

“Last week’s Marvel creative summit I am told by well connected sources who have proved themselves in that past there was more of a focus on what DC Comics internally called “meat and potatoes” comics that preceded their doubling down on the popular characters and bringing back old favourite takes with DC Rebirth.

I am told, as Marvel brings back the X-Men line with a bang, to expect a return to more of a status quo for titles such as Thor, Iron Man, Hulk and more. A more familiar looking Marvel Universe by the autumn – although, just as with Captain America, as classic-look-characters return, expect new characters to keep a number of their books. …

I am told to expect that Secret Empire will be a bit of a last hurrah for this kind of [politicized] storytelling from Marvel for a while. A little how Marvel writers were told to get the use of the Marvel 616 dimensional nomenclature out of their system before it was done away with for good…”

Twitter, YouTube, and other social media websites were abuzz — in a positive way — with this news, but your friendly neighborhood blogger would like to remind everyone that actions speak louder than words — and Bleeding Cool reporting.

While it is true that Marvel has flinched in the face of a growing number of fans who are sick and tired of political preaching shoved into their books, it is also true that its writers and editors only made the right decision when all other options were essentially taken off the table.

If Marvel had to hemorrhage fans to DC Comics for months on end before its top brass decided to retreat on their social justice crusade, then it stands to reason that they will return to their old ways as soon as possible. Even Bleeding Cool’s report indicates that this is merely a tactical retreat by the New Puritans.

At this point in time Marvel has done nothing tangible — I repeat, nothing — to engender good will among the fans it has alienated for years.

There has not been any admittance that loyal customers were treated like dirt while classic characters were needlessly dumped upon for the sake of diversity.

Now is not the time to let up, but to stay increasingly engaged in terms of holding the publisher accountable for partisan or sloppy writing. Until Marvel and its creative teams consistently deliver the goods and extend an olive branch to those who were told to “eat a bag of d***s,” then they should not be patted on the back.

It is time to be cautiously optimistic, but it most certainly not the time to shake hands with writers and artists who have rarely missed an opportunity to sucker punch long-time readers.

David F Walker Twitter bag

George Perez’s ‘red state’ protest: Principles and wife’s desire to belly dance collide

It was just about three months ago that this blog covered artist Humberto Ramos’ decision to boycott “red states” in response to the 2016 presidential election. What was not discussed was artist George Perez’s identical stance. Luckily, Mr. Perez has added a caveat to his boycott, which has allowed for a new YouTube video on the absurdity of it all.

Remember, folks: George Perez’s principles end where his wife’s desire to belly dance begins.

Mark Waid: ‘Every superhero you love’ is a SJW

There was once a time when activist-writers tried to hide their attempts to hijack comic books and turn them into little more than social-justice propaganda. Writer Mark Waid has changed all that. This week he took to Twitter and told the world that “every superhero you love” marches (or flies or teleports) under a SJW banner.

Check out my latest YouTube video on Mr. Waid’s opinion that comic book writers should look to anti-free speech ideologues for inspiration.

Douglas Ernst Blog Welcomes New Contributor — our old pal from ‘Colossus of Rhodey’

colossus

This blog stumbled across a rarity years ago: A digital oasis that mixed comic book news with conservative and libertarian thought. The website was called Colossus of Rhodey. Its run went of over a decade, and somewhere along the line your friendly neighborhood blogger got to know moderator Dave Huber. He will now join the team as a contributor, and I couldn’t be happier.

Whether Dave is keeping a watchdog eye on higher eduction over at The College Fix, or exposing the political buffoonery of comic book creators on Twitter, I always enjoy his work. I hope you do, too.

Suicide Squad reviews skewed by political correctness

Suicide Squad is out, and the reviews are not kind. It is fair to say that David Ayer’s script has problems, but the level of vitriol aimed at the movie is ridiculous. Just as political correctness inflated the positive reviews awarded to Ghostbusters, the same mentality allows critics to unjustly savage of movie like Suicide Squad.

Check out my latest YouTube video below for the full story and let me know what you think in the comments section below.

‘Batman: The Killing Joke’: First 30 minutes, odd sex scene overshadow Joker’s tale

Joker glass

Fans of Batman: The Killing Joke waited since 1988 to get their hands on an animated version of their beloved tale, but it has finally arrived. Is it possible for the product to be anything less than amazing with Kevin Conroy and Mark Hamill providing the voiceover work to a big-budget production of Alan Moore’s tale? The short answer: Yes.

Before we move on, let me first stay that I find central premise of The Killing Joke — we are all just “one bad day” away from becoming the Joker — rather intriguing.

The Joker says:

“Let me ask you something. What does it matter if you send me back to the asylum if it doesn’t matter to me? I’ve proven my point — Gordon’s been driven mad. I’ve demonstrated there’s no difference between me and everyone else. All it takes is one bad day. That’s how far the world is from where I am — just one bad day. You had a bad day once, am I right? Oh, I know I am. I can tell. You had a bad day and everything changed. Dressing up like a flying rat doesn’t hide it. It screams it!

You had a bad day and it drove you as crazy as everybody else, only you won’t admit it! You have to keep pretending that life makes sense, that there’s some point to all this struggling. You make me want to puke. I mean, what is it with you? What made you what you are?

Without getting into too many spoilers, I must say that specific scenes are incredibly thought-provoking, particularly when it comes to exploring the rule of law in a world populated with vigilante superheroes. The Joker conjures up a scheme to prove to his rival once and for all that moral relativism reigns supreme, and he certainly makes the case to those who are not eagle-eyed when it comes to spotting spurious arguments.

Joker Batman book

Where The Killing Joke fails, however, is its well-intentioned attempt to add extra depth and dramatic tension to the script.

Two words come to mind: Batman sex.

Batgirl kiss

Longtime DC readers can correct this Marvel fan if he is wrong, but has Batman ever appeared as anything other than a father figure and mentor to Barbara Gordon? This version of The Killing Joke turns Ms. Gordon into a smitten girl with impulse-control problems and Batman into a caped crusader who robs the cradle.

One can almost hear the internal monologue of screenwriter Brian Azzarello: “If Batman sleeps with Barbara Gordon, then it will sting him even more when he finds out that she was shot by his arch enemy. Then, when he realizes that the Joker raped her — yes, they have both been with the same woman — the audience will understand why Bruce might go over ‘the abyss’ in the end…”

The problem, however, is that a self-contained 30-minute tale simply cannot set the stage for a relationship between the two to grow. It comes across as forced and, quite frankly, creepy. Perhaps this reviewer is in the minority, but the bizarre nature of the scene lingered with me for the entire movie — so much so that I would recommend fans of the comic book consider skipping the first 28 minutes all together.

If you are a fan of DC’s animated movies, then I would suggest watching Batman: The Killing Joke when it comes out on Netflix. It is not worth the $14.99 YouTube charges if you are by yourself, although a fun night can be had if you split the cost three ways with a couple of friends.

Did you see Batman: The Killing Joke? If so, then let me know what you thought in the comments section below. I’d love to hear what you have to say.

Editor’s Note: I always thought that the story behind “The Red Hood” was rather dumb. Moore’s attempt to humanize the Joker by turning him into a failed comedian always seemed lame to me, but I would like to hear a hard-core Batman fan’s take on the subject.

‘Wonder Woman’ trailer reaction exposes intellectual bankruptcy of Paul Feig on ‘Ghostbusters’ critics

The new Wonder Woman trailer came out on Saturday and the reaction has been overwhelmingly enthusiastic. Facebook feeds, Twitter streams, and YouTube videos exploded with excitement at the product. What has missing over the last 24 hours is someone who points out the obvious: Paul Feig’s “slime Ghostbusters critics as sexist” strategy only demonstrated his intellectually bankruptcy.

There are not armies of men (at least in western nations) who have a problem with seeing strong women on film. That was a lie meant to divide people for Sony’s benefit.

The Wonder Woman trailer wraps a giant “lasso of truth” around Mr. Feig’s desperate attempt to save his shoddy product. You cannot get any more “girl power” than Wonder Woman, and every time a shameless Hollywood producer tries play the sexist card in the future they should be punched in the face with the collective fist of fan-approval for Wonder Woman.

‘Justice League’ trailer arrives: Fool me twice, shame on me…

The new Justice League trailer arrived today, and the good news is that it looks awesome. The bad news is that Batman v Superman looked just as amazing and then turned out to be a sloppy mess.

Zack Snyder is an strong visual artist, but at this point in his career it seems like his Achilles heel is a propensity to sign off on scripts that are half-baked.

Check out the trailer below, watch my YouTube video, and then let me know that you think about the fate of Justice League in the comments below. I really hope Warner Bros. took the fans’ criticism to heart, because overall they know what they’re talking about.

Exit question: Can any movie be bad if the trailer use’s “Icky Thump,” by the White Stripes? If Justice League doesn’t do Jack White proud then your friendly neighborhood blogger we be one angry blogger…