Dark Elves, monsters and Tom Hiddleston as Loki in ‘Thor: The Dark World’ — what can go wrong? Not much, really. Audiences seem to agree:
Marvel Studios and Disney’s Thor: The Dark World thundered its way to a $86.1 million domestic launch as it continued its global assault, finishing the weekend with a sizeable $327 million in worldwide ticket sales.
That’s an impressive start considering the first Thor, which debuted to $65.7 million domestically in May 2011, grossed $449.3 million globally in all. The sequel nabbed one of the top November openings of all time in North America, although it couldn’t quite match the $88.4 million earned by Skyfall on the same weekend a year ago.
Marvel Studios is making it look easy at this point, which is rather impressive given the number of moving parts each of these films have. Kevin Feige, President of Production at Marvel Studios, must be eating his Cheerios or Wheaties over the last couple of years, because his job performance has been strong.
Anyone who goes to ‘Thor: The Dark World’ looking for a complex plot will be disappointed: Creatures of darkness want to fill all of existence filled with darkness. Thor must stop them. He does. The end.
Those who are looking for a little action, a little adventure, a helping of humor and a good dose of Tom Hiddleston’s Loki making everything he touches awesome will be pleased. Adopted kid who has all sorts of issues with mother, father and brother constantly plots and plans ways to show that he loves them — and hates them — to death. The end.
Chris Hemsworth does a fine job as Thor — he looks the part, is believably noble and worthy of Mjolnir — but it’s the nature of his relationship with his adopted brother Loki that makes the trek to the movie theater worth it. Hiddleston, in many ways, is the glue that holds the whole thing together. Without him, ‘The Dark World’ becomes an exponentially duller film. It may seem sad that, in his own movie, Thor needs Loki in order to achieve his full box-office potential, but is it really? You can’t have Yin without Yang, and you can’t fully appreciate Thor’s honor without holding him up to the actions of his mischievous brother.
At one point in ‘The Dark World’ Thor says, “Mother wouldn’t want us to fight.” Loki’s response: ” But she wouldn’t be that surprised.” Note to Thor: moviegoers want you to fight. We like when the anger and the jealously and the sibling rivalry plays out on screen because in our own mini-Asgards we deal with it every day. Do we overcome the pettiness and achieve great things, or do we give into our darker half and do as Loki would? If we see ourselves as manipulators, do we manipulate to serve our own selfish ends, or do we manipulate others so that they might soar? Seeing that struggle as depicted by Hiddleston is what elevates Marvel’s second Thor movie from “I’ll wait until it’s on Netflix” to “I’ll be there opening weekend sitting one row behind the girl with the Thor outfit on.”
If you’re looking for a fun “popcorn” movie to see this November, make a trip to see Thor’s second solo movie. If you want to see something that is critically acclaimed that doesn’t lend itself to carelessly flicking popcorn into your mouth, see “12 years a slave.”
Note: To the person who sees Marvel movies and then continues to leave as soon as the end credits begin to roll, I have a question for you: Why? You know you’re not supposed to, but you do it anyway. I say this out of love: Get with the program, already.