Marvel’s zero-sum politics needlessly damage the comics industry

The partisan politics of modern Marvel Comics creators is a mainstay of this blog, but for the most part it is usually discussed within the context of whatever “red state vs. blue state” argument makes headlines each week. Today, however, I’d like to dig a little deeper into the zero-sum politics of these writers and artists. In short, they act as if any positive development for “Character A” means that “Character B” is negatively affected.

For instance, Tony Stark’s existence as Iron Man was problematic for writer Brian Michael Bendis’ to introduce Ironheart — Riri Williams. Normal people have no problem with a young girl named Riri flying around the Marvel Universe while Mr. Stark does his thing. That is not the case for Marvel writers these days. In the mind of the modern Marvel creator, Mr. Stark needed to be hurt or sidelined or have his reputation sullied in some way so that a minority female character could succeed.

This line of thinking has poisoned Marvel’s decision-making from the top down in recent years, and as long as it continues the industry as a whole will needlessly suffer. For more details on this, be sure to check out my latest YouTube video on the subject. Then, if you like what you’ve seen, be sure subscribe for regular updates.

As always, make sure to let me know what you think in the comments section below.

Iron Man #2: Bendis makes Riri Williams perfect, but perfect is boring

Question: When is an Invincible Iron Man book not an Invincible Iron Man book?

Answer: When Brian Michael Bendis needs to buoy sales while his new — seemingly perfect — female character named Ironheart tries to gain traction with potential customers.

If you want to know how the progression of Riri Williams is going over at Marvel these days, all you need to know is that the editorial philosophy seems to be that all new female characters need to be perfect to avoid criticism from feminists on Tumblr. The problem for writers like Mr. Bendis, however, is that “perfect” tends to translate “boring” on the page.

Humans have flaws, which is one of the many reasons why Peter Parker and Tony Stark are so relatable. When a character is the most intelligent, funniest, superaweseomecoolest (on word) person in the room, then it’s just lame.

Anyway, if you want to hear the full rundown, then check out my latest YouTube review for IIM #2 and let me know what you think in the comments section below.

Amazing Spider-Man #22: Dan Slott’s Clone story tries to be ‘Lazarus Conspiracy,’ fails

Do humans have souls, or are we deluding ourselves into thinking free will exists thanks to a complex series of chemical reactions that take place in our body every moment of every day?

Are humans somewhat like a computer, where the “you” that defines your being can be boiled down to biological code that began running (how fortunate!) with the Big Bang?

These are questions you should ask yourself as you read Marvel’s latest event, The Clone Conspiracy, and its tie-ins to Dan Slott’s run on The Amazing Spider-Man. If you haven’t pondered these questions up until now, then take a few moments to watch my latest YouTube review of ASM #22.

As always, feel free to share your thoughts in the comments section below. I’d like to hear what you have to say.

Daredevil #14: Charles Soule’s inspired run continues

This blog has been a consistent supporter of Charles Soule’s work on Daredevil since the series started, and nothing changes in that respect with Dark Art Part V. Any comic book fan who has gotten to know and love Blindspot over the past year needs to prepare for some pain with DD #14, because the villain Muse changes the character’s life forever.

Check out my latest YouTube review on the series and then let me know what you think in the comments section below. And, as always, be sure to subscribe if you want to see new videos on a weekly basis.

‘Dead No More: The Clone Conspiracy’ #3 Review: ‘B-Ben? It can’t be you!’

Marvel’s fall Spider-Man event, Dead No More: The Clone Conspiracy, was such a sprawling story that it broke from the core book, The Amazing Spider-Man, and requires die-hard fans to also buy The Prowler. That isn’t necessarily a bad thing, but it should raise red flags among potential customers that some issues will likely be stuffed to the brim with information to make the tale work.

DNM #3 is a perfect example of the logistical obstacles writer Dan Slott created for himself as he began to weave this story together. There is a lot — I repeat, a lot — going on, not to mention the big reveal at the issue’s end. My quick take is that he and artist Jim Cheung did a decent job juggling important tasks, but that a key character’s history is at risk of being tarnished by the time all is said and done.

Check out my latest YouTube review for a run-down events and some brief commentary on the return of a character from Peter’s past. I will probably do a more comprehensive analysis of these ASM-related developments in the near future, but until then I’d still like to hear your thoughts on DNM #3’s surprise ending.

Mark Waid and Dan Slott: How hyper-partisan writers hurt Marvel

The modern American comic book industry is a shadow of its former self. There are numerous reasons for this, but one contributing factor is the emergence of activist-writers. Companies like Marvel claim to want to reach a “diverse” audience, but these days its employees spend an inordinate amount of time demonizing nearly half of its potential customers.

Two writers who perfectly encapsulate the “activist-writer” problem for the industry are Mark Waid and Dan Slott.

If you have been wondering why Marvel’s sales are lagging these days, then check out my newest YouTube video below. Then, let me know what you think in the comments section below.

Also, make sure to subscribe if YouTube videos on the comic industry are up your alley. I try to get out at least one per week.

Civil War II No. 7 perfectly explained by Miles Morales: ‘This is weird. Even for people like us’

Brian Michael Bendis’ Civil War II #7 is finally out, although the “summer” event still has one more month to go. On deck is Marvel’s Inhumans vs. X-Men. If you want to know what the company’s obsession with hero vs. hero tales means for our cultural mosaic, then check out my latest YouTube video below.

If you like what you see, then make sure to subscribe for future reviews. And, as always, let me know what you think in the comments section below.

Brian Michael Bendis’ obsession with racial politics returns with ‘Invincible Iron Man’ relaunch

Imagine that you grew up reading Iron Man comics books. You love anything with Tony Stark, but for some reason Marvel’s Brian Michael Bendis was given the green light to make him disappear like a terrorist taken to a CIA black site. You’re annoyed, but at the same time you want to be open-minded about the creative possibilities of an “A.I. Tony Stark” mentor to some young kid named Riri Williams. You open the book, and just like multiple other stories by Mr. Bendis, you’re served up a giant helping of racial politics.

Question: Would you continue to read the book?

If you want a better idea of why so many readers want nothing to do with Marvel these days, then check out my latest Youtube review of Invincible Iron Man. If the format resonates with you, then make sure subscribe for future installments on your activist-writers within the comic book industry.

Related: Invincible Iron Man #1: Civil War II delays mar Riri Williams debut

Dan Slott’s Amazing Kaine: Peter Parker sidelined in ASM#21 — just like ASM #18, ASM #17, Spider-Verse, Silk intro, Superior Spider-Man, etc.

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Fans of The Amazing Spider-Man have had a rough couple of years. Peter Parker was “killed” for an extended amount of time and replaced with Doctor Octopus as Superior Spider-Man. The book was relaunched, but multiple issues seemed to focus on the arrival of a new character, Silk. Spider-Verse lumped Peter Parker in with an army of spider-powered heroes. Then the title was relaunched again with Peter Parker as a poor man’s Tony Stark. Lately, Prowler and Doctor Octopus essentially monopolized entire issues, and Dead No More: The Clone Conspiracy, for all intents and purposes, renders ASM the supplementary reading for a Spider-Man tale.

ASM #21 continues Dan Slott’s frustrating habit of sidelining Peter Parker in his own book, this time in favor of Scartlet Spider, aka Kaine.

Here is what you need to know for ASM #21:

  • Kaine did not die during the events of Spider-Verse, but “The Other” that kept him healthy did.
  • Karn (now Master Weaver), shows Kaine the “dreaded fate” of multiple words as seen through the Web of Life and Destiny.
  • Through Kaine’s investigations into the zombie-plagued worlds he finds out that Parker Industries is tied to every outbreak.
  • Kaine eventually teams up with Gwen Stacy, Spider-Woman of Earth-65.
  • Gwen and Kaine figure out that Peter Parker has teamed up with Jackal in multiple worlds, which inevitably triggers a zombie apocalypse.
  • Karn tells Kaine that the Web of Destiny tells him there is a secret being kept from him. Kaine admits that his cellular degeneration is far advanced and that he will likely die soon. He hopes to save his home world before that happens. Karn agrees not to tell Gwen.

Reviewing an issue like ASM #21 is a tricky task, because Marvel wants readers to look at it within the broader context of DNM, but at the same time readers demand to know how it ranks as a standaline issue of The Amazing Spider-Man. The company has needlessly created a kind of psychological tension in fans who want compelling stories, but at the same time expect (logically) an issue of ASM to highlight Peter Parker.

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If one were to review ASM #21 solely within the framework of Dan Slott’s ongoing Clone Conspiracy tale, then there is nothing particularly wrong with the book. In fact, Kaine is a cool character and would probably be a much easier sell than Prowler for an ongoing series (and that is not a knock on Sean Ryan, who seems to be doing the best he can in a bad situation).

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If, however, one reviews ASM #21 in terms of its ability to showcase Peter Parker, then the book is once again off the mark. The title regularly feels like writer Dan Slott gets bored with his Peter Parker “toy,” and then attempts to alleviate that condition by rummaging through his “toy box.” The result is that Peter Parker is nominally the hero of his own book.

My suggestion for Peter Parker fans who are tired of him getting the shaft in his own book would be to pick up Gerry Conway’s and Ryan Stegman’s Renew Your Vows. There is nothing inherently wrong with DNM, but at this point it just feels like another instance where the team’s starting quarterback is weirdly relegated to a shared role with back-up players.

Related:

Dan Slott’s Spider-Verse: Peter Parker sadly gives off ‘Where’s Waldo?’ vibe in his own book

Dan Slott’s feckless Peter Parker needs Doctor Octopus to inspire Uncle Ben: Spider-Verse Part 5

Dan Slott’s excitement, focus return in Amazing Spider-Man #18 with Doctor Octopus in limelight

Dan Slott’s emasculated Spider-Man: Peter Parker is an embarrassment in his own book

Dan Slott deactivates Twitter over ‘pro-Trump’ rhetoric, joins Humberto Ramos in self-imposed safe space

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If there were stocks in safe spaces, then Donald Trump’s presidential election would send them through the roof. The Nov. 8 election forced artist Humberto Ramos to run for the “blue” hills last week, and now Marvel writer Dan Slott has deactivated his account due to “pro-Trump” rhetoric (i.e., there are more people standing up to Dan’s obsessive political tweets — even after endless rounds of blocking people — than his mind can handle).

Marvel’s lead scribe for The Amazing Spider-Man informed his Facebook followers on Monday that he has so little self control that his best option for Twitter right now is to “remove the temptation.”

Mr. Slott claims Donald Trump’s adviser, Steve Bannon, is a “white nationalist,” but as usual he provides no credible evidence to back his claims.

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To make such inflammatory charges would be like this blog discussing Dan Slott’s own history of bigoted statements towards Christians without linking to the evidence. But since this blog is concerned with backing up its claims there will always be links, videos and screenshots for readers to consider.

Dan Slott Christians

Dan Slott telling Christians who just won a case at the U.S. Supreme Court to go to “Christ-Land” is just as bad as CNN contributor Van Jones saying Donald Trump was elected president by a “whitelash,” but activist-writers are master practitioners of selective moral outrage.

Question: What would Dan Slott’s reaction be if two years from now Democrats perform well during midterm elections and Steve Bannon refers to their “blacklash” performance?

Question: What would Dan Slott’s reaction be if two years from now a Jewish group wins a case at the U.S. Supreme Court and Steve Bannan tells them to go to “Jew-ville”?

The answer in both cases is that Dan Slott would lose his mind on social media and cite the man’s words as proof-positive that he is a monster.

The reason why activist-creators in the comic industry and Hollywood are melting down before your eyes is not necessarily because Donald Trump will be the 45th commander in chief.

What really upsets these people is that Mr. Trump’s commanding victory has emboldened millions of Americans to finally — finally — push back against the endless charges of racism and bigotry leveled their way over mere differences in opinion.

My suggestion to readers for the day Dan Slott inevitably returns to Twitter is to continue defending your position, no matter how many different ways he tries to impugn your character. He will either block you (take it as a badge of honor), or retreat once again into a safe-space of like-minded peers.

Maybe Dan Slott and Joss Whedon can plot a coup together, even though we both know they would never be on the front lines…

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