Imagine you were a Marvel editor not too long ago and someone said, “We should totally bring back Ben Reilly from the infamous Clone Saga days. That would be cool. People liked him and his fans will flock to a book if we give him his own series.”
Got it? Now ask yourself this question: If you wanted the base of your book to consist of long-time Ben Reilly fans, would you a.) Turn the character into a crazed man out of something from Fight Club, or would you b.) Try to woo loyal readers with something resembling the character in their mind’s eye for almost 20 years?
Marvel went with the first option for Scarlet Spider, which is rather odd. That’s the bad news. The good news is that Peter David seems to be doing his best with the marching orders he’s been given in the first issue.
Reasonable men who pay for The Amazing Spider-Man expect Peter Parker to serve as its main attraction. Likewise, reasonable men believe that an editor would never allow an issue of The Amazing Spider-Man to go to print with a mere two panels allotted to the protagonist. These days, however, reason is in short supply at Marvel Comics, which is why ASM #24 not only turns the main character into an afterthought, but also manages to annoyingly serve as a faux-addendum to Dead No More: The Clone Conspiracy. Why? Because Clone Conspiracy Omega #1 also fills that role.
Confused? Frustrated? Saddened at the state of affairs for your friendly neighborhood Spider-Man? Well, dear reader, you’re not alone! Tune into my latest YouTube review to hear my thoughts on The Amazing blink-and-you-missed-him-Spider-Man #24.
As always, feel free to share your comments below — and subscribe to the channel if the format is up your alley.
The finale to Marvel’s Dead No More: The Clone Conspiracy is now in stores — or is it? Yes, the event that began with Before Dead No More has technically ended, but there are so many questions left unanswered that readers will now be forced to buy Clone Conspiracy Omega #1 for some semblance of closure.
Months ago I jokingly predicted that Marvel would come up with After Dead No More and Dead No More — No More, and it looks like readers will essentially get just that because “Omega” sounds edgy and cool…but I digress.
Anyway, the one question that fans of The Amazing Spider-Man should ask themselves right now is this: Was it worth it?
Was DNM: CC worth turning ASM proper into supplementary reading material? Was it worth creatively monopolizing the tie-in books? Was it worth digging up the memories of the original Clone Saga? Was it worth the sheer amount of effort expended by Marvel to try and convince people to care about “reanimates” as much as the original characters?
Your friendly neighborhood bloggerwrote on Oct. 12, 2016, that one problem with writing stories about conspiracies is that they sometimes get so big and convoluted that they collapse under their own weight. Dan Slott’s fourth installment of The Clone Conspiracy (along with The Amazing Spider-Man #23), are clear-cut examples to study for any aspiring writing to study.
The problem with The Clone Conspiracy, as is often the case with Mr. Slott’s work, is that he creatively bites off more than he can chew before realizing that he must somehow finish the whole meal on a tight timeline.
Check out my latest YouTube video for the more detailed explanation of why the Marvel event is imploding, and then let me know what you think in the comments below. As always, if you like what you see in the video format, then make sure to subscribe for regular updates.
Marvel’s fall Spider-Man event, Dead No More: The Clone Conspiracy, was such a sprawling story that it broke from the core book, The Amazing Spider-Man, and requires die-hard fans to also buy The Prowler. That isn’t necessarily a bad thing, but it should raise red flags among potential customers that some issues will likely be stuffed to the brim with information to make the tale work.
DNM #3 is a perfect example of the logistical obstacles writer Dan Slott created for himself as he began to weave this story together. There is a lot — I repeat, a lot — going on, not to mention the big reveal at the issue’s end. My quick take is that he and artist Jim Cheung did a decent job juggling important tasks, but that a key character’s history is at risk of being tarnished by the time all is said and done.
Check out my latest YouTube review for a run-down events and some brief commentary on the return of a character from Peter’s past. I will probably do a more comprehensive analysis of these ASM-related developments in the near future, but until then I’d still like to hear your thoughts on DNM #3’s surprise ending.