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Marvel’s Chris Evans has tried so hard for so long to convince the world that SJW Captain America is the real deal, but along the way he turned into Hydra-Cap.
Your friendly neighborhood blogger made video on it, but for some strange reason *cough*cough* YouTube is playing all sorts of weird shenanigans so not even my own subscribers can see it.
Why would YouTube be so concerned about a video on the media’s smear of innocent teenager from Covington Catholic High School? Check the link to find out.
Make sure to like and subscribe for those few times I get through YouTube’s Orwellian staff and its algorithm.
It was only a few short years ago — 2015 to be exact — that your friendly neighborhood blogger tried to warn Marvel’s Joe Quesada that seeds of unprofessionalism planted at the company were going to bear bad fruit. He liked to play dumb when readers confronted him on the partisan bile spewed by Dan Slott, Mark Waid, and others within the industry, and in time my predictions came to pass.
Fact: Alienated but social-media savvy readers connected in 2017 on YouTube after years of sounding the alarm bells in small pockets across the internet. Our collective efforts to discuss the need for professionalism, strong storytelling, and honest journalism became known as Comicsgate.
Cut to Mr. Quesada, the company’s chief creative officer. He’s flummoxed. He’s angry. He doesn’t know what to do because guys like Richard C. Meyer, aka Diversity & Comics, have over 90,000 subscribers who are regularly learning just how corrupt the comics industry has become.
What does Mr. Quesada do in response to the new status quo, you ask? Does he admit to dropping the ball in 2015 when he was warned of the coming backlash?
Answer: Of course not. Instead, he looks for the most unstable people on Twitter and tries to exploit their condition. He cozies up to anonymous individuals who spend all day (and many nights) obsessing over Comicsgate and ways to destroy the personal and professional reputations of those associated with it.
In short, Mr. Quesada has tried to weaponize troubled individuals — those who come across like Mark Wahlberg’s character in the 1996 movie ‘Fear’ — against the industry’s critics in an embarrassing display of “ends justify the means” vindictiveness. He literally follows and interacts with what amounts to full-time Twitter trolls because he has no answers for guys like myself, Just Some Guy, That Umbrella Guy, artist Ethan Van Sciver and others.
Yes, telling the truth is always an option, but Mr. Quesada decided at some point in time that honesty and transparency regarding the industry’s problems was off the table.
What Mr. Quesada fails to realize is that it’s no longer 2015. A tipping point was reached with the creation of Comicsgate, and for every underhanded and unprofessional move he (and his ideologue peers) make, tens-of-thousands of people soon hear about it.
Those alienated customers talk. They tell one, two, three, four or more friends about what’s going on. There is a cascading effect — and not in a positive way for Marvel Comics.
That, dear reader, is why more and more people every month are speaking out about the industry.
YouTube, Twitter and other social media platforms have freed consumers from shill websites with Orwellian moderators.
Consumers are better organized, better informed, and unafraid to shine giant spotlights on the immature behavior of men like Mr. Quesada.
There is much more to say, but for a better picture of what’s going on I invite you to watch my latest YouTube video: Joe Quesada exploits Wahlbergian ‘Fear’ clones in blind hatred of Comicsgate.
As always, make sure to hit the “like” and “subscribe” buttons if the format is up your alley.
Also, let me know what you think of Mr. Quesada’s behavior in the comments section below.
There once was a time when Marvel writers and artists didn’t use the Christmas season to go on bizarre and bigoted rants against “white” people. Saladin Ahmed, however, is a sterling example of the “House of Ideas” (or was it the House of Ideologues?) under Sana Amanat and editor-in-chief C.B. Cebulski.
Mr. Ahmed — for years — has publicly offered his “white people” lamentations, and yet he is a.) rewarded for his bigotry by the company’s top brass, and b.) plays the victim with a straight face.
This weekend the Marvel scribe must have watched your friendly neighborhood blogger’s live-stream on his disgusting rhetoric because he came into work on Monday with fresh rants about “right wingers” who are “trying to get me fired.”
Given that Mr. Ahmed is obsessed with white people, it is perhaps fitting that a White Stripes song spotlights what he does after professionally embarrassing himself on social media.
From Jack White’s Effect & Cause:
Well, first came an action
And then a reaction
But you can’t switch ’em ’round
For your own satisfaction
Well you burnt my house down
Then got mad
At my reaction
Well in every complicated situation
Of a human relation
Making sense of it all
Takes a whole lotta concentration, mmm
Well you can’t blame a baby
For her pregnant ma
And if there’s one of these unavoidable laws
It’s that you can’t just take the effect
And make it the cause, no
Take a bow, C.B. Cebulski. While you tweet about your “Air Supply” dreams, Marvel writers are doing everything in their power to alienate readers with bigoted Twitter accounts.
Check out my latest YouTube video for a more extensive look at what is permitted at Marvel on Mr. Cebulski’s watch.
The White Stripes’ Effect & Cause:
Stan “The Man” Lee’s death last week left fans across the world with a heavy heart. Kind words filled Facebook walls, Instagram pages, and Twitter feeds. There were random exceptions (e.g., professional wet blanket Bill Maher), but in general millions of people handled themselves as expected when a beloved public figure exits this world and enters eternity.
Marvel editor Tom Brevoort, however, didn’t get the memo.
Yes, that’s right, one of Marvel’s very own decided it would be a great idea to remember Stan Lee’s life by weirdly turning it into an excuse to play “Who Will Have the Greatest Legacy?”
Tom “King Nothing” Brevoort tweeted:
“Stan Lee was both the best-known comic book editor in the world and the best writer of his era, the 1960s. The fact that others surpassed him in this endeavor by building on what he did changes nothing of it,” (emphasis added).
Ask yourself this question: What kind of person uses the death of an industry giant to immediately begin figuring out creative and professional pecking orders?
Ask yourself this question: What kind of person gives a backhanded compliment about Stan Lee that translates: “Yeah, he was an pretty amazing guy — in the 1960s!
People ask me why and when the movement often labeled “Comicsgate” started. Giving an exact date is a rather pointless endeavor, but readers can glean important information merely by looking into the social-media musings of Mr. Brevoort.
Sadly, the kind of creator who would downplay Stan Lee’s significance right after his death is not the exception to the rule at Marvel Comics these days. Furthermore, the kind of man who is willing to rhetorically hit Mr. Lee below the belt is also the kind of man who is willing to do so to long-time readers.
There is much more to be said, but for a primer on the origins of Comicsgate I suggest watching my latest YouTube video. As always, make sure hit the ‘subscribe’ button if the video format is up your alley.
Once upon a time the term “SJW” was a form of sweet music to the ears of writer Mark Waid. The comics industry veteran literally said in 2017 that he wore it with “pride.”
Something happened, however, between then and now to change his mind: He was sued for tortious interference and defamation by the popular YouTuber Diversity & Comics, aka Richard C. Meyer, aka ‘Ya Boi Zack.’
These days, according to Mr. Waid, calling him exactly what he wanted to be called is “the language of a bully.” Interesting, isn’t it?
One would think that a respectable journalist within the comics industry would ask Mr. Waid why he was allowed to use “SJW” as a rhetorical cudgel in 2017 while standing atop a self-made moral pedestal, yet now the term is a slur that can be used against the Comicsgate movement in court.
Sadly, dear reader, Mr. Waid only goes to shill outlets like Nerdist to discuss his lawsuit. And yes, “shill” is the correct description to use for the creator’s live-stream with Nerdist, given the following: a.) the moderators rushed to delete any chatroom comments on the lawsuit while Comicsgate was simultaneously being framed as a “hate” movement; b.) the host only asked softball questions and agreed with everything Mr. Waid said; and c.) the normal comments section was disabled after the live-stream ended.
If you’re asking yourself why all of this sounds familiar, then simply step into this blog’s time machine and travel to July 26, 2013.
Fact: Your friendly neighborhood blogger was covering “Comicsgate” before it was ever called Comicsgate. Anyone who wants to debunk the industry’s current lies can often do so by mining my old coverage of “Marvel’s Orwellian message boards” and the unprofessionalism by men like *cough* Mark Waid.
There is much more to be said about Mr. Waid’s hypocrisy and his lawsuit with Mr. Meyer, but for brevity’s sake I suggest checking out my latest YouTube video. Please make sure to hit the subscribe button if video content is up your alley.