Tag: Marvel

Daredevil, Elektra sizzle under Soule’s and Buffagni’s direction

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DD Elektra

I never thought a modern Daredevil writer would make me bust into cheesy clichés, but here it is: It’s hot in Hell Kitchen under Charles Soules’ and Matteo Buffagni’s direction! Heck, kudos to color artist Matt Milla as well. Daredevil #6 kicks off “Elektric Connection” and the return of Elektra. The entire issue crackles with sexual tension, fisticuffs, and one very broken arm (sorry, Blindspot).

Here is what readers need to know: Soule keeps it simple and sweet:

  • Daredevil’s secret identity has been restored and no-one is the wiser — including Elektra.
  • The famous assassin shows up at a New York City bond hearing as Murdock is trying to work. She knows he has a connection to Daredevil and wants a meeting ASAP.
  • The “meeting” (or rather, beating) commences in short order.
  • Elektra wants to know what Daredevil has done with her daughter, and vows to “cut away every lie” in his body if he doesn’t give her answers.

Perhaps the best way to describe Soules’ writing is “efficient.” Words are not wasted. Each word means something. Each sentence is important. There is a plan. Both he and Buffagni know exactly what they need to do. They execute their respective jobs to the hilt. It is a welcome reprieve after digesting Marvel fare like The Amazing Spider-Man # 11.

Murdoch Elektra date

In one brief interaction between Matt Murdock and Elektra at a “lawyer bar,” one can see why Daredevil is one of the strongest titles on the market at the moment. In addition to Buffagni’s gorgeous art, it is obvious that Mr. Soule is a man who has had complex, mature relationships with the fairer sex.

Take, for instance, Murdock’s decision to meet with Elektra for a drink after she shows up at a bond hearing. His head is separated into an upper and lower half by Buffagni’s panels. Yes, he is “split” between being Daredevil and a New York City prosecutor, but he also spars between his logical  self and his bodily passions. Matt does not want to tell Elektra where Daredevil is, but he also would really like to sleep with her again.

Needless to say, our Catholic superhero will have some explaining to do in the confession booth on Sunday. Murdock sets up a meeting between Daredevil and Elektra, and things get ugly fast. At one point Blindspot shows up and within seconds his arm is broken and he is off to see Night Nurse. Murdock finally has enough pussyfooting around and channels his inner Michael Keaton as Batman (i.e., “You wanna get nuts? Let’s get nuts!”).

Daredevil Elektra fight

The issue ends, as mentioned earlier, with Elektra demanding to know the location of her daughter. Whatever Daredevil did to essentially mind-wipe the world of his secret identity has a great upside, but it also appears as though it will come with painful consequences.

If you’re looking for a top-notch Marvel book, then go with Daredevil. The protector of Hell’s Kitchen has not been this cool in a long time.

Bonus: Michael Keaton getting “nuts” as Bruce Wayne never gets old.

Amazing Spider-Man #11: Hero says ‘you didn’t see that coming’ after pushing villain into pure ‘power’

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ASM11 SpiderMan

Imagine you are a superhero. You have tracked an international terrorist for months as he feverishly looked for an inter-dimensional field of pure “power” and “information.” In short, your suspect wanted to locate a “door into the future.” You catch up to him at the very moment he finds his target. Would you decide to push the terrorist into a quantum field of infinite possibility and lock the door, or would you try to pull him out?

Dan Slott’s Spider-Man chooses the former and says, “I bet you didn’t see THAT coming.”

Fans of The Amazing Spider-Man do not typically expect their hero to aid villains in their evil machinations, so it is true that most of them probably would not have anticipated such a move. Touché, Dan Slott. Touché, indeed.

ASM11

Here is an easy experiment: Glance at your front door. If you were standing under the threshold and a man pushed you inside, locked it from the outside and exclaimed, “Well, we don’t need to worry about that guy anymore,” then how would you react?

My guess is that you would laugh at the man’s stupidity before opening the door and demanding your key back. In a worst-case scenario you would go out your garage, a back door, or possibly one of many windows.

Key

The Amazing Spider-Man #11 is technically the culmination of many months of stories surrounding the Zodiac terrorist group, its mastermind Vernon Jacobs, and his plan to usher in the “age of Scorpio.” The issue was supposed to serve as this story’s climax, but in the end Peter Parker “saves” the world by kicking the can down the road — one year to be precise.

Note: Superheroes are not supposed to treat villains like the U.S. treats its $19 trillion debt and then declare victory. It doesn’t work that way. Regardless, here is the abridged version of how ASM #11 unfolds:

  • Nick Fury turns the International Space Station into a giant beacon for Morse code and sends Scorpio’s location to Spider-Man since most of earth’s satellites are inoperable.
  • Spider-Man, Anna Maria, and Living Brian (aka: Doctor Octopus), and Mockingbird  arrive at Greenwich, London, to stop Scorpio but are quickly dispatched by a giant energy pulse from the Zodiac Key.
  • A doorway to the future is opened and Jacobs reveals that he is the grandson of the original Scorpio, Jacob Fury.
  • Spider-Man decides the best way to defeat Scorpio — as the portal telepathically gives him immense power and precognition — is to push him through and shout, “Take a closer look!”
  • Peter Parker tells Mockingbird he “smacked [Scorpio] into next year,” and she jokes that he did it so they have an excuse to spend more time together.
  • Anna Maria tells Peter that Mockingbird likes him, and then tries to make her “jealous” by clinging to his arm.
  • Doctor Octopus witnesses the “intolerable” act and vows to make his “superior return!”

Regular readers who are disappointed with how the Zodiac tale wrapped up should look at the bullet points above and notice an ongoing trend: Dan Slott, fittingly, often expends more care setting up future events than he does with the task at hand (i.e., telling a tight and compelling story in the here and now).

ASM11 Scorpio push
“It’s ‘so clear now’? You can ‘see it all’ with the power surging through your veins and the information flowing through your brain? Let me just push you closer into a field of infinite possibility…even though you’re evil.”

Just as Batman v Superman faltered because the writers spent too much time trying to set up a Justice League movie, Slott’s ASM regularly falls flat because he focuses too far into the future. No one except Mr. Slott and his good friends will care if 10,000 plot points over the course of ten years can be amusingly traced on a Saturday night if the stories connecting them are mediocre.

It is unfortunate, but once again ASM’s creative team over-promised and under-delivered. Giuseppe Camuncoli should take a bow for consistently stellar art, but he may want to ask to work on a title where his efforts are not a metaphorical life raft.

Exit Question:

The International Space Station orbits the earth at over 17,000 miles per hour. Someone can correct me if I am wrong, but ASM appears to have been written like it is a fixed object in space. My guess is that Morse code would not have been a possibility for an object orbiting that fast at 155 miles above the earth.

ISS

Editor’s Note:

The Amazing Spider-Man may be the first Marvel comic to actually acknowledge the existence of the Islamic State group. The first person who can confirm this one way or the other will win a “Doug Prize.”

ASM11 Scorpio

Mark Waid says Captain America more ‘difficult’ to write now than WWII era … as ISIS takes sex slaves

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Captain America Simon Kirby

Your friendly neighborhood blogger recently picked up Marvel’s “Captain America Anniversary Magazine” in his local comic book shop. The (free) special edition is indeed quite special. Unfortunately, one of the ways it is special is its ability to show how spotty the writing has been over the course of 75 years.

A kind of moral clarity existed at Marvel years ago that allowed for Steve Rogers to literally punch out Adolf Hilter on the cover whereas, these days, the Islamic terrorist groups are ignored in favor of attacks on the tea party.

ISIS terrorists
An ISIS terrorist executes an innocent man in Iraq. Meanwhile, over in America, Marvel editors wonder if it’s appropriate to do another story where Captain America takes on the tea party. Sad.

Writer Mark Waid inadvertently demonstrated why, 75 years from now, people will look back at this era and shake their heads in shame that Marvel was deathly silent on the issue of Islamic terrorism.

Marvel: A popular — and effective — approach writers take to the character is to look at what it means to be Captain America, the living symbol of a nation. You’ve certainly used this approach, and used it well. What makes him such a good character for that kind of examination?

Waid: First and foremost, it’s the thing that makes him unique among superheroes. You’re always going to be making a mistake if you just tell a generic superhero story with Cap because then it comes across as, “Well, this could have been a Spider-Man story or a Hulk story.” You look for the point of view that makes Cap unique and the reason for what he does. In his case, he’s out there being literally a symbol not only for a country, but also for an ideology. And what makes him a complex and interesting character for me is that it has become a much more difficult ideology to define than it would have have been when he first undertook his mission.

Wrong. The principles espoused in the Declaration of Independence are universal. Those principles are codified into law by the U.S. Constitution and transcend petty politics, which is why anyone who writes Captain America should not have a hard time doing so — unless said writer is a partisan guy who finds it “difficult” to rise above his personal biases.

ISIS

Question: Why on did Joe Simon and Jack Kirby have a moral compass that allowed them to call out the Nazi regime in print, but Mark Waid and modern Marvel writers cannot find it within themselves to do an issue on ISIS sex-slaves?

Answer:  Because they are so politically correct that they would rather attack opponents of illegal immigration than the Islamic terrorists who rape young women over and over and over.

ISIS sex slave survivor

The modern Marvel reader can find Captain America taking on tea party members, but they cannot find an issue where their hero stops Syrian members of ISIS from lighting caged innocents and Christians on fire.

Islamic State Jordanian pilot

The idea that it is harder to write Captain America as a symbol for the country in 2016 than it was in March 1941 is a myth. There are plenty of stories to tell that would capture the nation’s highest ideals as enshrined in the Declaration of Independence, the U.S. Constitution, and the Federalist Papers. If a writer is incapable of doing that then it isn’t because the world is more complex — it is because he willingly chooses not to expose pure, unadulterated evil.

Editor’s Note: For a glimpse into the mind of Mark Waid — and why he might have a difficult time writing Captain America — one needs to simply glance at his Twitter feed. 

Mark Waid

Mark Waid Twitter

Black Panther #1: Ta-Nehisi Coates debut a mixed bag for Marvel fans

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Black Panther 1

Marvel Comics announced months ago that it would hand the reins of Black Panther to Ta-Nehisi Coates — a guy who believes the U.S. should consider paying reparations to modern black Americans for injustices inflicted upon their ancestors. At the time I said I doubted I would read the book, but ultimately I could not resist seeing how the activist would perform. Black Panther #1 is certainly a fascinating read, but not all of the reasons will make Marvel’s editors happy.

Comic book fans will soon get to see T’Challa, warrior king of Wakanda, on the big screen in Captain America: Civil War. That excitement has propelled Black Panther #1 to impressive sales (300K), but the question at hand is whether or not the book will have staying power. My prediction is that if Coates keeps T’Challa in Wakanda for an extended period of time — while boxing out other top-tier Marvel characters in the process — it will sink under its own weight.

Here is where things stand as of BP #1:

  • T’Challa has returned to reclaim his kingdom after an extended absence.
  • The king’s sister, Shuri, assumed the throne while he was gone but died during an invasion by Thanos.
  • Wakanda has an “elite female royal guard” called Dora Milaje that assists T’Challa in protecting the kingdom. One of them, Aneka, is sentenced to death for murdering a village chief known for abusing women.
  • A mysterious adversary planted seeds of deception across the nation, which pits citizens against one another.
  • Ayo, one of the Dora Milaje, breaks Aneka — her lover — out of prison. The two don stolen “midnight angel” suits and vow some form of revenge because “no one man should have that much power.”
  • T’Challa tries, unsuccessfully, to resurrect his sister from the dead using Wakanda’s advanced technology.

Readers who say, “It seems like there is a lot going on here,” would be correct. Coates is asking his audience to stick with him as he maps out Wakanda’s history and a whole host of characters. The author’s intelligence and organizational skills are evident throughout the book, but it remains to be seen whether the journey will actually be fun. Black Panther has gravity, but too much gravity can be highly unpleasant.

Black Panther

T’Challa’s mother tells him at one point in the book, “It is not enough to be the sword, you must be the intelligence behind it.” That is a great message, but my fear at this point is that Coates’ desire to write a cerebral superhero may cause him to needlessly sacrifice the kind of action and adventure that translates into return customers.

Take, for example, Wakanda’s “midnight angel” lesbian lovers. There is no doubt that Coates will give them more respect than deceased dictator Moammar Gadhafi granted his “Amazon Guards,” but guys like me have no desire to drop $5.00 per issue reading about the heartache of Aneka and Ayo over T’Challa’s rule.

Likewise, liberation movements along “the Nigandan borer region” may work for an issue or two, but at some point in time Wakanda’s internal politics become just as boring as anything George Lucas dished out during Phantom Menace or Attack of the Clones.

Black Panther Aneka

Black Panther #1 is a worthy experiment on Marvel’s part to see if political commentators can make the transition from academia to the Marvel universe, but the jury is still out on whether it should be added to your pull-list at the local comic shop.

I suggest checking out this blog (shocker) over the next few months before making a financial investment in the book. If Coates produces a winner, then you will certainly read about it here.

Dan Slott’s Peter Parker: ‘I’m an idiot’ (Fans wonder when recurring theme will end)

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ASM 10 Scorpio

Readers of The Amazing Spider-Man know that a recurring theme under writer Dan Slott’s watch has been Peter Parker’s Sudden Onset Idiocy (we’ll call it SOI), such as forgiving multiple women in his inner circle who allied with corporate saboteurs or terrorists groups to destroy his company. ASM #4 featured the time a child had to clue him in on how to stop a terrorist attack. Years from now, however, it appears at though ASM #10 will cited more often as the quintessential Slottian Spidey.

The latest issue of ASM takes place moments after the hero’s “nuke the fridge” moment — Spider-Man has fallen to earth like a meteor and survived. The terrorist leader Scorpio stands over Spider-Man ready to administer a death blow when his Gemini minions earn their deus ex machina badge. They tell Scorpio that he will miss “The Ascension” if he uses an extra second to blast through Frenchmen acting as a human shield for the hero.

Luckily for Peter, Anna Maria Marconi and Living Brain (i.e., Doctor Octopus) arrive in a flying car to help him locate the villain once he escapes. They eventually track him down to the Chunnel, where SOI rears its ugly head — Parker tries to spray his web-shooters forward on a train going 186 miles per hour and then somehow comes to the conclusion that Scorpio — who would be firing an energy weapon backwards — can’t get “a good shot either.”

Scorpio inexplicably decides to target Anna and Living Brain instead of Spider-Man, who can barely keep his footing on the fast-moving train and is rendered highly immobile. The terrorist escapes again.

With time running out before The Zodiac take control of the future, Peter needs to find clues as to where Scorpio might be. He’s stumped. SOI returns, but Doctor Octopus hidden within Living Brain jogs his memory regarding ways to track Scorpio’s movements.

“Brain. I’m an idiot. And YOU, are one smart robot!” Peter says for the intellectual assist.

ASM 10

The trio eventually wind up in the home of Vernon Jacobs, Parker Industries’ “biggest shareholder and investor.” After admitting that Jacobs (aka: terrorist Scorpio) was his “Secret Santa” for Christmas, Peter’s SOI kicks in and he asks Anna for help figuring out how Parker Industries’ technology was exploited.

Anna (who does not suffer from SOI) tells Peter to utilize his employees, calls them in for a hologram meeting, and harnesses their collective genius to quickly figure out what Scorpio has been up to for months.

ASM 10 Anna

The issue comes to a close with Scorpio appearing via a hologram and threatening to use his inside knowledge of Parker Industries to bring it all crashing down.

Spider-Man responds by saying Peter would still have “responsibility” if his company tanked, and that “losing it all” would be worth it if the end result were Scorpion’s defeat. Fans are asked to come back next month for a showdown that should have happened seven issues ago.

If readers are looking for a graphic analogy for ASM’s Zodiac story line, I will liken it to a bout of diarrhea I recently suffered while on vacation: It was funny at first for all the wrong reasons, annoying and embarrassing, repetitive, it went on for far too long, and in the end it was downright exhausting.

The stars are speaking, and this story needs to come to a close as soon as possible. Scorpio is a dud as a villain, which is always unfortunate, but he is now a failed foil who will have consumed at least eleven issues of ASM during its latest relaunch.

Do not buy this book unless you enjoy seeing Peter Parker repeatedly bailed out after outbreaks of Sudden Onset Idiocy.

Editor’s Note: Did anyone else find it odd that Peter Parker could run calculations in his head that would allow him to enter Earth’s atmosphere as a human meteor, but he doesn’t know how to convert kilometers to miles? There’s that SOI again…

Bendis gives Miles ‘toughest villain yet’: Christian grandmother

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SP3 promo

The promotional material for the third issue of Brian Michael Bendis’ Spider-Man promised Miles Morales would go up against “his toughest villain yet.” It did not disappoint, as the young hero and his family are subjected to an irascible jerk of a woman for most of the book. I found myself at times shocked that social-justice obsessed Marvel would allow a minority character to be written with so many flaws until Bendis disclosed the reason why: She’s a Christian hypocrite.

Miles Grandmother

Spider-Man #3 is a perfect example of how Marvel’s track record for inserting politics into comics alienates fans and mars an otherwise good title. It also shows how a good writer can subtly insert an agenda into his book so that many readers will be none the wiser.

Unlike other writers at Marvel, Bendis understands that most people will not care about the character under the mask if his personal life is not adequately developed. Readers will not be invested in supporting cast members if they randomly fly past the hero’s obit on occasion like a comet.

If Miles’ grandmother is going to play a huge part in his life moving forward, then it makes sense that an entire issue would be devoted to introducing her to the audience. If not, then the decision was a waste of time. I’m inclined to give Bendis the benefit of the doubt due to his track record.

Miles Dad

The problem, at least as far as this reader is concerned, is that once again a Marvel book shines an unfavorable light on Christianity.

Miles grandmother generally acts like a buffoon. The way she treats his father is horrible. She shows zero respect for her own daughter. She barrels through the house and leaves anger and confusion in her wake, and then when she tries to show a softer side she tells Miles, “Let Jesus be your guide.”

Indeed, that is great advice. Unfortunately, it seems as though the only time Marvel talent puts a spotlight on Christianity it is in a negative light.

  • Dan Slott of The Amazing Spider-Man tells Christians who win legal cases before the U.S. Supreme Court to go to “Christ-Land.” (I’m still waiting for him to tell a bunch of Jews to go to Jew-topia over a similar disagreement, but I don’t think that will happen.)
  • Nick Lowe dresses up as the pope for Halloween for laughs because dressing up as Mohammed or an Orthodox Jew would require personal and professional courage.
  • Dan Slott used the San Bernardino, California, terror attack to mock Christians who prayed to God after the massacre.
  • Jose Molina’s “point” tales in ASM turned Peter Parker into The Amazing Spider-Atheist — so much so that he called God a “lie” after Uncle Ben’s death.

Under normal circumstances there would be no reason to care about having a Christian hypocrite appear in the Marvel universe because everyone is guilty of hypocrisy at some point. We are all fallible.

The reason why it is an issue with Marvel as a company is because there is a repeated pattern of anti-Christian sentiment disseminated by its staff.

Jose Molina’s Peter Parker will call God “a lie,” but where is the Marvel character who openly calls God “the Truth” in print? Daredevil is a Catholic, but his faith is regularly ignored and Tom Brevoort makes jokes of that fact on Formspring. 

How sad is it that fans of the character have to watch the Netflix series to see him go to confession or make the sign of the cross?

Brevoort Formspring Daredevil

Brian Michael Bendis will introduce a Christian hypocrite who is incredibly grating to readers, but when will they get a Christian character who is the modern equivalent of Saint Francis, Dom L. Scupoli Apulia, G.K. Chesterton, St. John of the Cross, etc.?

Regular readers of this blog know that I have given Bendis’ work great word of mouth for months — for both Invincible Iron Man and Spider-Man.

I want to support Marvel, but there is almost no reason to do so when time after time its creators needlessly take sucker punches at my faith or political persuasion.

Miles Morales Grandma

With that said, the only other development in the issue involves Black Cat, who apparently wants to go after the “new” Spider-Man in town.

Marvel’s insistence on portraying Black Cat as a wannabe Mafia Queen is laughable. As is the case with every other editorial misstep, the guys in charge would rather dig their heels into a stupid-trench than admit they were wrong.

Black Cat Hammerhead

Spider-Man #3 is an important issue in terms of establishing family dynamics that will come into play in the months ahead, but it should also serve as a red flag for potential customers of faith.

When there is a chance to denigrate your worldview, Marvel will almost always jump at the opportunity. Its best writers insult you with kind of finesse that on some level is impressive, but they insult you nonetheless.

Do not buy this book if you are sick and tired veiled and unveiled political pot shots by Marvel’s writers and editors.

Exit question: Should I continue reviewing Bendis’ Spider-Man? On some level I feel as though it is important to shed light on what Marvel is doing. My thought process is that I may spend $50 a year reviewing a book, but exposing political or religious suck-punches will cost the company more in the long run. Let me know what you think in the comments section below.

Invincible Iron Man #8: ‘Ninjas and robots and Rhodey…oh my!’

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IronMan8

Say what you want about Brian Michael Bendis, but the man’s self-awareness is better than 95 percent of the rest of the writers employed by Marvel. When he knows a particular story is open to criticism, he tends to find ways to subtly acknowledge the problem within the issue as a way of disarming bloggers like yours truly.

Take, for example, Invincible Iron Man #8, which is bursting at the seams with all it’s trying to accomplish. It is busy, busy, busy — but at one point Spider-Man says of the situation, “Ninjas and robots and Rhodey in his embarrassing boxers, oh my!”

Touché, Mr. Bendis. Touché.

For those who have not been reading the story, it goes as follows: Tony Stark offered a job to Mary Jane, Rhodey disappeared in Japan trying to find bio-hacking ninjas, and Spider-Man was called to help find him.

IIM #8, again, is a very busy issue. Mary Jane appears to walk away from Stark’s job offer (we know that won’t last), Iron Man and Spider-Man look for Rhodey, and it all culminates in a battle involving a horde of ninjas and a gigantic Iron-Man-inspired suit that utilizes mysterious technology.

Question: Is it a good issue?

Answer: Yes — with one minor caveat.

The problem with writers who take on Tony Stark and Peter Parker is that sometimes they use the sarcasm button too many times in a single issue. Yes, both men are masters at the one-liner. Yes, both men use sarcasm to mask all sorts of fears and insecurities, but it is possible to overdo it. Using such a trait when it’s uncalled for makes a character come across as a jerk. Luckily for Bendis, he realizes that one way to add extra gravity to the book is to find a situation so dangerous that it finally shuts Tony up.

IronMan8 Tony

Whoever this new villain is, he or she found a way to leave Tony speechless by the last page. It was a welcome surprise after countless panels of Iron Man, Spider-Man, and Rhodey all basically blowing off what appeared to be a serious opponent.

In many ways IIM #8 was going to succeed or fail based upon what happened on the final page, and it is safe to say that Bendis … detonated it.

IM8 explosion

Invincible Iron Man continues to be one of Marvel’s most carefully crafted books. If you want stories by a “writer’s writer,” then you should check out Bendis. If you want “nuke the fridge” moments reminiscent of Indiana Jones and the Kingdom of the Crystal Skull, then I suggest checking out Dan Slott’s run on The Amazing Spider-Man.

Bendis Bonus:

If you’re like me, then you were glad to see that Bendis seems to feel the same way about Spider-Man’s stupid glowing spider on the new suit. In response to finding out that Iron Man’s suit has A.I., Spider-Man says, “Cool. My spider glows now for no apparent reason.”

Zing!

IronMan SpiderMan

 

 

Charles Soule’s Daredevil: ‘The man without fear’ done right

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Daredevil 5

Marvel is a strange company. On any given week readers might find themselves subjected to something as cringeworthy as The Amazing Spider-Man 1.4, or as spectacular as writer Charles Soule’s Daredevil. Your friendly neighborhood blogger is late to Soule’s ballgame, but it appears as though he and artist Ron Garney are in the middle of something truly special.

Blindspot

For those who haven’t purchased issues 1-4 of Daredevil, the story goes something like this:

  • Matt Murdock is now a New York City prosecutor (it’s about time!).
  • A Chinese illegal immigrant named Samuel Chung has become Daredevil’s protege.
  • A criminal named Tenfingers split from The Hand, stole some mystical power on his way out the door, and started his own cult.
  • The Hand sent a zombie-like being known as The Fist to exact revenge.
  • Tenfingers orders the assassination of everyone inside his church because they are witnesses to his failure. He cannot be seen as a savior if there is evidence of a setback.
  • Chung’s mom works for Tenfingers.

DD Blindspot

I haven’t followed Daredevil in years, but it appears as though the last time the book looked this cool — coupled with solid writing — was the 1980s. I tried to get into Daredevil on and off over the years, but this is the first time the title appears to have that “pop” that the defender of Hell’s Kitchen deserves.

If Mr. Soule doesn’t get too weirdly political with Chung’s immigration status, then I can certainly envision myself investing in this title for the long haul. Well done, Messrs. Soule and Garney.

Molina’s Spider-Atheist: God ‘a lie’ because Uncle Ben died

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ASM Peter

Peter Parker’s origin has been told numerous times over the course of decades, but one thing that has remained consistent is that he primarily blames himself for Uncle Ben’s death. Writer Jose Molina, however, used the publication of The Amazing Spider-Man 1.4 to give Peter an easy way to avoid responsibility for his behavior on that day. Who does Peter blame for his uncle’s death? Answer: Jesus.

Yes, that’s right, Molina’s Amazing Spider-Atheist had his beliefs solidified on the day he infamously told a cop that looking after “number one” was all that mattered — right before the fugitive he let escape killed his uncle. It was all God’s fault, which is why years later the character is obsessed with proving that Julio Rodriguez did not return from the dead and miracles are all lies. (Note: At no point in this story does Peter bother to think about that time he died and came back to life…or the times he interacted with dead loved ones.)

SpiderMan fugitive

Sadly, this tale requires Anna Maria Marconi to be the voice of reason by mentioning that man’s purpose in time is, as Whittaker Chambers put it, not God’s purpose in eternity.

It seems safe to say that God would not be God if his totality were transparent to self-centered teenagers and cocksure adults, but that never dawns on Molina’s Peter Parker; acting out of character can do that to a superhero.

ASM AnnaPete

Perhaps the only bright spot in this story is that it will soon be over. Spider-Man goes full-Batman, dangles Julio’s murderer over a balcony, and finds out that dying was always Rodriguez’s intention. He apparently needed to sacrifice himself — just as he had to sacrifice his father in the previous issue.

Spider-Man finally tracks Julio down and he admits that his resurrection was all part of a plan to restore faith in mankind. The two are separated when a police helicopter unleashes a hail of bullets, and the next time readers see Julio he is in church allegedly talking with Jesus. This “Jesus” (we’ll just assume Julio has been possessed by a demon and give Molina the benefit of the doubt) promises that superheroes will come to Rodriguez like “lambs to the slaughter.”

ASM Julio

The final page of ASM 1.4 asks, “You want to know what happens next? Don’t miss The Amazing Spider-Man 1.5.”

Well, yes, I do want to know what happens next, but for all the wrong reasons.

  • Will Suddenly Spider-Atheist be vindicated?
  • Will Jesus be a new Marvel villain? (I wouldn’t put it past Marvel these days.)
  • Will Julio actually be possessed by a demon, or will he be a cyborg that will allow Spider-Atheist to rest easy at night?

Julio Rodriguez may have returned from the grave in this story, but copies of this book certainly deserve to be buried six-feet under.

RELATED: Dan Slott uses terror attack to mock Christians, play partisan politics

‘Captain America: Civil War’ trailer: Spidey, and more proof Russo bros. on point

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Tony Stark Civil War

The second trailer for Captain America: Civil War was released Thursday, and it is good. Correction: It is excellent. It looks as if directors Joe and Anthony Russuo, along with writers Christopher Markus Stephen McFeely, will handle “Civil War” like is should have been years ago in the comics. Who is right? Who is wrong? The comic books — predictably — went with stupid political potshots instead of exploring complex issues in ways everyone could enjoy.

How do political leaders maximize security and individual liberty when man is fallible and capable of horrendous deeds? It’s a good question. Markus and McFeely appear to understand that’s it’s not as simplistic as “Conservatives, bad! Liberals, good!” as the writers in Marvel’s comics division would have you believe.

The exchange between Tony Stark and Steve Rogers in the trailer portends good things to come on May 6:

Tony Stark: That’s why I’m here. We need to be put in check. Whatever form that takes, I’m game.

Stever Rogers: I’m sorry, Tony. If I see a situation pointed south, I can’t ignore it. Sometimes I wish I could.

Tony Stark: Sometimes I want to punch you in your perfect teeth.

Steve Rogers: I know we’re not perfect, but the safest hands are still our own.

It is telling that Captain America’s rebuttal to Tony’s call for a “check” on people with superpowers is to acknowledge that he has no self-control.

Steve Rogers is obviously a good man, but a.) Not all men are good, and b.) The individual with an all-consuming desire to right wrongs in a fallen world is, in fact, dangerous.

Captain America Civil War

Captain America: Winter Soldier showed that there are legitimate reasons to fear and distrust the federal government, but Rogers appears to have decided that because man-made institutions are subject to the shortcomings of men, then he should be given a license to act outside the rule of law. When Stark talks about punching Rogers in his “perfect teeth” it resonates with viewers because Captain America smugly but unwittingly stands upon a moral pedestal.

How strange is it that Tony Stark understands The Federalist Papers better than Captain America?

“If men were angels, no government would be necessary. If angels were to govern men, neither external nor internal controls on government would be necessary.” — Federalist 51, James Madison.

These are the questions the Russo brothers seem ready to explore with maturity and professionalism, and for that fans should be grateful. Sadly, the comic book writers tend to dish out partisan slop and then feign indignation when they’re taken to task.

Tony Stark Cap

Finally, it is good to know that Spider-Man will make an appearance in a great movie for the first time in years. While it is frustrating that Marvel Studios was not able to wrestle full control of the character from Sony Pictures, at least fans know there will be a “check” on Sony’s habitual stupidity.

Check back in at this blog opening weekend for a full review of Captain America: Civil War. I’m looking forward to your feedback.

SpiderMan Civil War