The Batman v Superman trailer is out, and one thing is obvious: Zack Synder is going with a level of realism that Marvel Studios has shown no desire to duplicate. Anyone who lived through the September 11, 2001 terrorist attacks will not be able to see Ben Affleck’s Bruce Wayne engulfed in dust and debris without thinking of that day. If they decide to accept the director’s decision, then they can appreciate what the visual does for the story — while everyone else sprints away from the carnage, Bruce Wayne hurls himself head first into the chaos. That is the kind of bravery (bordering on psychosis) a man would need for him to seriously attempt to challenge Superman.
There are plenty of valid criticisms that could be made of Mr. Synder’s DC Universe, but it is hard to deny that his Superman exudes raw power. When he is on the screen, he demands respect. The argument that his costume is dated and cheesy just doesn’t fly (no pun intended), because if you can be led to believe that a character possesses the power to exterminate the entire human race, then you will respect him in almost any outfit.
The strength Superman wields is what will (understandably) cause Bruce Wayne to fear the alien and, at least for a portion of the film, seek to destroy him.
Jesse Eisenberg’s Lex Luthor telegraphs exactly what “Batman versus Superman” is about:
“Black and blue. God versus man. Day versus night.”
If a man had the power of a god — but he wasn’t God — wouldn’t he have to be destroyed? The same question would, of course, apply to a … Wonder Woman.
Marvel Studios has a track record of making great movies, but for the most part it has shied away from the level of realism embraced by Christopher Nolan’s Batman films and Zack Synder’s “Man of Steel.” Both kinds of movies can happily exist in the summertime blockbuster market, but Marvel’s problem is that there are only so many times the world can be demolished in a shared cinematic universe before the cotton candy-ish tone seems weird. Perhaps Marvel Studio’s “Civil War” will finally address that problem, but as of now DC has the pole position on superhero fare that makes an audience think about real-world issues.
If you plan on seeing “Batman v Superman,” then let me know what you think about the trailer or anything else related to the movie in the comments section below.
The first images of Henry Cavill as Superman are up and about. He looks good. Case closed, which frees us up to ask the more important question: Who is the Man of Steel? Underneath all those bulging biceps—deep down inside—what’s really making him tick? What motivates him? Who is he at the center of his being?
Because Superman is an American icon, writers and directors worth their salt need to have a firm grasp on America’s core principles. Superman should exude our highest ideals, which is why doing him “right” is extremely difficult. Placed in the hands of a confused writer or pseudo-intellectual, the character will collapse under his own weight. Writer Grant Morrison (who can be brilliant at times) misses the mark when he says:
“Each decade, these characters represent our own best idea of what we’d like to be, our own big idea…Superman started out as a socialist fighter for the oppressed in 1938, but that was the time of the Depression. In the ’80s, he’s a yuppie,” (H/T Four Color Media Monitor).
Wrong. Only bad writers are so lured by a sign of the time that they’d boil a character down to something that can be summed up in pithy pejoratives or political talking points. Only bad writers mistake universal rights for international opinion. Only bad writing essentially creates FDR’s Superman and Reagan’s Superman. Good writing transcends the kind of political sniping Grant Morrison sets the stage for.
I have confidence that Zack Snyder will do Superman proud. In fact, I would argue that his spot-on understanding of Dr. Manhattan (an awesome, yet cynical, take on what Superman would end up like if he existed) has prepared him for the task. He’s ready.
And now, it’s time to watch Rorschach die in all his awesomeness.