Suicide Squad: David Ayer’s film a labor of love — but still a mess

Deadshot

There are two things to know before walking into the theater to see David Ayer’s Suicide Squad:

  1. The movie has more love and care put into its first 30 minutes than Ghostbusters had in its entirety, yet critics rewarded Paul Feig with 73 percent positive reviews on Rotten Tomatoes compared to 27 percent for Ayer.
  2. Suicide Squad is a frustrating mess — particularly its last 30 minutes.

For those who have been living under a rock for the past year, the story goes as follows:

  • Amanda Waller (Viola Davis) is tasked by the U.S. government to put together a team of really nasty people — some who are “meta-humans” — who are willing to confront comparably twisted threats.
  • Deadshot (Will Smith), Harley Quinn (Margot Robbie), Jai Courtney (Boomerang), Diablo (Jay Hernandez), Adewale Akinnuoye-Agbaje (Killer Croc) and Slipknot (Adam Beach) are “recruited” (i.e., captured) for the job. Katana (Karen Fukuhara) and Col. Rick Flagg (Joel Kinnaman) take part in their big mission to keep them honest.
  • Waller’s key asset, Enchantress (Cara Delevingne), goes off the reservation, and before long a Ghostbusters-esque scene clears out an entire city.
  • The Joker (Jared Leto) is on a mission to rescue Quinn from Waller’s clutches.

This sounds like a solid movie, right? It is — at times — and the soundtrack is amazing. The problem for Suicide Squad, however, is that at some point it becomes obvious that the train is going to derail.

Harley Quinn

Perhaps the best example of how much Suicide Squad unravels over two hours comes with the supposed death of a key character. This person, for all intents and purposes, is seen during the climatic battle in very, very, very bad shape. After the crew saves the world, however, this person magically appears without a scratch — not one hair out of place — while wearing a spotless set of clothes.

“How are you not dead?” Deadshot asks.

The audience receives no answer.

Note to David Ayer: Just because you acknowledge a giant plot hole, it doesn’t make the hole go away.

Joker

Oddly enough, the one thing that probably could have made Suicide Squad a better movie would have been to leave the Joker out of it and save him for a showdown with Ben Affleck’s Batman. Jared Leto did not have the screen time needed to shine and his mission to save Harley had no impact on the plot.

Mr. Ayer should have used the Joker’s creative real estate to tighten up his script because the finished product is another mixed bag for Warner Bros. at a time when it needs an undeniable classic.

I suggest seeing Suicide Squad, but you do not want to pay full price. If you see it on an early Saturday or Sunday morning, then you won’t feel as though you wasted money.

Editor’s Note: No one working for Warner Bros. should be yelling “F**k Marvel,” and they really shouldn’t be copping an attitude until their superhero track record improves. It becomes difficult to show any sympathy for Mr. Ayer when this is the way he behaves on the big stage.

David Ayer F Marvel

‘Batman: The Killing Joke’: First 30 minutes, odd sex scene overshadow Joker’s tale

Joker glass

Fans of Batman: The Killing Joke waited since 1988 to get their hands on an animated version of their beloved tale, but it has finally arrived. Is it possible for the product to be anything less than amazing with Kevin Conroy and Mark Hamill providing the voiceover work to a big-budget production of Alan Moore’s tale? The short answer: Yes.

Before we move on, let me first stay that I find central premise of The Killing Joke — we are all just “one bad day” away from becoming the Joker — rather intriguing.

The Joker says:

“Let me ask you something. What does it matter if you send me back to the asylum if it doesn’t matter to me? I’ve proven my point — Gordon’s been driven mad. I’ve demonstrated there’s no difference between me and everyone else. All it takes is one bad day. That’s how far the world is from where I am — just one bad day. You had a bad day once, am I right? Oh, I know I am. I can tell. You had a bad day and everything changed. Dressing up like a flying rat doesn’t hide it. It screams it!

You had a bad day and it drove you as crazy as everybody else, only you won’t admit it! You have to keep pretending that life makes sense, that there’s some point to all this struggling. You make me want to puke. I mean, what is it with you? What made you what you are?

Without getting into too many spoilers, I must say that specific scenes are incredibly thought-provoking, particularly when it comes to exploring the rule of law in a world populated with vigilante superheroes. The Joker conjures up a scheme to prove to his rival once and for all that moral relativism reigns supreme, and he certainly makes the case to those who are not eagle-eyed when it comes to spotting spurious arguments.

Joker Batman book

Where The Killing Joke fails, however, is its well-intentioned attempt to add extra depth and dramatic tension to the script.

Two words come to mind: Batman sex.

Batgirl kiss

Longtime DC readers can correct this Marvel fan if he is wrong, but has Batman ever appeared as anything other than a father figure and mentor to Barbara Gordon? This version of The Killing Joke turns Ms. Gordon into a smitten girl with impulse-control problems and Batman into a caped crusader who robs the cradle.

One can almost hear the internal monologue of screenwriter Brian Azzarello: “If Batman sleeps with Barbara Gordon, then it will sting him even more when he finds out that she was shot by his arch enemy. Then, when he realizes that the Joker raped her — yes, they have both been with the same woman — the audience will understand why Bruce might go over ‘the abyss’ in the end…”

The problem, however, is that a self-contained 30-minute tale simply cannot set the stage for a relationship between the two to grow. It comes across as forced and, quite frankly, creepy. Perhaps this reviewer is in the minority, but the bizarre nature of the scene lingered with me for the entire movie — so much so that I would recommend fans of the comic book consider skipping the first 28 minutes all together.

If you are a fan of DC’s animated movies, then I would suggest watching Batman: The Killing Joke when it comes out on Netflix. It is not worth the $14.99 YouTube charges if you are by yourself, although a fun night can be had if you split the cost three ways with a couple of friends.

Did you see Batman: The Killing Joke? If so, then let me know what you thought in the comments section below. I’d love to hear what you have to say.

Editor’s Note: I always thought that the story behind “The Red Hood” was rather dumb. Moore’s attempt to humanize the Joker by turning him into a failed comedian always seemed lame to me, but I would like to hear a hard-core Batman fan’s take on the subject.