Older readers will remember the episode of “Happy Days” where Fonzi “jumped the shark” in his famous leather jacket while waterskiing. Years from now, perhaps some fans of The Amazing Spider-Man will trace back Peter Parker’s character derailment to the time he started using “holographic whales” on missions to take on global terrorist organizations.
The current relaunch of ASM will likely be as divisive for Spider-Man fans as other aspects of writer Dan Slott’s extended run because, as mentioned before, the character is being used as some sort of James Bond/Bruce Wayne/Tony Stark/Steve Jobs/Peter Parker chimera.
Is it fun to see Spider-Man and The Prowler sneaking around one of The Zodiac’s underwater bases? Yes. Of course. The inner child of any man loves the thought of taking a submarine into the depths of the ocean, finding an evil terrorist organization’s base, and then infiltrating it to save the free world.
The problem in this instance, however, isn’t the dilemma Parker must overcome but changes made to the character to propel him there. Last issue it was revealed that Peter Parker became fluent in Mandarin and mastered secret-agent driving skills within months — as CEO of a rapidly-expanding tech company. Now he is employing holographic whales while selling spider-tracer technology in the global marketplace.
At what point in time do fans of The Amazing Spider-Man say the integrity of the character has been compromised?
At what point has the character been taken so far from his roots that he ceases to be the same man?
At what point does the treatment of Peter Parker, like his holographic whales, become an illusion that hides what is right and what is true?
With that said, the issue did have its strengths — most notably Parker’s reflection upon the time he was forced to leave Silver Sable to (seemingly) die at the hands of Rhino in order to save the world. I have always said that placing heroes in such difficult situations provides opportunities for character development. The “No one dies!” era of ASM was an embarrassment for the book, but it appears as though Mr. Slott was able to turn a few lemons into lemonade. Kudos.
As is the case with the last issue, the decision to buy or pass on this book all depends on your fidelity to the character of Peter Parker.
At this point it doesn’t seem far-fetched to predict Dan Slott turning him into Marvel’s Elon Musk. Instead of Space-X, perhaps Peter Parker will launch “Spider-X.” If readers criticize the “Spider-Rockets” that are introduced in ASM #25, then they will be mocked and ridiculed by those who “know better” (i.e., Marvel’s writers and editors).
One of the common complaints about Marvel writer Dan Slott is that he fundamentally misunderstands the character Peter Parker. While there is plenty of evidence from his run on The Amazing Spider-Man to make such a case, I have found the best way to illustrate this is to simply quote the man.
An incredibly telling moment from Florida Supercon went under the radar roughly eight months ago. Mr. Slott said Dr. Octopus is actually better at appreciating real beauty than Peter Parker — and that Parker’s love for Mary Jane is “anti-Marvel.”
“Ann is beautiful. When you think of Peter Parker, I wanted to have this big change in the life of what makes Otto different from Peter. And when you read all the Otto Octavius stories of his background, of his growing up, of who he was — and even as Dock Ock — all the women he falls in love with, he sees them for who they are inside.
Look at Stunner. Look at all these, like, nerdy girls he was dating as Otto. I think that’s something Otto does something better than Peter. He sees people who are truly beautiful and loves them for that.
And you look at everyone Peter has fallen in love with, and every single one of them is superficially beautiful on the outside. And the reason for that is they’re all created by John Romita Sr., who drew everyone woman beautiful.
What guy wouldn’t fall for Gwen Stacy or Mary Jane? Or even if he falls in love with like a Deb Whitman, yeah, she’s the girl with glasses, but she’s the girl with glasses who can suddenly take off her glasses and whip out the hair.
Everyone Peter falls in love with is so classically beautiful, and to me that is anti-Marvel.
To me, the Marvel Universe is not about perfect people. To me the Marvel Universe — the thing that makes it so much better than any other superhero universe — is the Marvel Universe is the book about people with feet of clay.
When I read DC Comics, my favorite DC characters that I love the most are the most f***ed-up ones.
In Dan Slott’s world, there is something unacceptable with Peter Parker falling in love with a beautiful woman — but it’s perfectly okay if he falls into lust with Silk (Cindy Moon), due to Slott-created spider-pheromones.
Why is Anna Maria Marconi considered “truly” beautiful by Dan Slott, but Mary Jane is not? It has been established that MJ’s beauty is not just skin-deep, so what is the problem?
Only if Peter Parker was a shallow man who married an equally-shallow party-girl would there be an issue — but that is not the case.
Here is Mr. Slott’s problem with Peter Parker:
When I read DC Comics, my favorite DC characters that I love the most are the most f***ed-up ones.
Peter Parker is a well-adjusted character, despite all of his trials and tribulations. He has guilt issues due to Uncle Ben’s and Gwen Stacy’s death, but in general he has always handled the challenges life throws at him with grace and dignity. He is not “f***ed-up,” which Mr. Slott indicates is a prerequisite for becoming one of his favorites. As a result, he must make up weird personality deficits for Peter Parker like Doctor Octopus being better at appreciating “true” beauty.
Dan Slott’s Peter Parker is now “very close” to Lian Tang. Is she not beautiful? Or is Peter just falling in lust again with a new Asian flavor-of-the-month?
Is it “anti-Marvel” for the character to fall in love with Gwen Stacy and MJ, but Marvel-certified to fall in lust with women of Japanese and Chinese heritage? We thought we were getting diversity, but perhaps we’re just getting the objectification of Asian women… Sad.
If you feel like Mr. Slott does not understand Peter Parker, then I suggest watching the Dan Slott Q&A Spotlight from Florida Supercon. The whole thing runs for an hour, but it will take less than five minutes to understand why The Amazing Spider-Man has been creatively spotty for years.
Update:
Dan Slott is playing the old “I was taken out of context” card. Classic. Ask yourself how he is taken out of context. He isn’t. Should I have transcribed the entire hour’s worth of dialogue — in addition to posting and linking to the YouTube video?
Mr. Slott’s definition of “out of context” is, “Someone accurately highlighted my words and now I look bad.”
The frustration of being in the public eye (even in a small pond) is everything you do or say gets scrutinized, pulled out of context, and twisted by those with an agenda. Oy.
In a video from a convention in January I talked about two or three different characters from the Spider-Man supporting cast being designed/drawn as being “superficially beautiful on the outside”. That was talking about the characters’ external appearance ONLY — and NOT about them being superficial on the inside as well.
Thanks for reading, Dan. If by “agenda” you mean, “honoring Peter Parker’s integrity,” then guilty as charged. Even if you were only talking about external features, what proof is there that Peter Parker could not appreciate Anna’s beauty?
The Amazing Spider-Man has relaunched yet again, and this time around Peter Parker is a CEO of his own worldwide company. He apparently took driving lessons to handle a car like a young Mario Andretti. He apparently took Mandarin and became fluent in a matter of months. He is “very” close to his Asian business partner, and he’s fortunate to have new technology on hand for almost any dilemma. At the end of the day, a review of this relaunch boils down to whether or not Peter Parker fans should embrace The Amazing “poor man’s Tony Stark.”
Like much of Dan Slott’s work, he offers a mixed bag of interesting ideas with the downright bizarre and embarrassing.
Take, for instance, Parker’s refusal to fire the woman he knows has a.) pro-actively worked to undermine his core vision, and b.) actually attempted to ally with a super-villain who destroyed his New York offices and almost killed everyone inside.
For those don’t remember, here is a flashback to The Amazing Spider-Man #17:
Sajani Jaffrey: I think we can be allies. I’ve heard of you. The Ghost – corporate saboteur, right? Which means someone hired you, probably to torpedo our super-prison. Well, guess what? Nothing would make me happier. It’s all my partner’s idea. I think it’s a stinker. I’ll make you a deal: Don’t hurt anyone, leave the rest of our projects alone…and I’ll show you the best, fastest way to wreck the prison stuff beyond repair. What do you say?
The Ghost: You’re a shrewd negotiator, young lady.
To CEO Peter Parker, working with corporate saboteurs to destroy his company is only worth a “talk.”
As was the case with The Superior Spider-Man, Mr. Slott must dumb down his characters in order to get from Point A to Point B. Characters during SSM needed to not realize Doctor Octopus was inside Peter’s mind to keep Slott’s story going, and so their intelligence dropped 20 points.
Mr. Slott now needs Sajani to move his plot along, so Peter Parker blithely overlooks a betrayal that any normal person would fire – and sue – her over.
One of the more interesting aspects of the book comes when it is revealed Peter has hired Hobie Brown (aka: The Prowler) to be his “decoy” Spider-Man. While the decision offers the potential for a very fun relationship to form, one cannot help but wonder if Brown is a “poor man’s James Rhodes.”
Is The Amazing Spider-Man #1 worth buying? That’s a good question. If you like Guiseppe Camuncoli’s work, then sure. If you want to read about Peter Parker-Stark, then sure. If you can put up with Dan Slott’s “sweet” ideas being drowned out by others that are seriously “sour,” then sure.
If, however, you read Renew Your Vows and felt as though Marvel finally captured the essence — no matter how fleeting — of the “real” Peter Parker, then you will probably want to withhold your cash.
Editor’s Note: Regular readers know that I am in the process of learning Mandarin. Let me just say that one does not simply begin taking Mandarin lessons and become fluent in a matter of months. This is the kind of writing that drives fans mad. Dan Slott could put Peter in Saudi Arabia tomorrow, have him speak fluent Arabic, and then make the character say, “Yeah, so…in addition to expanding this global tech-empire, fighting super-villains, inventing new technology, and learning Mandarin over the last couple of months, I just-so-happened to take a few Arabic classes as well.”
If you think that is jarring and lazy writing, then it is likely Dan Slott will call your criticism invalid.
Dan Slott, the Marvel writer who regularly whines about people taking him out of context, has no qualms taking others out of context when his personal politics are at play. The same guy who had his “Superior” Spider-Man blow a guy’s face off with a handgun from point-blank range had no problem chopping up a lengthy conversation by Jeb Bush on the Umpqua Community College shootings into Tweets devoid of any context.
Before we move on, let us examine a Dan Slott quote from Aug. 1, 2015:
“Jesus. Could you at least link to the exchange instead of paraphrasing and misinterpreting?” – Dan Slott.
Dan Slott’s standard of fairness when it involves his reputation or things he cares about is at least a link to a full conversation. The rules he applies to others do not apply to himself. And then he wonders why it’s impossible for people to have mature, honest discussions on complex issues…
Jeb Bush: “The tendency when we have these tragedies that took place yesterday, it’s just heartbreaking to see these things, but this is the broader question of rule-making I think is an important point to make. That whenever you see a tragedy take place, the impulse in the political system, most, more often than at the federal level, but also at the state level, is to ‘do something,’ right? And what we end up doing lots of times is we create rules on the 99.999 percent of human activity that had nothing to do with the tragedy that forced the conversation about doing something. And we’re taking people’s rights away each time we do that, and we’re not necessarily focusing on the real challenge. …
We’re in a difficult time in our country and I don’t think more government is necessarily the answer to this. I think we need to reconnect ourselves with everybody else. It’s very sad to see. I had this challenge as governor. We have, look, stuff happens. There’s always a crisis. And the impulse is always to ‘do something,’ and that’s not necessarily the right thing to do.”
Unlike Dan Slott, Jeb Bush had to deal with the aftermath of hurricanes, budgets that affected millions of people, etc. Jeb Bush actually had to make gut-wrenching decisions as the governor of Florida. He understands that with a stroke of the pen, politicians can turn the lives of entire communities upside down.
When Dan Slott doesn’t go to a comic convention or misses a deadline, civil rights are not eroded.
Here is the full context for Bush’s “things” quote. Politico reported:
“‘Things’ happen all the time. ‘Things,’ is that better? … A child drowns in a pool and the impulse is to pass a law that puts fencing around pools. Well it may not change it or you have a car accident and the impulse is to pass a law that deals with that unique event and the cumulative effect of this is in some cases, you don’t solve the problem by passing the law, and you’re imposing on large numbers of people, burdens that make it harder for our economy to grow, make it harder for people to protect liberty, and that is, the whole conversation today was exactly about that.”
Mr. Bush was trying to have a serious public policy debate when he made those comments. He acknowledged that what happened in Roseburg, Oregon, was a “heartbreaking” tragedy, and then talked about the broader public policy question at hand.
Unfortunately, Mr. Slott couldn’t resist acting like a political vulture to exploit the situation.
For those who want a better idea of what Dan Slott does, I will now provide a clear example.
Last Thursday, 26-year-old Christopher Harper-Mercer specifically targeted Christians in a massacre that killed nine and injured seven. He took his own life during an exchange of gunfire with cops. Imagine if I shared that information and then juxtaposed it with Dan Slott’s infamous “Christ-Land” tweet – without any context. Do you think Mr. Slott would be upset? I do.
Ask yourself this question before reading it: If there was another Boston Marathon-type bombing and a politician Dan Slott didn’t like said, “Scared by the number of Muslims who are silent on domestic terrorism. This is America. Go to Muslim-Land,” do you think he would call that person a bigot? I do.
The final issue of The Amazing Spider-Man: Renew Your Vows has finally arrived, but borderline diabetics may need to withhold their cash. Dan Slott ends his defacto “What if … the Parker family lived in an Orwellian police state ruled by a super-powered despot?” with plenty of sugary sap — and cheese.
Renew Your Vows continues a trend for Mr. Slott, which is that he has a tough time at the finish. If he were a baseball player for the New York Yankees, then he would not be a closing pitcher. It’s almost as if he’s saying, “Let’s wrap it up. Wrap it up. Wrap it up-up-up-up-up! Love and happiness, strength and family, yadda, yadda, yadda — those plot holes never happened.”
It was only one issue ago that Regent was using telekinesis to immobilize Peter Parker and Sandman with a thought, perhaps the mere seed of a thought. He was, for all intents and purposes, a god. And yet, because the script calls for a “love conquers all”-type ending, readers are supposed to cheer its slap-dash construction.
Perhaps one of the weirdest moments comes when MJ turns to Peter at the end of the tale and says, “I have to know…if our daughter was in real danger, would you have killed him?”
Regent took out all of the Avengers. He took out almost every superhero in existence. And yet, a small child who just randomly decided to rush into battle against him was apparently never in any “real” danger. That begs the question:Then why should readers have bothered to care?
Renew Your Vows had some fine moments. Dan Slott hit a “home run” with the second issue and performed adequately in the third and fourth installments. Regardless, the story ended up as little more than a sweet treat for fans who wanted to see a few flashes of “Parker power.”
Buy the issue if you’ve already followed it this far, but make sure to have an insulin injection nearby.
A souffle that falls flat in the oven is usually going to keep its good taste, but on many levels it is still considered a disappointment. Dan Slott’s 4th issue of The Amazing Spider-Man: Renew Your Vows is just like a souffle that begins to collapse before the oven timer rings. The main reason for this is Regent, who continues to weigh down the story.
Issue 4 of Renew Your Vows reveals that Mary Jane and Annie were shuttled away from danger by Mockingbird and The Prowler, who are working for S.H.I.E.L.D. Their escape was made possible by Jonathan Ohnn (aka: The Spot), who is also working for the organization.
Spider-Man, however, does not fare as well. He and S.H.I.E.L.D. agent Sandman are captured by Regent, who uses telekinesis to immobilize them.
“And no, little man. It’s not fair at all. It never is when you battle a god,” Regent replies to the accusation that he isn’t fighting fair. It is not long afterwards that the souffle begins to deflate.
“I am a good man, Peter. Before you die, I want you to know that,” Regent tells his captive. He then says that he needs Peter’s spider-sense to battle Doctor Doom, who has become a near-omnipotent god on Battleworld. Although Peter calls this “insane,” in all likelihood there isn’t going to be a plot twist to make Mr. Slott’s idea any better.
Perhaps the second most embarrassing thing about Renew Your Vows is the way the Sinister Six has, arguably, become the Sinister Stooges. Not only does angry-Pete dispose of them with ease, but now his daughter is able to literally take out Shocker, Kraven, and Boomerang with eye-pokes and crotch-shots. In the middle of a story about an Orwellian police state, readers abruptly get Slottian hi-jinks; Kraven says “Gnyah!” when he’s kicked in the testicles. Mr. Slott should have gone all the way and had Annie say “Nyuk-nyuk-nyuk!”
In short, Renew Your Vows is still the best thing that Dan Slott has written in awhile. Fans have more-or-less gotten what they wanted out of the tale (e.g., strong MJ, Peter acting like a man instead of a man-boy), and Slott’s worst instincts have mostly been corralled. The Renew Your Vows souffle may not be the prettiest thing in the world, but it is still worth $4.00 if you’re a fan of The Amazing Spider-Man.
Side note: I would be remiss if I didn’t say kudos to Mr. Slott for his use of The Spot in this issue. I first came across the character as a kid while reading my brother’s collection of Peter Parker, The Spectacular Spider-Man. Even though he wasn’t treated as a serious villain, his powers fascinated me. He always seemed like a character with untapped potential. It was nice to see Jonathan Ohnn appropriately used here.
Issue No. 3 of The Amazing Spider-Man: Renew Your Vows is out, and fans get another dose of Peter Parker doing anything to protect his family. Writer Dan Slott’s “No one dies” philosophy for Mr. Parker has been replaced with “No one dies — unless you threaten my wife and kid,” which gives readers plenty to talk about. Just like issue number two, the writer does a decent job exploring the Parker family’s attempt to survive in an Orwellian nightmare. It’s a shame that its lame main villain, Regent, continues to drag down the quality of the tale. There is something incredibly satisfying about seeing a part of the enforcement arm (no pun intended) of a totalitarian police state getting ripped to shreds by a true hero. Unfortunately, the reaction by characters like Doctor Octopus to Spider-Man’s no-joking demeanor — only moments after telling the hero that he and his family would die a gruesome death — comes across as too comical.
If a man’s stock-in-trade is to hunt down and murder entire families, then he can’t be surprised when the head of the household — yes, even Spider-Man — counters deadly force with commensurate power.
Would it be logical for Doctor Octopus to be taken aback by Spider-Man’s sudden willingness to use deadly force? In a world where state-run televisions turn off and on like something out of George Orwell’s “1984,” no. In a world where superheroes (and their children) are summarily hunted down and executed, no. In a world where Spider-Man lived after the entire Avengers team, Professor X, and The Hulk fell to Regent with seemingly little effort, no. Regardless, in this instance Dan Slott can be forgiven if his handling of Doc Ock’s response to “dark” Peter was a bit clumsy.
For those who didn’t get the message earlier in the book, Mr. Slott hammers it home in the final pages when Spider-Man webs an activated pumpkin bomb to Hobgoblin’s hand. “BWHOO” translated into writer-speak for this issue of Renew Your Vows is “If you mess with Peter Parker’s family, then there is a good chance that you will die.”
It is unfortunate that Regent is such a generic villain. Readers are left in a weird state of cognitive dissonance because on one hand the character is tied to a story that shows Peter and MJ at their best, but on the other he is a creative millstone around the neck of writer Dan Slott.
If Regent is another man’s creation that Mr. Slott has been forced to use, then I feel bad for him. If Regent is Dan Slott’s creation, then he shouldn’t complain when digital tomatoes are thrown his way for months to come.
In short, Renew Your Vows continues to be a story worth reading if you are a fan of Peter Parker. It has its flaws, but it’s better than 95 percent of what Dan Slott churned out for the entire relaunch of The Amazing Spider-Man in 2014.
Baseball fans know just how fun it is to watch a pitcher hit a home run. Likewise, comic fans can stand up and cheer because Dan Slott, despite going 0-25 in his last 25 at bats, finally knocked one out of the park with issue #2 of Renew Your Vows. He bumped his batting average up to .038 with one home run. He also managed to expose once and for all how Tom Brevoort’s “medicine” (i.e., his comments on the decision to end Peter Parker’s marriage to MJ) was in fact poison.
A lot of people joked about Annie’s name when it was first revealed, likening it to a cheap take on “Little Orphan Annie” because of her red hair, but after reading issue #2 of Renew Your Vows it is hard not think of her like a super-powered Anne Frank.
Just as the Frank family had to go into hiding during World War II, so too must the Parker family. An evil dictator with a penchant for genetic testing once controlled Germany and sought subjects on whom he could experiment; likewise, Regent hunts down a minority group — superheroes — and kills or experiments on them. If all of this was on accident, then Dan Slott stumbled onto a powerful accident. If the parallels were purposeful, then at least with this issue he did an stellar job.
On almost every level, the second issue of Renew Your Vows works.
Peter struggles with nightmares linked with having killed Eddie Brock (Venom), just as any cop or soldier might.
The dialogue between the entire family is touching and emotional.
Peter springs into action and acts like a true hero. He exudes grit and determination.
Mary Jane becomes the mother everyone knows she would have been — if it weren’t for Tom Brevoort’s “medicine.”
Annie is intriguing, and her reactions to Peter’s heroics touch anyone who once watched their own parents come through in a difficult situation.
All of this begs the question: Why has Marvel denied readers these kinds of stories — for years? Why has Marvel pretended like readers could not relate to a married Peter Parker when this issue proves them incredibly wrong?
Yes, it’s true: Dan Slott wrote an issue of The Amazing Spider-Man that is, for all intents and purposes, flawless.
It is inexplicable that fans have had to deal with man-child Peter Parker, the death of Peter Parker, and “Please-help-me-Silk-and-Anna-Maria” Peter Parker when Dan Slott could have been writing about Peter Parker the grown man, who is trying to raise his super-powered daughter with a strong woman by his side.
Come out for a curtain call and tip your hat, Dan Slott. You earned it. But as you return to the dugout, I highly suggest telling your team manager that he should stop administering his preferred “medicine.”
Marvel’s Dan Slott has taken his fear of this very blog to a whole new level. Criticism of The Amazing Spider-Man is now illegitimate if screenshots taken from this blog accompany said feedback. A reader pointed me to recent Comic Book Resources discussion where the writer expertly used his favorite red herring and “poison the well” fallacies.
What are people going to remember about “the best selling comic in 2012, 2013, or 2014”?
– Will it be SlOtto shooting an unarmed man in the face, while his peers and allies stood around drooling on themselves like idiots? (Because, you know, Spider-man always fought crime with guns and a lust for criminal execution like the Punisher, except for the 50 years of stories where didn’t, and there’s nothing weird about that).
– Will it be Peter running around in his web-diaper, in a literal on-panel representation of the painfully regressed man-child he’s become in the dumbed-down, lowest common denominator, post-One More Day comic continuity?
– Will it be Peter claiming “wow Sanjani is so right and I’m wrong” as (SlOtto’s) his company crumbles, and he has to be saved from a villian by the likes of Anna Maria and Clash (a character we’re supposed to care about since he was shoehorned into yet another unneeded reinterpreting of Spider-man’s origin)?
– Will it be this glorious, gag-inducing panel?
Dan Slott’s response:
HA! Look at that link! You pulled that image from “dougernst.files.wordpress.com” Wow! You went all the way to crazy town for that one. You chew over your Spidey-bile with Mr. I-Think-Spider-Man-Should-Kill-North-Koreans? Seriously… wow. Your posts make SO much more sense now.
I thought I was talking to a potentially reasonable person… but if that’s where you dredge up your “intellectual ammo” …you’re a lost cause. Sorry. But good day, sir.
The commenter handled Mr. Slott like a true professional.
No idea what you’re on about here, man, unless you’re trying to get this thread flagged by the NSA. But way to dodge. YOU wrote the panel, so you must find nothing icky / silly / ridiculous about Peter and Silk addressing each other and lolling around together like an old married couple. But it’s all just another day in the silly Slott-Verse for us and Spidey.
See, I’m discussing content, where you keep dissembling and trying to spin off the topic, so much so that Mets could freely thread drift your posts.
Dan. Slott. Nailed. To. The. Wall.
Let us speak of intellectual ammunition, shall we? Dan Slott was blasted away by this young man with an intellectual .50 Caliber Machine Gun. As bits and pieces of Dan’s fragile ego exploded off his psyche, he looked for anything that might save him and found some cover just in time — a link to douglasernstblog.com. Dan Slott’s go-to survival technique when faced with punishing critiques is to bring up this blog and then distort things I said — in 2012.
Here is where it gets fun. Consider Dan Slott’s retort to this young man: “If that’s where you dredge up your ‘intellectual ammo’ …you’re a lost cause.”
Let us pretend this individual did get his intellectual ammunition here. If that is the case, then it is obvious that he is using the kind of nuclear weapons from 2012 that are still reverberating in Dan Slott’s mind three years after detonation. The shock waves from what I’ve said continue to bounce around in Slott’s skull for years, and yet he still strangely attempts to convince others that my reviews of his work are without merit.
I wrote a post in 2012 where I said it was ridiculous that Dan Slott’s Peter Parker would be faced with a possible extinction-level event and — when every single second could mean the death of six billion people — he thought it was a wise decision to berate his teammates about the sanctity of North Korea’s gulag overseers. While billions of lives hung in the balance and time was of the essence, Dan Slott’s Peter Parker decided to harangue Black Widow over how she navigated an army of North Korean torturers. Kudos!
Years later, Marvel’s ASM scribe is still so emotionally scarred by the drubbing he gets here that he has to frame the debate as if I want Peter Parker to snap the necks of emaciated North Korean women living in rural villages outside Pyongyang. Perhaps if Dan Slott actually read comics like Guy Delisle’s “Pyongyang,” (It’s a good bet that he probably isn’t going to make time for books like “Escape from Camp 14”), then he’d know just how foolish he comes across on CBR message boards.
Exit question: If I showed up to defend myself over at CBR and I did so tactfully, then how long would it take before Dan Slott’s moderator buddies banned me anyway?
Marvel has a “new” idea for Peter Parker: Make him sort of like Tony Stark and Bruce Wayne — and have him stuck in love triangles because Dan Slott liked that as a kid.
Move over, Stark Industries: Spider-Man is in charge this time.
“Peter Parker has stepped up,” Slott told MTV News over the phone. “He’s grown. He’s become the Peter Parker we’ve always hoped he was going to be. This company, with Peter’s inventions and Peter’s gumption has gone to new heights.” …
“He’s operating with Parker industries in not just New York, but also Shanghai and San Francisco and London,” Slott said. “He’s going to be a far more global Spider-Man, and with that is going to come all new global threats. Things that will really test Spider-Man like never before. …
“One of the things I always loved was there was always a triangle,” Slott said. “There’s all these characters who are vying for Pete’s attention and I think you’re going to get back to that. You’re going to see all kinds of different characters we know and care about.”
Take a look at Marvel’s promotional material for its upcoming relaunch of The Amazing Spider-Man (yes, fans get another Slottian relaunch): Nothing says “Peter Parker” than James Bond-ish attire and two casino-bimbo wannabes latched onto his arms. Spider-Man even gets his own Nolan-inspired Bat-Spider Mobile…
If Peter Parker has grown up, then why is he still stuck in endless love triangles? Did he grow up into the “Peter Parker we’ve always hoped” he would be, or did he merely pupate into some weird version of himself consistent with Dan Slott’s childhood fantasies?
Here are the different versions of Peter Parker given to fans by Mr. Slott over the years:
Dumbed-down Peter Parker, who acts like a novice superhero when he’s had years of experience.
Dead Peter Parker.
Ghost Peter Parker, whose impotence is only forgotten with time because Doctor Octopus randomly gave the hero his life back.
Where’s Waldo Peter Parker, who became lost in a sea of spider-men during Spider-Verse.
Peter Stark-Wayne-Parker, who perhaps gets to boink women in Shanghai love triangles.
Was Peter Parker always destined to be a jet-setting CEO who flies from New York to London to Shanghai, or was he more likely to lead a life of quiet research conducted by men like Reed Richards? Was Peter Parker always destined for expensive love-triangle tribulations of the world’s billionaire elites, or was he more likely to settle down with a good woman by his side like, again, Reed Richards?
If Dan Slott were a violinist, he would be a third-string musician who weirdly wormed himself into a first chair. His “ear” for ASM indicates that while he understands the “harmonies” and “melodies” that make Spider-Man a winning character, his handling of Peter Parker is almost always off pitch.
The next volume of The Amazing Spider-Man already sounds like a disaster waiting to happen.