Dan Slott shoves anti-faith bilge into Peter Parker’s mouth in ASM #25 because reporters shouldn’t believe in God … or something

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Fans of The Amazing Spider-Man plopped down $10 this week to read the start of The Osborn Identity, which was jam-packed with extra stories (some of them not so good). While your friendly neighborhood blogger is happy to talk about the issue as a whole, one exchange in the main story stuck out for the anti-faith claptrap that writer Dan Slott shoved into Peter Parker’s mouth.

Since this issue takes place after The Clone Conspiracy, Peter Parker goes to check on reporter Betty Brant to see how she’s doing. She mentions seeing a spiritual advisor and possibly bringing Aunt May along since her second husband just passed away, to which the hero replies:

“You’re a reporter. You live for facts. When did you start looking to the spirit world?

Note that at this point Peter knew nothing about Betty receiving phone calls from the clone of her deceased husband. All he knew as that she wanted to see a spiritual advisor. And his response?  A condescending remark that people who deal in “facts” should not be turning to spiritual advisors.

Spider-Man fans who subjected themselves to Jose Molina’s atrocious Amazing Grace will note how he also infused Peter with anti-faith smugness. In 2016, however, the message was that faith in God and science are somehow at odds, which is not true at all (my guess is that Dan Slott and Jose Molina have never even heard of Georges Lemaître, for example, but I digress).

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What makes Dan Slott’s decision so weird, as has been stated before, is that it makes even more sense in the Marvel Universe for people to believe in the supernatural because citizens witness it on a regular basis. Peter has literally been to the astral plane, dealt with demons, and knows first-hand that they exist, and yet Dan Slott makes him act like a callous jerk towards a friend who is spiritual.

The absurdity of Peter’s statement is made even more bizarre when, moments earlier, he is seen talking to “Uncle Ben” — a dead man — at his grave. Why would scientists and reporters and superheroes talk to long-dead relatives unless they believed that on a spiritual level their words were being heard?

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And why would Peter behave like such a jerk towards Ms. Brant when Amazing Grace ended with a meeting between he and a priest — “Hey, Father. You got a minute?”

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Here are some historical “facts” for Dan Slott.

  • There was once a man named Jesus who made some pretty “bold” claims (Understatement of All Time Award material, I know.)
  • Jesus was crucified — just as he foretold — for those claims.
  • Jesus’ enemies were so terrified of Him that they literally entombed his corpse behind a giant rock and used an armed guard to watch over it. (Yes, an armed guard for a dead body.)
  • Christ’s own disciples, from a historical perspective, had every reason in the world to say, “Well, I guess it’s over,” after he was executed. False prophets came before him, and all their movements soon died with the individual. But these apostles didn’t turn in the towel. They too were eventually executed for telling all the world that Jesus rose from the dead. They traveled far and wide to tell everyone who would listen that they saw him, that they literally put their hands in his wounds, and that He is exactly who He claimed to be.

I can go on and on (What came before the Big Bang, Dan Slott?), but the point is this: Peter Parker would never behave the way he did in that scene with Ms. Brant because it was a total jerk thing to say. If you think that he would say that — despite hanging on occasion with Doctor Strange … traveling throughout the multi-verse … and generally dealing with the supernatural on a regular basis, then good luck making that case.

If Dan Slott is not a religious man, then that is his prerogative, but he should not turn Peter Parker into a condescending jerk when a story delves into spiritual matters.

With that said, I highly suggest checking out Stillanerd’s review of ASM #25 over at Whatever A Spider Can.

I should also mention that the two of us will be discussing the craft of writing (through an ASM prism) on my YouTube channel on Saturday, March 25. As of now we plan on starting at 3 p.m. EST. Make sure to subscribe and hit YouTube’s little bell icon to receive a notification when we go live.

Dan Slott belly flops in ‘Dead No More: The Clone Conspiracy’ finale

The finale to Marvel’s Dead No More: The Clone Conspiracy is now in stores — or is it? Yes, the event that began with Before Dead No More has technically ended, but there are so many questions left unanswered that readers will now be forced to buy Clone Conspiracy Omega #1 for some semblance of closure.

Months ago I jokingly predicted that Marvel would come up with After Dead No More and Dead No More — No More, and it looks like readers will essentially get just that because “Omega” sounds edgy and cool…but I digress.

Anyway, the one question that fans of The Amazing Spider-Man should ask themselves right now is this: Was it worth it?

Was DNM: CC worth turning ASM proper into supplementary reading material? Was it worth creatively monopolizing the tie-in books? Was it worth digging up the memories of the original Clone Saga? Was it worth the sheer amount of effort expended by Marvel to try and convince people to care about “reanimates” as much as the original characters?

I would definitively say the answer is “no.”

Check out my latest review, and then make sure to head on over to Whatever A Spider Can to read Mike McNulty’s take. He always does great work, and this time it provided me with a much needed assist for a YouTube review of DNM: CC #5.

As always, I look forward to your thoughts in the comments sections below.

Dan Slott’s Clone Conspiracy #4 goes full Ben Wonka and the Chocolate Factory

Your friendly neighborhood blogger wrote on Oct. 12, 2016, that one problem with writing stories about conspiracies is that they sometimes get so big and convoluted that they collapse under their own weight. Dan Slott’s fourth installment of The Clone Conspiracy (along with The Amazing Spider-Man #23), are clear-cut examples to study for any aspiring writing to study.

The problem with The Clone Conspiracy, as is often the case with Mr. Slott’s work, is that he creatively bites off more than he can chew before realizing that he must somehow finish the whole meal on a tight timeline.

Check out my latest YouTube video for the more detailed explanation of why the Marvel event is imploding, and then let me know what you think in the comments below. As always, if you like what you see in the video format, then make sure to subscribe for regular updates.

Mark Waid: ‘Every superhero you love’ is a SJW

There was once a time when activist-writers tried to hide their attempts to hijack comic books and turn them into little more than social-justice propaganda. Writer Mark Waid has changed all that. This week he took to Twitter and told the world that “every superhero you love” marches (or flies or teleports) under a SJW banner.

Check out my latest YouTube video on Mr. Waid’s opinion that comic book writers should look to anti-free speech ideologues for inspiration.

Marvel’s zero-sum politics needlessly damage the comics industry

The partisan politics of modern Marvel Comics creators is a mainstay of this blog, but for the most part it is usually discussed within the context of whatever “red state vs. blue state” argument makes headlines each week. Today, however, I’d like to dig a little deeper into the zero-sum politics of these writers and artists. In short, they act as if any positive development for “Character A” means that “Character B” is negatively affected.

For instance, Tony Stark’s existence as Iron Man was problematic for writer Brian Michael Bendis’ to introduce Ironheart — Riri Williams. Normal people have no problem with a young girl named Riri flying around the Marvel Universe while Mr. Stark does his thing. That is not the case for Marvel writers these days. In the mind of the modern Marvel creator, Mr. Stark needed to be hurt or sidelined or have his reputation sullied in some way so that a minority female character could succeed.

This line of thinking has poisoned Marvel’s decision-making from the top down in recent years, and as long as it continues the industry as a whole will needlessly suffer. For more details on this, be sure to check out my latest YouTube video on the subject. Then, if you like what you’ve seen, be sure subscribe for regular updates.

As always, make sure to let me know what you think in the comments section below.

Amazing Spider-Man #22: Dan Slott’s Clone story tries to be ‘Lazarus Conspiracy,’ fails

Do humans have souls, or are we deluding ourselves into thinking free will exists thanks to a complex series of chemical reactions that take place in our body every moment of every day?

Are humans somewhat like a computer, where the “you” that defines your being can be boiled down to biological code that began running (how fortunate!) with the Big Bang?

These are questions you should ask yourself as you read Marvel’s latest event, The Clone Conspiracy, and its tie-ins to Dan Slott’s run on The Amazing Spider-Man. If you haven’t pondered these questions up until now, then take a few moments to watch my latest YouTube review of ASM #22.

As always, feel free to share your thoughts in the comments section below. I’d like to hear what you have to say.

‘Dead No More: The Clone Conspiracy’ #3 Review: ‘B-Ben? It can’t be you!’

Marvel’s fall Spider-Man event, Dead No More: The Clone Conspiracy, was such a sprawling story that it broke from the core book, The Amazing Spider-Man, and requires die-hard fans to also buy The Prowler. That isn’t necessarily a bad thing, but it should raise red flags among potential customers that some issues will likely be stuffed to the brim with information to make the tale work.

DNM #3 is a perfect example of the logistical obstacles writer Dan Slott created for himself as he began to weave this story together. There is a lot — I repeat, a lot — going on, not to mention the big reveal at the issue’s end. My quick take is that he and artist Jim Cheung did a decent job juggling important tasks, but that a key character’s history is at risk of being tarnished by the time all is said and done.

Check out my latest YouTube review for a run-down events and some brief commentary on the return of a character from Peter’s past. I will probably do a more comprehensive analysis of these ASM-related developments in the near future, but until then I’d still like to hear your thoughts on DNM #3’s surprise ending.

Mark Waid and Dan Slott: How hyper-partisan writers hurt Marvel

The modern American comic book industry is a shadow of its former self. There are numerous reasons for this, but one contributing factor is the emergence of activist-writers. Companies like Marvel claim to want to reach a “diverse” audience, but these days its employees spend an inordinate amount of time demonizing nearly half of its potential customers.

Two writers who perfectly encapsulate the “activist-writer” problem for the industry are Mark Waid and Dan Slott.

If you have been wondering why Marvel’s sales are lagging these days, then check out my newest YouTube video below. Then, let me know what you think in the comments section below.

Also, make sure to subscribe if YouTube videos on the comic industry are up your alley. I try to get out at least one per week.

Renew Your Vows #1: Conway, Stegman give fans the Peter Parker they have deserved for years

It’s here — The Amazing Spider-Man: Renew Your Vows. There is much to say on this issue (and I may do up a full re-write in the near future), but my latest YouTube review should suffice for now. Check it out and let me know what you think of Gerry Conway’s and Ryan Stegman’s work in the comments section below.

Finally — finally — the throngs of fans who hated One More Day get the Peter Parker they deserve. Huzzah!

Dan Slott says ‘favorite Spider-Man villain’ is ‘Peter Parker,’ yearns for deal with ‘ultimate devil’

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Marvel’s release of Dead No More: The Clone Conspiracy this week brought with it an obligatory round of promotional interviews. Therefore, it was reasonable to conclude that writer Dan Slott of The Amazing Spider-Man would say something to prove how he fundamentally misunderstands Peter Parker. A recent interview with The Hollywood Reporter was all it took, as he said his favorite Spider-Man “villain” is, in fact, Peter Parker.

Regular readers of this blog remember how an October 2015 entry — Dan Slott: Peter Parker’s love for Mary Jane is ‘anti-Marvel’ — was accused of being taken “out of context,” despite the fact that full context (and an hour-long embedded YouTube video) was provided.  Therefore, your friendly neighborhood blogger will preemptively draw attention to the fact that I am linking to the full Hollywood Reporter interview, asking you to read it in its entirety, and going out of my way to provide full context.

THR’s Graeme McMillan and Mr. Slott had the following exchange:

Graeme McMillan: You have fans complaining that you don’t “know” Spider-Man.

Dan Slott: Despite the fact that I’ve written one out of every five issues of Amazing Spider-Man, which is kind of scary. But, to me, the fun of it is, at his basic core, even if you strip away ‘with great power must come great responsibility,’ what makes Peter Parker this character that resonates with all of us is that he’s really the first character who’s you. He’s the guy you know. He’s not a wealthy billionaire playboy, he’s not an alien from another planet, he’s not a god from a pantheon. He’s the guy down the block who trips and falls, who screws up in every way that you screw up. All the self-destructive traits that you have, and your friends have, he has. People say to me, ‘Who’s your favorite Spider-Man villain?’ and my answer is Peter Parker, because no-one can mess up Spider-Man’s life like Peter Parker can.

One of those fans who “complains” that Dan Peter’s-love-for-MJ-is-anti-Marvel Slott does not “know” Spider-Man (or, rather, Peter Parker) is right here, so let us begin.

Words mean something. The words we use have consequences. There is great power in words, and with that comes great responsibility. Therefore, it stands to reason that being imprecise or flippant with a word like ‘villain’ can lead to terrible results — even if we have good intentions.

Mr. Slott says “no-one can mess up Spider-Man’s life like Peter can,” but we know that his rogue’s gallery is filled with homicidal monsters, megalomaniacs with a desire for genocide, at at least one literal demon who successfully severed the bond between he and his soulmate, Mary Jane.

Question: Why on earth would a writer pretend that “villain” is synonymous with “fallible human being”?

Answer: Because a writer like Dan Slott is the kind of person who publicly admits he wants a hero like Peter Parker making deals with a devil.  Heroes do not consciously make deals with devils — villains do. If Peter Parker is described as a guy who tries his best but isn’t perfect, then Mr. Slott’s vision cannot be realized. The language needs to change. Readers need to be convinced that their hero is simultaneously a villain, and that it’s acceptable.

That is perverse. That is sick. That is naked moral relativism, and it is propagated by a man who mistakes writing a character for a long time with doing it well (i.e., Saying, “I’ve written one of every five issues of Amazing Spider-Man,” in response to charges of not knowing Peter Parker).

Let us return to his THR interview:

Dan Slott: The Jackal has expanded his science. He’s not getting it from a blood sample, he’s getting it from a corpse. It’s all the memories, all the way up to your death —

Graeme McMillan: So they’re complete copies.

Dan Slott: Yes! They remember everything, all the way up to that last moment. It’s less a clone — I wanted to brand them, and the Jackal brands them, ‘re-animates.’ It’s different than a clone, it’s better than a clone. And in that moment, the Jackal becomes the ultimate devil you can make a deal with. He becomes the person who says, ‘If you’ve lost anyone, I can give them back to you. Whatever person you’ve loved or lost, or maybe someone who tormented you and lost, I can bring them back to you.’

Ignore the fact that clones would know that they are clones and immediately branch off into a completely different life-path than his or her progenitor. What matters here is that Mr. Slott a.) attaches a very specific word — ‘villain’ — to the hero, and b.) admits that he wants said hero/villain making deals with an “ultimate devil.”

If you are a long-time reader of The Amazing Spider-Man, look at Mr. Slott’s track record and ask yourself if he was being glib or if he says what he means and means what he says. It is this blogger’s contention that when he says Peter Parker is a villain, he means it. And he gets away with it because many people who are repulsed by such a premise buy ASM out of their life-long love for the character.

Things will only change when enough readers vote with their wallet. (Exacerbating the problem are access-addicted comic book websites that are terrified of offering legitimate criticism, but I digress.)

Anyway, I’d love to hear your thoughts on the “villainous” Peter Parker and the writer behind his reign of terror. Let me know what you think in the comments section below.

Update: Dan Slott is now unblocking people on Twitter who discuss this blog post, and then trying to hide behind some weird excuse that Stan Lee would have called Peter Parker a “villain.” You can’t make this up. Classic! (Hat tip to reader JB for the catch.)

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