Tag: Thor

‘Avengers: Age of Ultron’ trailer begs the question: How can Joss Whedon not direct ‘Avengers 3’?

October 24, 2014October 24, 2014by Douglas Ernst8 Comments

By now the entire world has seen the teaser trailer for Marvel’s Avengers: Age of Ultron. There really is only one word to describe it: awesome. The first movie made over $1.5 billion worldwide. It seems fair to say that $2 billion this time around is a distinct possibility. However, if director Joss Whedon delivers the goods — and all signs point to ‘yes’ — then it begs the question: How can he walk away from a climatic Avengers 3?

Over the past few weeks it’s been rumored that Marvel wants Joe and Anthony Russo to sign on for the 3rd and 4th Avengers movies, but it feels as though everything is building to Avengers 3. Only Marvel knows if that is the case, but I can’t help but feel as though walking away before completing an Avengers trilogy would be a bizarre move on Mr. Whedon’s part.

Directing a movie on as big of a scale as The Avengers must be physically and mentally exhausting. The time away from family and the pressure it puts on the director must be unbearable. However, if Mr. Whedon has set the stage for the superhero movie of all superhero movies to be Avengers 3, then passing on the job would be like the quarterback who leads his team down the field at the end of the big game, only to walk off the field on the opponent’s 20-yard line.

Regardless, for those who were too dazzled by the visuals of the teaser trailer to pay attention to the narration, it appears as though Whedon is going Empire Strikes Back-dark with this installment.

Ultron: “I’m going to show you something beautiful — everyone … screaming for mercy. You want to protect the world, but you don’t want it to change. You’re all puppets tangled in strings. String. But now I’m free. There are no strings on me.”

Then there is this exchange between Tony Stark and Natasha Romanoff:

Tony Stark: “It’s the end. The end of the path I started us on.”

Natasha Romanoff: “Nothing last forever.”

Meanwhile, an eerie rendition of “I’ve Got No Strings” from Disney’s Pinocchio plays in the background. (The merger between Marvel and Disney continues to pay off in interesting ways.)

It’s hard to see how Marvel can continue to keep this momentum going. The Black Widow is right: “Nothing lasts forever.” Eventually, Marvel will create a movie that implodes under its own weight. Eventually, all waves crash against the shore. Regardless, when that happens it will be hard not acknowledge that it was one wild ride.

Marvel turns Thor into She-Thor, fails at Jedi mind trick to convince fans otherwise

July 15, 2014July 17, 2014by Douglas Ernst183 Comments

The brilliant minds at Marvel Comics — the guys who thought it was a stroke of genius to turn Doctor “I just tried to kill six billion people” Octopus into Spider-Man for over a year — are back again, and this time they’re turning Thor into a woman. Only they’re insisting that they’re not creating a “She-Thor.”

The politically correct company once known for great comic books writes:

Who is she? Where did she come from and what is her connection to Asgard and the Marvel Universe?

“The inscription on Thor’s hammer reads ‘Whosoever holds this hammer, if HE be worthy, shall possess the power of Thor.’ Well it’s time to update that inscription,” says Marvel editor Wil Moss. “The new Thor continues Marvel’s proud tradition of strong female characters like Captain Marvel, Storm, Black Widow and more. And this new Thor isn’t a temporary female substitute – she’s now the one and only Thor, and she is worthy!”

Series writer Jason Aaron emphasizes, “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is THOR. This is the THOR of the Marvel Universe. But it’s unlike any Thor we’ve ever seen before.”

These are not the Thors you’re looking Thor.

Sad. Pathetic. The most hilarious part are the fans saying, “But you haven’t read it yet!” — as if Marvel’s attempt to shoehorn politically correct mush down readers’ throats isn’t enough to warrant any kind of negative feedback.

Just as many fans would not have minded having Doctor Octopus swinging around New York City with spider-powers — provided Peter Parker wasn’t killed to make it happen — many fans are not opposed to a Norse goddess flying around earth — provided that the Thor they’ve always known and loved isn’t unnecessarily tinkered with to make that happen.

What’s next on Marvel’s list? Perhaps Bruce Banner has always been transgender. Maybe Reed Richards has always felt like a woman and he should start using his powers to mold his body in ways that better represent his (her?) true self. Where does it end? For the sake of “diversity” Marvel can come up with any hair-brained idea and then demonize its own fans who say, “Wow, that’s really dumb.”

If Marvel wants more strong female characters, then it should hire writers who can invent them. No one cares about that. Fans do care, however, when writers take a character who is a man and arbitrarily fill his role with a woman.

The problem Marvel has is that it wants diversity for the sake of diversity, but it’s not willing to do the hard work it takes to bring memorable characters into existence. It takes some serious brain power to come up with a break-out superhero that will capture the hearts and minds of generations of readers. There must be many misses with new characters before there is a hit. Marvel’s solution in this case: just make Thor a woman. Either it’s a temporary stunt or it is a real attempt at injecting a new strong female character into the Marvel Universe by using a cheap short cut. And if it is a stunt, why should Marvel get to hoist itself upon the moral pedestal of Gender Righteousness to begin with?

The odds of this idea working out as the new status quo are probably not very good, since Marvel is trying to head off the “She-Thor” label before it begins. Unfortunately, “She-Thor” is already here.

I’m looking forward to Marvel’s next attempt at creating a more gender-diverse field of superheros — Tony Stark will become “Toni” Stark because there aren’t enough female CEOs in the Marvel Universe.

‘Thor: The Dark World’: Tom Hiddleston makes Marvel’s job easy

November 10, 2013November 10, 2013by Douglas Ernst62 Comments

Dark Elves, monsters and Tom Hiddleston as Loki in ‘Thor: The Dark World’ — what can go wrong? Not much, really. Audiences seem to agree:

Marvel Studios and Disney’s Thor: The Dark World thundered its way to a $86.1 million domestic launch as it continued its global assault, finishing the weekend with a sizeable $327 million in worldwide ticket sales.

That’s an impressive start considering the first Thor, which debuted to $65.7 million domestically in May 2011, grossed $449.3 million globally in all. The sequel nabbed one of the top November openings of all time in North America, although it couldn’t quite match the $88.4 million earned by Skyfall on the same weekend a year ago.

Marvel Studios is making it look easy at this point, which is rather impressive given the number of moving parts each of these films have. Kevin Feige, President of Production at Marvel Studios, must be eating his Cheerios or Wheaties over the last couple of years, because his job performance has been strong.

Anyone who goes to ‘Thor: The Dark World’ looking for a complex plot will be disappointed: Creatures of darkness want to fill all of existence filled with darkness. Thor must stop them. He does. The end.

Those who are looking for a little action, a little adventure, a helping of humor and a good dose of Tom Hiddleston’s Loki making everything he touches awesome will be pleased. Adopted kid who has all sorts of issues with mother, father and brother constantly plots and plans ways to show that he loves them — and hates them — to death. The end.

Chris Hemsworth does a fine job as Thor — he looks the part, is believably noble and worthy of Mjolnir — but it’s the nature of his relationship with his adopted brother Loki that makes the trek to the movie theater worth it. Hiddleston, in many ways, is the glue that holds the whole thing together. Without him, ‘The Dark World’ becomes an exponentially duller film. It may seem sad that, in his own movie, Thor needs Loki in order to achieve his full box-office potential, but is it really? You can’t have Yin without Yang, and you can’t fully appreciate Thor’s honor without holding him up to the actions of his mischievous brother.

At one point in ‘The Dark World’ Thor says, “Mother wouldn’t want us to fight.” Loki’s response: ” But she wouldn’t be that surprised.” Note to Thor: moviegoers want you to fight. We like when the anger and the jealously and the sibling rivalry plays out on screen because in our own mini-Asgards we deal with it every day. Do we overcome the pettiness and achieve great things, or do we give into our darker half and do as Loki would? If we see ourselves as manipulators, do we manipulate to serve our own selfish ends, or do we manipulate others so that they might soar? Seeing that struggle as depicted by Hiddleston is what elevates Marvel’s second Thor movie from “I’ll wait until it’s on Netflix” to “I’ll be there opening weekend sitting one row behind the girl with the Thor outfit on.”

If you’re looking for a fun “popcorn” movie to see this November, make a trip to see Thor’s second solo movie. If you want to see something that is critically acclaimed that doesn’t lend itself to carelessly flicking popcorn into your mouth, see “12 years a slave.”

Note: To the person who sees Marvel movies and then continues to leave as soon as the end credits begin to roll, I have a question for you: Why? You know you’re not supposed to, but you do it anyway. I say this out of love: Get with the program, already.

Pelosi seeks ‘windfall profits’ tax on Avengers ticket sales

April 16, 2012April 16, 2012by Douglas Ernst5 Comments

THOR (Chris Hemsworth) (L) and CAPTAIN AMERICA (Chris Evans) (R) — If House Democrats have their way, your favorite Marvel superheroes will be hit with a "windfall profits" tax once an arbitrarily defined level of success has been met. Republicans argue that this will result in fewer superhero movies making it to the market.

House Minority Leader Nancy Pelosi is trying to find an 11th hour solution to Marvel Studios’ The Avengers, which is primed to be one of this summer’s biggest blockbusters. Sources close to producers Avi Arad and Jon Favreau have confirmed that the California Democrat has been in touch with Marvel Studios, and that a “windfall profits” tax will be in place before Friday, May 4 if Democrats can cobble together enough votes.

The Associated Press received the following from Pelosi’s office late Monday:

“Investments.” “Risk.” “Reward.” Such is the language of the Republican Party. Extremists. The GOP would have you believe that it was a “risk” to set up an Avengers movie with a series of films based on many of the individual characters: Thor, Hulk, Iron Man and Captain America. They would have you believe that an Avengers movie was no sure bet, and that the hundreds of millions of dollars spent on these movies and their marketing campaigns by no means guaranteed success. Rubbish! It’s high time Hollywood paid its fair share. If Democrats have their way, Marvel Studios will be the first to pay a windfall profits tax on its flagship characters, in addition to their corporate taxes (which also need higher rates). Warner Bros. will then follow suit in August, when The Dark Knight Rises takes number one at the box office. Behind every Bruce Wayne and Tony Stark movie are greedy Hollywood producers; that will change starting today.

The Hollywood Reporter seems to back up the Minority Leaders predictions, at least in this isolated case, although the philosophical debate is something that will have to be settled inside the Beltway on on cable news airwaves:

Avengers also is tracking better than Lionsgate’s blockbuster The Hunger Games, which posted a record March bow of $152.5 million to score the third-best opening of all time behind Deathly Hallows Part 2 and Dark Knight, respectively.

According to first tracking, unaided awareness in Avengers is 13 percent, compared with 10 percent for Dark Knight and 11 percent for Hunger Games; first choice is 23 percent, tying with Hunger Games and higher than the 19 percent for Dark Knight.

Total awareness is 85 percent, compared with 76 percent for Dark Knight and 74 percent for Hunger Games; definite interest is 61 percent, versus 62 percent for Dark Knight and 54 percent for Hunger Games.

Asked to comment, House Majority Leader John Boehner set up a stark (pardon the pun) contrast between Republicans and Democrats:

“The windfall profits tax proposed by Democrats will go nowhere because Americans want more Marvel movies, not less—and taxing Marvel Studios will result in less movies. Let me tell you what House Republicans will do to this bill in a way that Marvel fans—and fans of The Hulk—can all understand. BOEHNER SMASH!“