The Dark Knight Rises: A conservative review

Christopher Nolan has set the bar mighty high for whomever follows him on the Batman franchise. The Dark Knight Rises might not be the perfect movie, but it’s a superhero film that transcends almost all other superhero films. It succeeds much more often than it fails, and for that Nolan should be proud of what he’s accomplished.

Where was Christopher Nolan supposed to go after the success of The Dark Knight? How could he have possibly topped the second installment of his Batman trilogy? There really weren’t many options, except to make a superhero movie that was more than a superhero movie — and for that Nolan apparently turned to Dickens’ A Tale of Two Cities. The director went for something truly epic — he shot for the moon — and while we can debate whether or not he actually hit his target, it seems pretty obvious that he made it to the stars.

After the second trailer for The Dark Knight Rises came out on May Day, I hoped that years from now political junkies would hear Bane say, “When Gotham burns, you have my permission to die,” and immediately associate him with Keynesian economics and the totalitarian tendencies that spring forth from it. The movie didn’t disappoint, as Bane displays classical training in the rhetoric of leftist dictator-goons throughout history. And if Bane comes across as a Marxist revolutionary, then Selena Kyle is the useless idiot who buys into his snake oil.

Take note of Catwoman, as she displays jealousy, greed, envy and a sense of entitlement all in one minute conversation with Bruce.

Selena Kyle: You don’t get to judge me just because you were born in the master bedroom of Wayne Manor. … I started out doing what I had to. When you’ve done what you’ve had to they’ll never let you do what you want to.

Bruce Wayne: Start fresh.

Selena Kyle: There is no fresh start in today’s world. Any 12 year old with a cell phone can find out what you did. … Everything sticks.

Bruce: Is that how you justify stealing?

Selena Kyle: I take what I need from those who have more than enough. I don’t stand on the shoulders of people with less. … I think I do more to help someone than most of the people in this room — than you.

Bruce Wayne: Do you think maybe you’re assuming a little too much? …

Selena Kyle: You think all of this can last? There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it does you and your friends are going to wonder how you ever thought you could live so large and leave so little for the rest of us.

Ms. Kyle wants to live in a world where she doesn’t have to suffer the consequences of her actions. She made mistakes, and instead of owning up to them she doubles down on a path of deceit. It is only when Ms. Kyle moves in the ideological direction of Mr. Wayne that her fortunes begin to change. Revolutionaries like Bane only bring misery and terror, while men like Wayne offer order, true hope, redemption and selflessness.

Perhaps no better part sums up the difference between Bruce Wayne and his leftist adversaries than the rising climax. The cynical, class-warfare spewing Catwoman intellectually aligned with Bane throughout most of the movie, a man who sought to destroy an entire city to realize his goals. Bruce, on the other hand, proves that he is willing to sacrifice himself for an entire city.

Selena Kyle: Sorry to keep letting you down. Come with me. Save yourself. You don’t owe these people any more. You’ve given them everything.

Bruce: Not everything. Not yet.

Within minutes, Kyle knows that Bruce is the better man, and she falls for him. By the end of The Dark Knight Rises, the man she accused of “living so large” and leaving “so little for the rest of us” has proven himself her superior mentally, physically and spiritually, and she shows her epiphany in dramatic fashion.

As I said before, The Dark Knight trilogy will be, on many levels, the Bane of liberal moviegoers’ existence. No matter what Christopher Nolan does—no matter what he says from this day forward—he can never take back these films (thank God). It’s a gold mine of conservative values waiting to be explored. And, while Nolan’s personal politics might not be conservative, he at least gave the worldview a fair shake. In Hollywood, that’s all conservatism needs to starts winning hearts and minds. Besides, when The Village Voice hates a movie, I know I have something to work with.

If you haven’t seen The Dark Knight Rises yet, check it out while it’s in theaters. Love it or hate it, it’s a movie that’s going to be talked about for a long time.

Dark Knight Rises trailer drops for May Day. Occupy Gotham?

Christopher Nolan has given us a better look at Bane just as May Day hits. Just when leftist movements everywhere plan to hit the streets, The Dark Knight Rises trailer is released. Coincidence, or is Christopher Nolan a genius? Who cares. Just buy your tickets for opening night.

The new trailer for The Dark Knight Rises is out. The response in certain quarters to the first trailer and initial reactions to this one seems to be a squeamishness about how good the movie might be. For some reason people are a bit put off by the dour mood, and I’m not sure if it’s because The Avengers has everyone on an escapist high or if it’s because the talk of conservatism in Nolan’s films has affected his liberal fans.

As I wrote before, it would be a huge victory for conservatives if years from now political junkies who hear Bane say, “When Gotham burns, you have my permission to die,” immediately link it with a Nolan dig at Keynesian economics and the totalitarian tendencies that spring forth from it.

Regardless, the new trailer offers more pure evil, but not quite the kind of terror we had in the second installment. If the Joker was a metaphor for Islamic terrorism, then Bane seems to be a throwback to a Communist-revolutionary standard bearer. Perhaps Che or Marx on steroids?

It’s also interesting that the new trailer would drop right as “International Workers’ Day (May Day) hits. Why would Christopher Nolan want us getting a fresh taste of Bane right when socialist nuts and “Occupy” types plan to hit the streets? Coincidence, or is the man just a genius?

Besides getting to see more evidence that Bane is what happens when terrorist-revolutionaries get hold of the kind of military hardware and explosives they desire, perhaps the most interesting takeaway is this:

Catwoman: You don’t owe these people any more. You’ve given them everything.

Batman: Not everything. Not yet.

You have only given everything after you have given your life. If Christopher Nolan wanted to really turn heads he would have Bruce go full-on Bushido, sacrificing himself in a blaze of glory to save the city he loves.

I think part of the reason an odd number of people are expressing doubt about The Dark Knight Rises is because Nolan’s realism hits too close to home. Terrorist bombs going off in football stadiums. Bridges blowing up as children look on. Methodical, calculating enemies saying things that make you think about your life outside the movie theater. Summer blockbusters are “supposed” to be pure popcorn to a lot of people, but Nolan aims for something more. His fare targets the ticket-buyer who just wants to see things go boom on the screen, but he also targets the person who has a few extra synapses firing in their brain. And that’s why his movies make big bucks.

If you have a chance to buy tickets early for The Dark Knight Rises, I highly suggest doing so. It’s going to be good.

Update: Check out Hotair’s coverage of The Dark Knight Rises trailer.