Bendis debuts ‘Iron Maiden’ in Iron Man #10 while Tony goes deep undercover

Iron Man Franco

Brian Michael Bendis’ Invincible Iron Man has employed a cloak and dagger sensibility for ten issues now. Readers have more or less been treated to a solid tale of corporate espionage, but at some point in time even the most patient readers will move on. There needs to be a payoff to months of running around in the shadows, and luckily it seems as though IIM #11 will be the issue to deliver.

Perhaps the best way to describe IIM #10 is to liken it to a man at a talent show spinning plates. Bendis jumps around to multiple locations to keep his “Tony,” “Rhodey,” “Riri,” and “Mary Jane” plates moving long enough to get to his grand finale. What would be a total disaster in lesser hands (e.g., Jose Molina’s “point” issues in The Amazing Spider-Man) is handled well, and as a result it appears as though IIM #11 will be a must-read.

Before we move on, here is what you need to know about IIM #10:

  • Tony has gone under cover as the former Navy SEAL and S.H.I.E.L.D. agent “Franco.” Biohack ninjas in Japan take him hostage in the middle of the night because their leader wants to know more about him (he saved Yukio when her illegal gambling operation was raided).
  • Tony meets face-to-face with  Tomoe, aka “Techno Golem,” an Inhuman who can control technology. After proving his hand-to-hand combat skills with her biohack ninjas, she tells “Franco” (i.e., Tony Stark using advanced bio-technology to look like an aging Luke Perry) that he may be potentially valuable to her. She wants to take down S.H.I.E.L.D., Hydra, Wakanda, Atlantis, and Attilan. She also wants to kill … James Rhodes.
  • Mary Jane goes to her apartment after receiving a mysterious package. A device with a button says “push me” and she inexplicably obliges. Tony’s AI assistant, Friday, emerges and pleads with her to take the job at Stark Industries. The board of directors is meeting to seize control of the company because they believe Tony is dead.
  • Riri Williams, the 15-year-old whiz kid from MIT, conducts a test flight in her Iron Man-like armor. She deems herself “Iron Maiden” and tells a friend, “You can tell no one what I am about to do.”
  • James Rhodes meets with the Avengers and says they need to figure out how to confront a tech-based terrorist group using only their “natural abilities.” He says all contact has been lost with Tony, which means things may “get very bad very quickly.”

Given what readers know, it is imperative for Bendis to bring serious action to IIM #11. Mary Jane will undoubtedly spend time attempting to defuse the situation with Stark Industries’ board of directors, but it can be stressed enough how much this title needs some high-octane butt-kicking, bullets, and giant explosions. It’s time. Make it happen, Mr. Bendis. Seriously.

Finally, one cannot talk about IIM #10 without wondering about Riri “Iron Maidan” Williams.

Riri Willaims Iron Maiden.jpeg

Who is she? Where did she come from? Is Bendis blatantly signaling this is just checking off a gender score card when she specifically asks her friend, “If Iron Man was a woman what would you call him?”

Fact: I want to like a superhero in Stark-like armor named Iron Maiden. It’s cool. I cannot deny that. What is not cool is blatantly beating readers with the message “I am doing this because every iconic male superhero needs a female counterpart — and if you roll your eyes then you’re kind of a bad person.”

Many readers, myself included, will give Riri Williams a shot — but if Bendis starts trying to guilt Iron Man fans into an instant love fest, then it is likely his efforts will spectacularly backfire.

Exit Questions:

  1. Mary Jane is supposed to be winking at readers in this cover photo, but why does it just look like Tony Stark gave her a black eye?
  2. Why would Mary Jane push a button from an anonymous stranger that looks incredibly bomb-like? She even covers her face with her left hand — as if that would somehow shield her from a giant blast. Did she not watch the old Ren and Stimpy episode with the “History Eraser Button”? Tsk, tsk, MJ.

MJ IIM 10
Mary Jane Iron Man button

Stimpy Red Button

Dan Slott’s Amazingly Immature Spider-Man makes protégé Miles Morales ‘ashamed’ of the costume

ASM13 SpiderMan IronMan fight

It would be incredibly hard for any comic book to steal headlines from Marvel’s Hydra-loving Captain America these days, but the latest issue of The Amazing Spider-Man gives it the old college try in terms of defiling a great character. It’s true that Marvel’s editors have not made Peter Parker admit to killing Uncle Ben — yet — but Dan Slott does turn a grown man into an immature loser who puts civilians’ lives at risk. Worse, Peter’s own protégé looks at his behavior and can barely keep his lunch down.

Before we continue on, here is what you need to know for ASM #13:

  • Harry Osborn and Betty Brant get ready to go to lunch with “the old gang.” Harry weirdly tells Peter that he isn’t invited because he’s “the big boss man” and Peter sheepishly replies, “Um…okay.”
  • Harry tells Betty he didn’t want to “risk” an awkward encounter with Mary Jane attending the lunch.
  • The three of them look at one of Betty’s Daily Bugle articles and realize that Augustus Roman is Regent.
  • Peter takes off as Spider-Man for a “Big Brother batting cage playdate” with Miles Morales, aka young Spider-Man.
  • Tony Stark arrived before Peter and soon ribs him about the quality of Parker Industries’ technology. Iron Man has also provided Miles with new web-shooters.
  • Spider-Man goes nuts and begins a street fight with Iron Man in front of parents and their children.
  • Miles Morales throws his hands in the air and says he’s “ashamed to be wearing this costume right now.” He leaves unnoticed and is immediately captured by Regent.
  • The giant explosion that takes down Miles stuns Spider-Man and Iron Man. The charge towards the blast area.

Ask yourself this question: If a writer claims to love Peter Parker, then why would he have the character behave in a way that causes a derivative version of himself to be “ashamed”?

The job of a writer is to make the protagonist shine in his own unique way as much as possible, yet Dan Slott’s Spider-Man has New Yorkers running for the hills as he acts like a clown.

“With great power comes great responsibility” — unless Tony Stark acts like Tony Stark, in which case it’s time to destroy public property and scare everyone within a half-mile radius. Perhaps J. Jonah Jameson was right all along…

ASM 13 SpiderMan IronMan

Regular readers will note that Peter Parker had a bizarre fight with Human Torch in ASM #3 and with Iron Man in ASM #12. He is actually regressing in terms of tact, professionalism, and maturity as the series goes on, so much so that his teenage protégé storms off in disgust. 

ASM 13 Miles explosion

“It was me. This is my fault,” Spider-Man says as he searches through wreckage for Miles. That may be true within the context of the story, but fans are left thinking, “No, this was Dan Slott. This is his fault.”

Long-time Spider-Man fans need to be told the following since they will never get it from websites like Newsarama: Dan Slott uses ASM #13 to elevate Miles Morales by making a mockery out of Peter Parker.

Writer Brian Michael Bendis did the very same thing in SM #2, which is why readers must pay close attention. There is a concerted effort to chip away at Peter Parker’s credibility until Miles usurps him in popularity, and it will certainly happen unless readers push back — hard.

If you want to see the slow-motion destruction of Peter Parker, then run out and buy ASM today.

If you want to see writers knee-cap the original Spider-Man so that Miles Morales wins the long-distance sales race, then check out ASM.

If you want to show Marvel your displeasure at what it’s doing to both Captain America and Spider-Man, then keep your hard-earned cash for better products. Charles Soule, for instance, is running creative laps around his peers as the moment. I highly suggest checking out his version of Daredevil.

ASM 13 IM SM

‘Captain America: Civil War’: Russo brothers deliver mic-drop worthy Marvel movie

Captain America Civil War

Captain America: Civil War is downright amazing. It’s scary-good. It’s so good that it makes one wonder if Joe and Anthony Russo cut some sort of weird deal with Mephisto to make it happen. The script is so tight and the direction is so proficient that employers should ask questions about it during job interviews — any candidate who says Civil War is a rotten film should be told to have a nice day and shown the door due to their unfortunate lack of good judgment (I’m kidding … sort of).

For those who have been living in an underground bunker for the last year, Civil War involves the disintegration of the Avengers when the international community demands regulations governing the actions of super-humans. The United Nations has had enough with civilian casualties and diplomatic headaches linked to free-wheeling superheroes, and Tony Stark agrees. Steve Rogers decides the world is safest if he and his allies are only beholden to their own consciouses, and the disagreement puts everyone on a collision course.

Since this is a spoiler-free review, I will concentrate on what the Russo brothers professionally accomplished and only talk in broad brushstrokes about the of the film.

Imagine you’re the Russo brothers.

Now imagine Kevin Feige gives you $250 million and tells you to find a way to utilize Captain America, Iron Man, Winter Soldier, Black Widow, Falcon, War Machine, Hawkeye, Black Panther, Vision, Scarlet Witch, Ant Man, Spider-Man, Crossbones, and Zemo. You need to make sure the script is tight, juggle all the weirdness that actors bring with them to the set, navigate countless professional mine fields, and then somehow deliver a product that can impress a fanbase that has been spoiled with excellence since 2008’s Iron Man.

The verdict is in: Captain America: Winter Soldier was not a fluke. These guys not only met expectations given an almost impossible task — they exceeded expectations. Civil War is a modern superhero classic and should be used as the gold standard by which future installments are judged. One almost feels bad for the pressure their own greatness has created as production on Avengers: Infinity War – Parts I and II begins.

Regular readers of this blog know I am a stickler for superhero stories that work on multiple levels. If some child (or an adult) just wants to see Spider-Man swing across the screen and come to blows with other superheroes, then he or she will exit the theater with a smile. If intellectually curious individuals want their superhero flicks to be much more than “popcorn fare,” they too will be happy after the end credits roll.

Civil War has gravity, but it also has lighthearted humor. There is plenty of action, but the blows actually mean something because the script took the time to adequately address every character’s motivations. As an added bonus, the world will now get to see cinematic killjoys attempt to nitpick the film into oblivion (e.g., Well, the score wasn’t all that great and it was a bit too long.)

“Compromise where you can, but where you can’t — don’t. Even if everyone is telling you that something wrong is something right. Even if the whole world is telling you to move, it is your duty to plant yourself like a tree, look them in the eye, and say, ‘No. You move,'” S.H.I.E.L.D. agent Sharon Carton (Emily VanCamp) says at one point of advice her aunt once gave her.

After watching Civil War, it is obvious that the Russo brothers had a vision and refused to compromise on all the issues that mattered.

If you are a fan of superhero movies, then you owe it to the creative team that put Civil War together to see it before it leaves theaters.  When you are old and grey you will watch it again and say, “Those were the good old days.”

Bendis hopes Tony Stark fans take to Iron Riri … because Riri

RiRi Man

When Invincible Iron Man fans last left off, writer Brian Michael Bendis led them to believe Tony Stark, James Rhodes, and Spider-Man died in an explosion perpetrated by a mysterious enemy. IIM #9 picks up four weeks later and Tony Stark is still missing.

Investors want answers because a dead man cannot run a company. James Rhodes wants answers because he and Spider-Man apparently survived. MIT student RiRi, a teenage genius, is also looking for the billionaire in a suit she made from stolen parts because … why, exactly? The reasoning Bendis gives her is pretty flakey: Fate.

RiRi

Before returning to RiRi, here is what you need to know about IIM #9:

  • Rhodey returns to Osaka, Japan, to press Yukio for answers on Tony’s disappearance. He threatens to shut down her illegal gambling operation if she doesn’t talk.
  • S.W.A.T.-type agents raid Yukio’s establishment when she refuses to help. An anonymous man beats up Rhodey and takes her to safety during the chaos.
  • Doctor Doom convinces Stark’s girlfriend, biochemical engineer Amara Perera, to illegally test her experimental Alzheimer’s drugs on humans.
  • The man who helped Yukio escape, “Mr. Franco,” turns out to be Tony Stark in disguise. He somehow faked his own death to get closer to the organization that tried to kill him.

James Rhodes

IIM is now nine issues into its run and, quite honestly, not a whole lot has happened. While Bendis does a good job laying out breadcrumbs for readers to follow, there is only so long one can walk before fatigue sets in.

At this point it seems like a legitimate question for fans to ask, “When will we get the payoff?”

True, IIM has had moments of action, but they still have not really brought readers any closer to knowing what is going on with Madam Masque, Doctor Doom, or bio-hacking ninjas. The slog may be worth it, but at this point Bendis is testing readers’ patience. Spending time on a character who appears to be just the latest effort by Marvel to fill out a diversity checklist (i.e., We’ve got a new Iron Man — but’s it’s an Iron Woman and she’s a minority. How do you like us now?) exacerbates the problem.

Tony disguise

Will RiRi be a cool character? Perhaps. It just seems as though Marvel is on a weird quest to make female and minority versions of countless established characters.

Peter Parker, meet Miles Morales. Thor, meet She-Thor. Steve Rogers, go be an old man and make way for Sam Wilson. Logan, meet X-23. Bruce Banner, step aside for Amadeus Cho. Tony Stark, meet Iron Riri.

Sometimes it works, as with Sam Wilson and Amadeus Cho, but at the end of the day Marvel would be much better served by creating diverse heroes who are not derivatives of the classics.

If you have been reading IIM, then you should give Bendis a few more issues to deliver a decent payday before possibly jumping ship. If you have not been reading IIM, then you should probably wait until “The War Machines” wraps up before investing in the title.

Amazing Spider-Man #12: Slott’s Peter Parker impotent, Alpha Stark cradles MJ

SpiderMan IronMan

The introduction to the 12th issue of The Amazing Spider-Man informs readers that Peter Parker has returned to New York City to “breathe a sigh of relief” after his recent showdown with the Zodiac terrorist organization. Indeed, writer Dan Slott then goes on to provide a palate-cleanser in the form of an old-school team-up between Spider-Man and Iron Man. It’s generally a fun tale that includes the return of Mary Jane, plenty of action and humor, and set-ups for Marvel’s Civil War II and the return of Regent. Mr. Slott’s fundamental misunderstanding of who Peter Parker is, however, needlessly produces a character who is socially impotent and politically aligned with his adversary.

The story goes as follows:

  • Parker Industries is hosting a black tie event to raise money for the Uncle Ben Foundation.
  • Tony Stark and his personal assistant, Mary Jane, are in attendance.
  • Augustus Roman (aka, Regent) of Empire Unlimited shows up.
  • Corporate saboteur “Ghost” crashes the party.
  • Spider-Man and Iron Man team up to save the day.
  • Roman’s facility for super-powered criminals, The Cellar, is introduced.

If you are the type of reader who mindlessly consumes comic books like I devour chocolate-covered raisins before a big-budget movie, then stop reading now and buy ASM #12.

If you are the type of reader who wonders why Peter Parker so often does not seem right under Mr. Slott’s direction, then read on. You may want to save that $4.00 for another book — perhaps the next issue of Charles Soule’s Daredevil.

ASM #12 demonstrates from the very first panel that Dan Slott does not know how to strip his own politics from the book to provide a superior (no pun intended) product.

If you, dear reader, were to become the CEO of a major company, then you would have no problem buying a nice tuxedo for black tie events. If attending charity fundraisers was a recurring obligation you had as CEO of “Successful Business Dude Inc.,” then taking time out of your schedule to rent and return cheap suits would be bizarre.

Dan Slott’s Peter Parker, however, embraces the bizarre and as a result becomes, for all intents and purposes, politically aligned with corporate saboteur Ghost.

ASM12 Parker Harry

Only moments before Ghost attacks his fundraiser, Parker equates buying cheap suits with doing business “right.” Instead of being a CEO who finds a proper balance between thriving in a cutthroat industry and giving back to local communities, he possesses a mentality that is one step removed from the villain calling him a “fat cat” member of “the one percent.”

In short, Peter Parker can be a CEO without becoming self-loathing about it. I suggest Dan Slott read up on Tony Robbins if he wants a good blueprint for how to write about business and finance.

ASM12 Ghost

Finally, one cannot talk about ASM #12 without covering the return of MJ.

ASM12 Stark MJ

“I can face Doctor Doom or the Juggernaut. Easy,” says Peter Parker. “But knowing you’re right there, MJ … and with Tony Stark? Everything’s wrong. It shouldn’t be like this,” (emphasis added).

Indeed, long-time fans of ASM would concur that MJ locking arms with Tony Stark at a party is wrong. Likewise, seeing Stark cradle her head while asking if she is okay during an attack feels gross. Dan’s Slott’s decision is to have Peter react to the meeting by a.) first freezing up at the podium, and then b.) calling Pepper Potts and offering her a job at Parker Industries. She rejects the offer without hesitation.

Question: Is that really how Peter would react?

Answer: He would obviously be upset at seeing MJ with another man, but it seems sad and unacceptable to have him respond with a kind of impotence and immaturity that would signal she is better off with Stark.

One shudders to think of the indignities to come as Marvel writers explore the professional (as of now) relationship between MJ and Tony.

Invincible Iron Man #8: ‘Ninjas and robots and Rhodey…oh my!’

IronMan8

Say what you want about Brian Michael Bendis, but the man’s self-awareness is better than 95 percent of the rest of the writers employed by Marvel. When he knows a particular story is open to criticism, he tends to find ways to subtly acknowledge the problem within the issue as a way of disarming bloggers like yours truly.

Take, for example, Invincible Iron Man #8, which is bursting at the seams with all it’s trying to accomplish. It is busy, busy, busy — but at one point Spider-Man says of the situation, “Ninjas and robots and Rhodey in his embarrassing boxers, oh my!”

Touché, Mr. Bendis. Touché.

For those who have not been reading the story, it goes as follows: Tony Stark offered a job to Mary Jane, Rhodey disappeared in Japan trying to find bio-hacking ninjas, and Spider-Man was called to help find him.

IIM #8, again, is a very busy issue. Mary Jane appears to walk away from Stark’s job offer (we know that won’t last), Iron Man and Spider-Man look for Rhodey, and it all culminates in a battle involving a horde of ninjas and a gigantic Iron-Man-inspired suit that utilizes mysterious technology.

Question: Is it a good issue?

Answer: Yes — with one minor caveat.

The problem with writers who take on Tony Stark and Peter Parker is that sometimes they use the sarcasm button too many times in a single issue. Yes, both men are masters at the one-liner. Yes, both men use sarcasm to mask all sorts of fears and insecurities, but it is possible to overdo it. Using such a trait when it’s uncalled for makes a character come across as a jerk. Luckily for Bendis, he realizes that one way to add extra gravity to the book is to find a situation so dangerous that it finally shuts Tony up.

IronMan8 Tony

Whoever this new villain is, he or she found a way to leave Tony speechless by the last page. It was a welcome surprise after countless panels of Iron Man, Spider-Man, and Rhodey all basically blowing off what appeared to be a serious opponent.

In many ways IIM #8 was going to succeed or fail based upon what happened on the final page, and it is safe to say that Bendis … detonated it.

IM8 explosion

Invincible Iron Man continues to be one of Marvel’s most carefully crafted books. If you want stories by a “writer’s writer,” then you should check out Bendis. If you want “nuke the fridge” moments reminiscent of Indiana Jones and the Kingdom of the Crystal Skull, then I suggest checking out Dan Slott’s run on The Amazing Spider-Man.

Bendis Bonus:

If you’re like me, then you were glad to see that Bendis seems to feel the same way about Spider-Man’s stupid glowing spider on the new suit. In response to finding out that Iron Man’s suit has A.I., Spider-Man says, “Cool. My spider glows now for no apparent reason.”

Zing!

IronMan SpiderMan

 

 

‘Captain America: Civil War’ trailer: Spidey, and more proof Russo bros. on point

Tony Stark Civil War

The second trailer for Captain America: Civil War was released Thursday, and it is good. Correction: It is excellent. It looks as if directors Joe and Anthony Russuo, along with writers Christopher Markus Stephen McFeely, will handle “Civil War” like is should have been years ago in the comics. Who is right? Who is wrong? The comic books — predictably — went with stupid political potshots instead of exploring complex issues in ways everyone could enjoy.

How do political leaders maximize security and individual liberty when man is fallible and capable of horrendous deeds? It’s a good question. Markus and McFeely appear to understand that’s it’s not as simplistic as “Conservatives, bad! Liberals, good!” as the writers in Marvel’s comics division would have you believe.

The exchange between Tony Stark and Steve Rogers in the trailer portends good things to come on May 6:

Tony Stark: That’s why I’m here. We need to be put in check. Whatever form that takes, I’m game.

Stever Rogers: I’m sorry, Tony. If I see a situation pointed south, I can’t ignore it. Sometimes I wish I could.

Tony Stark: Sometimes I want to punch you in your perfect teeth.

Steve Rogers: I know we’re not perfect, but the safest hands are still our own.

It is telling that Captain America’s rebuttal to Tony’s call for a “check” on people with superpowers is to acknowledge that he has no self-control.

Steve Rogers is obviously a good man, but a.) Not all men are good, and b.) The individual with an all-consuming desire to right wrongs in a fallen world is, in fact, dangerous.

Captain America Civil War

Captain America: Winter Soldier showed that there are legitimate reasons to fear and distrust the federal government, but Rogers appears to have decided that because man-made institutions are subject to the shortcomings of men, then he should be given a license to act outside the rule of law. When Stark talks about punching Rogers in his “perfect teeth” it resonates with viewers because Captain America smugly but unwittingly stands upon a moral pedestal.

How strange is it that Tony Stark understands The Federalist Papers better than Captain America?

“If men were angels, no government would be necessary. If angels were to govern men, neither external nor internal controls on government would be necessary.” — Federalist 51, James Madison.

These are the questions the Russo brothers seem ready to explore with maturity and professionalism, and for that fans should be grateful. Sadly, the comic book writers tend to dish out partisan slop and then feign indignation when they’re taken to task.

Tony Stark Cap

Finally, it is good to know that Spider-Man will make an appearance in a great movie for the first time in years. While it is frustrating that Marvel Studios was not able to wrestle full control of the character from Sony Pictures, at least fans know there will be a “check” on Sony’s habitual stupidity.

Check back in at this blog opening weekend for a full review of Captain America: Civil War. I’m looking forward to your feedback.

SpiderMan Civil War

Iron Man #7: MJ hired by Stark, but is mystery girl Tony’s future replacement?

Iron Man 7

The issue of Invincible Iron Man that Mary Jane fans have been waiting for has arrived. The seventh issue on Bendis’ run features MJ’s first day at work for Tony Stark, and before it’s over she needs to reach Peter Parker at his emergency number. It may be the character who is introduced on the final page of the book, however, who Stark fans should be talking about.

One of the things Bendis understands, which certain other high-profile writers at Marvel do not, is that sometimes it is absolutely necessary to slow things down and just focus on character development, character development, character development. (Should I say it a fourth time?)

IIM #7 dedicates almost the entire issue to Tony’s first professional interactions with his new hire. They talk…and talk…and talk, but in this case it’s okay because standards are set, boundaries are established, and chemistry needs to form.

Readers simply need to imagine what a similar introduction between Peter Parker and Pepper Potts would look like in The Amazing Spider-Man. Instead of devoting 95 percent of the issue to authentic human interactions, Pepper would get a cursory introduction and then a calamity would strike. The audience would weirdly be expected to care for the new relationship simply because it’s Pepper and Peter working together — and then Comic Book Resources would give it the obligatory glowing review.

Iron Man

Perhaps one of the few awkward things about Stark’s decision to hire MJ is his cluelessness about her past. He invites a woman into his inner circle but does not really vet her. Only issues before he was telling his girlfriend about telepathic espionage, etc., and now he impulsively hires a former club owner. Regardless, Bendis’ scenario as it is written passes the smell test (barely).

Iron Man MJ

Aside from MJ’s meeting with her new boss, the rest of the issue is dedicated to Rhodey, who was sent to Japan to investigate a group of bio-hacker ninjas until Stark can get around to it. Rhodey goes missing, and through a strange twist of fate it turns out that technology titan Peter Parker is in country.

“You know your bodyguard, Spider-Man? Is he doing anything right now? Listen, I need a favor. It’s kind of a big one,” Stark says after getting Parker on the phone, which nicely sets up IIM #8.

One would think the issue would end with Iron Man racing to save his friend, right? Wrong. Bendis cuts to Massachusetts Institute of Technology, where a young woman appears to be making her own “Iron Man” suit in one of its labs. She is scolded by some older staffers who call her a “kid” in the final panel.

Who is this kid genius? Why is she making “Iron Man”-type armor? (And yes, I realize I am asking these questions when “to be continued…” obviously means that we will get answers in due time.)

The previous questions need to be asked because Marvel has made no secret of its desire to social justice the heck out of its own universe. It seems entirely plausible that Bendis could be setting the stage for Tony to be “killed” or temporarily replaced, just like Captain America, Thor or even Spider-Man (e.g., Bendis’ Miles Morales wants to be seen as “the” Spider-Man”).

If you have thoughts on IIM #7, feel free to share them below. I’d love to hear what you thought of MJ’s first day on the job, Bendis’ mystery character, or predictions for the next issue.

Iron Man issue 7

 

Bendis weakens established heroes to elevate Miles, readers notice cheap shortcut

Miles Blackheart

Writer Brian Michael Bendis has a tricky job ahead of him. He is trying to establish Miles Morales as the Spider-Man, but he wants to do it in a short amount of time. While the first issue of Spider-Man was admittedly a fun read, the second issue shows some of the challenges Bendis’ social-justice project presents.

SM #2 begins with Spider-Man — the original — asking Miles who or what took out all the Avengers, yet retreated when he entered the fray. As the two are discussing the matter, along with whether or not Miles should continue to go by just “Spider-Man,” the demon Blackheart returns from the spirit world and essentially takes Peter Parker out of the fight with a single blow. Miles uses multiple venom blasts and Captain America’s shield to quickly dispose of the villain.

“You did this?” Tony Stark asks as he regains consciousness and stumbles forward. Even Bendis knows this is absurd, so he has Miles reply, “Well, uh, I mean it was more like a group effort.”

Miles IronMan Falcon

There is only one problem with that line: It wasn’t a group effort. Everything about the first two issues — including the cover, with Miles triumphantly standing with Cap’s shield over helpless Avengers — screams, “Respect this Spider-Man! Respect him! Seriously! Please?”

The reason for the cheap shortcut comes soon afterward, when word spreads of the new Spider-Man. A girl calls Miles “black Spider-Man” and this annoys him.

“I don’t want to be the black Spider-Man. I want to be Spider-Man,” Miles tells his friend Ganke.

“Okay, poof, you’re Spider-Man,” his friend replies.

If only it were that easy — but it’s not.

Readers can simultaneously appreciate Bendis’ mastery of the craft of writing while acknowledging that Miles is getting an embarrassing assist in the credibility department.

Miles SM2

Fact: In a world where Peter Parker exists, he will always be seen as the Spider-Man. Any derivative of him can never be the Spider-Man because Peter Parker was and always will be the original. Readers can either call Miles “black Spider-Man” because he is black, or because he chose to wear a black costume.

At the end of the day, it is bizarre to arbitrarily make Captain America black, Thor a woman, and Spider-Man a black guy when the original characters — who are still popular — are something else. Many Marvel readers get this, despite the creators’ best efforts to brainwash them otherwise.

Is Spider-Man a good book? Sure. So far. Is it worth spending $4.00 on? Yes. Will I ever consider Miles Morales the Spider-Man? No — because he’s not. He’s a Spider-Man (a good one), who came after Peter Parker.

I look forward to reading the third issue of Spider-Man. I just hope Bendis doesn’t have Miles taking down Ultron to prove the character’s worth.

 

Bendis’ Iron Man: Strong MJ by Tony’s side is bittersweet for Spider-Man fans

Mary Jane Iron Man 5

Invincible Iron Man #5 is an issue Mary Jane fans need to read, if for no other reason than to remind themselves just how bizarre it is for Dan Slott not to utilize her in The Amazing Spider-Man.

Regular readers of the book know that Tony Stark has been trying to figure out why Madam Masque is on a hunt for mystical artifacts. He eventually tracks her down inside MJ’s new nightclub, “Jackpot,” in Chicago on its opening night.

The verdict: Madam Masque is possessed by a demon, which will require a team effort between Tony and Doctor Doom to save her life.

“Jackpot” is predictably destroyed before the confrontation is over.

Madam Masque

As many fans expected, Tony offers to pay for the damage incurred during his fight. MJ, however, says the “P.R. nightmare” has rendered her club-owning days “kablooey.”

While this is a specious claim in a universe where superheroes and supervillains exist, Bendis does a good job selling it to the reader. Tony finds MJ in a park and offers her a job as his über-assistant/life coach.

This is a bit more problematic given MJ’s first line of dialogue in the issue:

“Superheroes. Again. Every time. Every time a superhero shows up in my life, I have to start over.”

Would a woman who resents the impact superheroes have on her life become Tony Stark’s personal assistant? Perhaps — if she thought about it for a long time and decided that her fate was intrinsically linked with superheroes. But it would take a skilled writer to pull off the idea. Luckily for Bendis, he fits the bill.

MJ Tony Stark

Spider-Man fans will also find MJ’s assertion that she is at her “lowest point” in life rather dubious. When Tony questions the validity of her claim, she replies, “Well, tell that to my soul.”

Was Bendis alluding to the infamous One More Day storyline? Indeed, MJ’s “soul” would agree with Tony — it lost its mate, Peter Parker.

In short, Bendis’ handling of MJ in this issue is proof once again that the devil-dealing “medicine” supported by Tom Brevoort was poison.

Seeing MJ well-written in Invincible Iron Man is a bitter pill to swallow, but it most certainly is not poison.