The partisan politics of modern Marvel Comics creators is a mainstay of this blog, but for the most part it is usually discussed within the context of whatever “red state vs. blue state” argument makes headlines each week. Today, however, I’d like to dig a little deeper into the zero-sum politics of these writers and artists. In short, they act as if any positive development for “Character A” means that “Character B” is negatively affected.
For instance, Tony Stark’s existence as Iron Man was problematic for writer Brian Michael Bendis’ to introduce Ironheart — Riri Williams. Normal people have no problem with a young girl named Riri flying around the Marvel Universe while Mr. Stark does his thing. That is not the case for Marvel writers these days. In the mind of the modern Marvel creator, Mr. Stark needed to be hurt or sidelined or have his reputation sullied in some way so that a minority female character could succeed.
This line of thinking has poisoned Marvel’s decision-making from the top down in recent years, and as long as it continues the industry as a whole will needlessly suffer. For more details on this, be sure to check out my latest YouTube video on the subject. Then, if you like what you’ve seen, be sure subscribe for regular updates.
As always, make sure to let me know what you think in the comments section below.
Do humans have souls, or are we deluding ourselves into thinking free will exists thanks to a complex series of chemical reactions that take place in our body every moment of every day?
Are humans somewhat like a computer, where the “you” that defines your being can be boiled down to biological code that began running (how fortunate!) with the Big Bang?
These are questions you should ask yourself as you read Marvel’s latest event, The Clone Conspiracy, and its tie-ins to Dan Slott’s run on The Amazing Spider-Man. If you haven’t pondered these questions up until now, then take a few moments to watch my latest YouTube review of ASM #22.
As always, feel free to share your thoughts in the comments section below. I’d like to hear what you have to say.
The modern American comic book industry is a shadow of its former self. There are numerous reasons for this, but one contributing factor is the emergence of activist-writers. Companies like Marvel claim to want to reach a “diverse” audience, but these days its employees spend an inordinate amount of time demonizing nearly half of its potential customers.
Two writers who perfectly encapsulate the “activist-writer” problem for the industry are Mark Waid and Dan Slott.
If you have been wondering why Marvel’s sales are lagging these days, then check out my newest YouTube video below. Then, let me know what you think in the comments section below.
Also, make sure to subscribe if YouTube videos on the comic industry are up your alley. I try to get out at least one per week.
Fans of The Amazing Spider-Man have had a rough couple of years. Peter Parker was “killed” for an extended amount of time and replaced with Doctor Octopus as Superior Spider-Man. The book was relaunched, but multiple issues seemed to focus on the arrival of a new character, Silk. Spider-Verse lumped Peter Parker in with an army of spider-powered heroes. Then the title was relaunched again with Peter Parker as a poor man’s Tony Stark. Lately, Prowler and Doctor Octopus essentially monopolized entire issues, and Dead No More: The Clone Conspiracy, for all intents and purposes, renders ASM the supplementary reading for a Spider-Man tale.
ASM #21 continues Dan Slott’s frustrating habit of sidelining Peter Parker in his own book, this time in favor of Scartlet Spider, aka Kaine.
Here is what you need to know for ASM #21:
Kaine did not die during the events of Spider-Verse, but “The Other” that kept him healthy did.
Karn (now Master Weaver), shows Kaine the “dreaded fate” of multiple words as seen through the Web of Life and Destiny.
Through Kaine’s investigations into the zombie-plagued worlds he finds out that Parker Industries is tied to every outbreak.
Kaine eventually teams up with Gwen Stacy, Spider-Woman of Earth-65.
Gwen and Kaine figure out that Peter Parker has teamed up with Jackal in multiple worlds, which inevitably triggers a zombie apocalypse.
Karn tells Kaine that the Web of Destiny tells him there is a secret being kept from him. Kaine admits that his cellular degeneration is far advanced and that he will likely die soon. He hopes to save his home world before that happens. Karn agrees not to tell Gwen.
Reviewing an issue like ASM #21 is a tricky task, because Marvel wants readers to look at it within the broader context of DNM, but at the same time readers demand to know how it ranks as a standaline issue of The Amazing Spider-Man. The company has needlessly created a kind of psychological tension in fans who want compelling stories, but at the same time expect (logically) an issue of ASM to highlight Peter Parker.
If one were to review ASM #21 solely within the framework of Dan Slott’s ongoing Clone Conspiracy tale, then there is nothing particularly wrong with the book. In fact, Kaine is a cool character and would probably be a much easier sell than Prowler for an ongoing series (and that is not a knock on Sean Ryan, who seems to be doing the best he can in a bad situation).
If, however, one reviews ASM #21 in terms of its ability to showcase Peter Parker, then the book is once again off the mark. The title regularly feels like writer Dan Slott gets bored with his Peter Parker “toy,” and then attempts to alleviate that condition by rummaging through his “toy box.” The result is that Peter Parker is nominally the hero of his own book.
My suggestion for Peter Parker fans who are tired of him getting the shaft in his own book would be to pick up Gerry Conway’s and Ryan Stegman’s Renew Your Vows. There is nothing inherently wrong with DNM, but at this point it just feels like another instance where the team’s starting quarterback is weirdly relegated to a shared role with back-up players.
If there were stocks in safe spaces, then Donald Trump’s presidential election would send them through the roof. The Nov. 8 election forced artist Humberto Ramos to run for the “blue” hills last week, and now Marvel writer Dan Slott has deactivated his account due to “pro-Trump” rhetoric (i.e., there are more people standing up to Dan’s obsessive political tweets — even after endless rounds of blocking people — than his mind can handle).
Marvel’s lead scribe for The Amazing Spider-Man informed his Facebook followers on Monday that he has so little self control that his best option for Twitter right now is to “remove the temptation.”
Mr. Slott claims Donald Trump’s adviser, Steve Bannon, is a “white nationalist,” but as usual he provides no credible evidence to back his claims.
To make such inflammatory charges would be like this blog discussing Dan Slott’s own history of bigoted statements towards Christians without linking to the evidence. But since this blog is concerned with backing up its claims there will always be links, videos and screenshots for readers to consider.
Dan Slott telling Christians who just won a case at the U.S. Supreme Court to go to “Christ-Land” is just as bad as CNN contributor Van Jones saying Donald Trump was elected presidentby a “whitelash,” but activist-writers are master practitioners of selective moral outrage.
Question: What would Dan Slott’s reaction be if two years from now Democrats perform well during midterm elections and Steve Bannon refers to their “blacklash” performance?
Question: What would Dan Slott’s reaction be if two years from now a Jewish group wins a case at the U.S. Supreme Court and Steve Bannan tells them to go to “Jew-ville”?
The answer in both cases is that Dan Slott would lose his mind on social media and cite the man’s words as proof-positive that he is a monster.
The reason why activist-creators in the comic industry and Hollywood are melting down before your eyes is not necessarily because Donald Trump will be the 45th commander in chief.
What really upsets these people is that Mr. Trump’s commanding victory has emboldened millions of Americans to finally — finally — push back against the endless charges of racism and bigotry leveled their way over mere differences in opinion.
My suggestion to readers for the day Dan Slott inevitably returns to Twitter is to continue defending your position, no matter how many different ways he tries to impugn your character. He will either block you (take it as a badge of honor), or retreat once again into a safe-space of like-minded peers.
Maybe Dan Slott and Joss Whedon can plot a coup together, even though we both know they would never be on the front lines…
Marvel’s big Spider-Man event for the fall has dropped a doozy on Peter Parker fans with Dead No More: The Clone Conspiracy #2. It appears as though Peter Parker is responsible for causing a zombie apocalypse in at least one dozen universes. Fans of the character should rightfully be annoyed if — I repeat, “if” — it turns out that it truly is the hero who is seduced by The Jackal’s New U technology and he unleashes hell on earth.
Here is what you need to know for DNM #2:
Kaine scrambles for his life in an alternate-universe version of San Francisco that is overrun with zombies. A portal opens for him just as one latches onto his ankle and he wakes up in Marvel Universe 616.
Doctor Octopus fights with Spider-Man in The Jackal’s lab and explains how he was able to survive the events of Spider-Verse and essentially return from the dead.
Jackal appears and commands Peter to follow him as he explains the so-called truth behind New U’s cloning procedure. These days he uploads “psychic residue from human remains to make reanimates.
Miles Warren, aka Jackal, introduces Peter to all of his formerly deceased foes — alive and kicking as renanimates. The villain says that everything was done to fully realize Peter’s “no one dies” philosophy.
Jonah Jameson is on another floor within New U with his reanimated with Marla. They talk about how happy they are together.
Spider-Man confronts Prowler about his alliance with Jackal. Hobie Brown tells Peter that what Jackal is doing is a “good thing.”
Captain Stacy pulls a gun on “Gwen” when he realizes that she is not his daughter. It turns out she is Spider-Gwen in disguise. The cloned Gwen is holed up with Kaine in his apartment and needs New U’s medicine ASAP.
Spider-Man and Spider-Gwen take off through an air vent and Lizard is dispatched after them.
Kaine goes to Horizon University at the behest of Spider-Man to retrieve medicine, which was given to him by Jerry Saltares’ wife. He then admits to Anna Maria Marconi that he and Gwen are on a secret mission because “Peter Parker is the man who destroys the world.”
From a pure storytelling perspective, there is nothing wrong with what Dan Slott is doing. In fact, this latest twist actually elevates DNM’s quality above and beyond what I was expecting early on. The problem, however, will come if it turns out that “the” Peter Parker is responsible for countless zombie wastelands instead of Jackal.
Here is the bottom line:
Peter Parker fans should accept a story that involves alternate universes where Jackal (i.e., a Peter clone) kills the hero and assumes control of Parker Industries as an imposter.
They should not accept the idea that infinite universes of terror and fear are traced back to a single moment in time where “the” Peter Parker succumbs to another Mephisto-like proposal, this time with Jackal.
Given Dan Slott’s history with The Amazing Spider-Man, I am not confident that his final “twist” for DNM will be one that honors the legacy of Peter Parker. I hope I am wrong.
Anyway, did you read DNM #2? If so, then let me know what you think in the comments section below. Don’t forget to check my latest YouTube review and subscribe if that format is up your alley.
The Amazing Spider-Man #20 has arrived, which means readers get the return of Doctor Octopus in his original body and the “death” of Peter Parker — again. Yes, you read that right, Dan Slott has essentially “killed” Peter Parker for a third time.
Here is what you need to know for ASM#20:
Otto (inside his Octobot form the future) and AI Anna Maria Marconi visit his grave and find it empty.
An investigation reveals that someone has stolen Otto’s corpse from a cemetery that serves as a resting place for many super villains. There is a black market for dead super villains.
Otto and AI Anna go into the internet and use their digital “minds” to deceive New U into placing a bid for Otto’s corpse.
Otto heads to New U and realizes that his corpse contains the brain waves of none other than…Peter Parker!
A fight ensues (again), and Otto makes short work of everyone’s favorite hero. It turns out (and readers should assume this will change at least one more time) that the original Peter Parker died while only a memory “fragment” made it into the ASM #700 Peter Parker body. Jackal even applauds Otto while saying, “You killed the heck out of it.”
A spy for Kingpin monitors everything that happens in New U.
Otto and the Jackal team up to try and figure out a way to keep “reanimated” bodies from decomposing without a pill.
The issue ends right where Dead No More: Clone Conspiracy #1 finished.
Just to make sure that everyone understands what is going on, Peter Parker “died” in ASM #700, he was “killed” again for all intents and purposes during Superior Spider-Man #9, and now “executed” in ASM #20. But — and this is a big but — it could very well turn out that this “real” Peter Parker was in fact a “memory fragment” left behind by the “real” Peter Parker as he returned to his body in ASM #700.
Confused? Don’t feel bad about it.
The problem with the original Clone Saga was that it broke one of the most common sense rules for storytellers — don’t break your readers’ trust. That doesn’t mean that authors can’t have twists and turns; it means that readers should never feel duped or misled.
No one wants to believe that the Peter Parker (i.e., hero) they’ve been reading about for days, weeks, months, or years is just a “memory fragment” or a “clone” or a “reanimation.” People sink a lot of money and time into a character, so it becomes bothersome if a writer does the equivalent of, “And then I woke up” on his audience. That is something that high school creative writing classes teach, so it is bizarre that Marvel writer Dan Slott would mine that “reanimation” well throughout Clone Conspiracy.
So who is the “real” Peter Parker? Who is the fake? Are any of them real? Readers are supposed to be thrilled with the prospect that the last couple of years have really just been one big fake-out, but human nature does not work that way.
People do not like to be lied to. It’s one thing to play games with supporting characters, but it is a whole different “can of clones” when the protagonist is disrespectfully jerked around.
There is much more to say, but in this instance I think I’ll cut it short and ask you to share your thoughts in the comments section below. And please make sure to watch my latest YouTube video on ASM #20 and subscribe for regular comic book reviews.
Marvel’s release of Dead No More: The Clone Conspiracy this week brought with it an obligatory round of promotional interviews. Therefore, it was reasonable to conclude that writer Dan Slott of The Amazing Spider-Man would say something to prove how he fundamentally misunderstands Peter Parker. A recent interview with The Hollywood Reporter was all it took, as he said his favorite Spider-Man “villain” is, in fact, Peter Parker.
Regular readers of this blog remember how an October 2015 entry — Dan Slott: Peter Parker’s love for Mary Jane is ‘anti-Marvel’— was accused of being taken “out of context,” despite the fact that full context (and an hour-long embedded YouTube video) was provided. Therefore, your friendly neighborhood blogger will preemptively draw attention to the fact that I am linking to the full Hollywood Reporter interview, asking you to read it in its entirety, and going out of my way to provide full context.
THR’s Graeme McMillan and Mr. Slott had the following exchange:
Graeme McMillan:You have fans complaining that you don’t “know” Spider-Man.
Dan Slott:Despite the fact that I’ve written one out of every five issues of Amazing Spider-Man, which is kind of scary. But, to me, the fun of it is, at his basic core, even if you strip away ‘with great power must come great responsibility,’ what makes Peter Parker this character that resonates with all of us is that he’s really the first character who’s you. He’s the guy you know. He’s not a wealthy billionaire playboy, he’s not an alien from another planet, he’s not a god from a pantheon. He’s the guy down the block who trips and falls, who screws up in every way that you screw up. All the self-destructive traits that you have, and your friends have, he has. People say to me, ‘Who’s your favorite Spider-Man villain?’ and my answer is Peter Parker, because no-one can mess up Spider-Man’s life like Peter Parker can.
One of those fans who “complains” that Dan Peter’s-love-for-MJ-is-anti-Marvel Slott does not “know” Spider-Man (or, rather, Peter Parker) is right here, so let us begin.
Words mean something. The words we use have consequences. There is great power in words, and with that comes great responsibility. Therefore, it stands to reason that being imprecise or flippant with a word like ‘villain’ can lead to terrible results — even if we have good intentions.
Mr. Slott says “no-one can mess up Spider-Man’s life like Peter can,” but we know that his rogue’s gallery is filled with homicidal monsters, megalomaniacs with a desire for genocide, at at least one literal demon who successfully severed the bond between he and his soulmate, Mary Jane.
Question: Why on earth would a writer pretend that “villain” is synonymous with “fallible human being”?
Answer: Because a writer like Dan Slott is the kind of person who publicly admits he wants a hero like Peter Parker making deals with a devil. Heroes do not consciously make deals with devils — villains do. If Peter Parker is described as a guy who tries his best but isn’t perfect, then Mr. Slott’s vision cannot be realized. The language needs to change. Readers need to be convinced that their hero is simultaneously a villain, and that it’s acceptable.
That is perverse. That is sick. That is naked moral relativism, and it is propagated by a man who mistakes writing a character for a long time with doing it well (i.e., Saying, “I’ve written one of every five issues of Amazing Spider-Man,” in response to charges of not knowing Peter Parker).
Let us return to his THR interview:
Dan Slott: The Jackal has expanded his science. He’s not getting it from a blood sample, he’s getting it from a corpse. It’s all the memories, all the way up to your death —
Graeme McMillan: So they’re complete copies.
Dan Slott: Yes! They remember everything, all the way up to that last moment. It’s less a clone — I wanted to brand them, and the Jackal brands them, ‘re-animates.’ It’s different than a clone, it’s better than a clone. And in that moment, the Jackal becomes the ultimate devil you can make a deal with. He becomes the person who says, ‘If you’ve lost anyone, I can give them back to you. Whatever person you’ve loved or lost, or maybe someone who tormented you and lost, I can bring them back to you.’
Ignore the fact that clones would know that they are clones and immediately branch off into a completely different life-path than his or her progenitor. What matters here is that Mr. Slott a.) attaches a very specific word — ‘villain’ — to the hero, and b.) admits that he wants said hero/villain making deals with an “ultimate devil.”
If you are a long-time reader of The Amazing Spider-Man, look at Mr. Slott’s track record and ask yourself if he was being glib or if he says what he means and means what he says. It is this blogger’s contention that when he says Peter Parker is a villain, he means it. And he gets away with it because many people who are repulsed by such a premise buy ASM out of their life-long love for the character.
Things will only change when enough readers vote with their wallet. (Exacerbating the problem are access-addicted comic book websites that are terrified of offering legitimate criticism, but I digress.)
Anyway, I’d love to hear your thoughts on the “villainous” Peter Parker and the writer behind his reign of terror. Let me know what you think in the comments section below.
Update: Dan Slott is now unblocking people on Twitter who discuss this blog post, and then trying to hide behind some weird excuse that Stan Lee would have called Peter Parker a “villain.” You can’t make this up. Classic! (Hat tip to reader JB for the catch.)
Marvel’s big Spider-Man event of the year has finally arrived with Dead No More: The Clone Conspiracy #1. Readers who lived through the 90s wondered why writer Dan Slott would dig up the still-rotting corpse of The Clone Saga, and DNM #1 seems to confirm their worst fears. Recycled plastic usually has a weird quality to it that fails to match the original, and recycled stories are the same way.
Here is what you need to know for DNM #1:
Peter attends the funeral of Jay Jameson and Jonah explodes on him, which is odd because he knows New U has the power to bring people back from the dead. Jonah’s first wife Marla, after all, has returned.
Peter says “this is all my fault” to himself after everyone leaves, even though it clearly was not.
Anna Maria Marconi finds out that Peter’s spider-sense went off when he used Jerry Salteres as a guinea pig for New U’s experimental treatment. The two decide to visit the employee’s house to investigate.
Jerry’s wife reveals that her husband failed to take his medicine and had something “terrifying” happen to him. New U told her not to talk about it and scrubbed her webware, which contained video of the incident.
Peter inexplicably vows to bring Jerry home after retrieving lost data from the webware. Anna privately scolds him for the promise and he heads off to New U as Spider-Man.
It turns out Peter used a “microscopic, sub-dermal tracer” on Jerry when they saw each other in the hospital, so he tracks down the man’s “reanimating” body inside a lab.
Miles Warren walks in on Peter and within moments Rhino and female Electro are headed for battle.
Spider-Man goes into a room marked “Do Not Enter” and finds Gwen Stacy. He is surprised when she doesn’t set off his spider-sense.
A reanimated Doctor Octopus punches Peter in the face with a tentacle and the issue ends.
DNM #1 also features a story by Dan Slott titled The Night I Died, which tweaks elements of 1973’s The Amazing Spider-Man #122 to include a semi-conscious Gwen finding out that Peter Parker was Spider-Man just before her death. She cries while thinking of Peter as “the man who helped kill dad.”
Gwen is then “reanimated” by Miles Warren, aka The Jackal, and introduced to her father as a means of convincing her to become a “business partner.”
The problem with mixing clone stories and The Amazing Spider-Man, besides the fact that they have been done to death (no pun intended) — and badly done — is that a writer is tasked with covering the very nature of existence, consciousness, and the soul. Even unintelligent readers seem to inherently understand that the writer is entering into serious territory, so if the tale isn’t handled right it crumbles under its own weight.
Let’s put it another way: Even clones in real life would know that they are clones (i.e., see the panel of Gwen Stacy realizing what has happened before grabbing a knife to slit her own throat). Readers are the same way. Why should they care about Gwen Clone?
They shouldn’t — unless it is done well.
And there’s the rub. On Dan Slott’s watch, Peter Parker “died” and came back to life. The character has not had a single moment of honest reflection on his own death (or whatever it was, since it was never clear) since the series relaunched. Human beings — flesh and blood with thoughts and emotions and hopes and dreams — would be shaken to their core if they died and were brought back to life. Not Dan Slott’s Peter Parker.
Therefore, it stands to reason that if Mr. Slott does not even apply basic human reactions to the protagonist of the series then he will not do so in a meaningful way with clones.
DNM #1 appears to set up all sorts of twists and turns for Peter Parker in the next couple of months. That is the good news.
The bad news is this: Like most conspiracies, the people who weave them usually lose their audience in an incoherent mess that unravels with the least bit of scrutiny. Before you plunk down $4.99 for this book, consider Mr. Slott’s track record and then ask yourself if he seems up to the task.
Editor’s Note:
Regular readers of this blog remember the time when I accurately predicted Dan Slott’s “Arachno-Rockets.” It appears as though your friendly neighborhood blogger has another notch on the belt after having asked in February when “single-cell Spider-tracers” would arrive. DNM #1 does not quite give us a single-celled tracer, but it is “microscopic, sub-dermal.” Given that the function is essentially the same, we’ll consider that a win.
The last two issues of The Amazing Spider-Man have seen the strongest writing on the book in months, which is odd given that its main character — Peter Parker — was relegated to the sidelines. He is back in ASM #19 and, seemingly like clockwork, the book has taken an embarrassing turn. Ham-fisted attempts to prove that he’s a snake-bitten loser abound, and tears flow because the guy with 10,000 specialized web cartridges couldn’t remember that Cartridge Seven contained “quick-drying web-cement” (as seen in ASM #6).
When Peter Parker is in China, “quick-drying web-cement” is on hand for a nearly abandoned construction site. When he’s in New York and his family needs him, he doesn’t think to use it. What does editor Nick Lowe actually do in the office, anyway?
Here is what you need to know for ASM #19:
Aunt May tells Peter to hurry to the hospital because her husband, Jay Jameson Sr., is getting worse with some disease that Marvel has not elaborated on. It’s just bad…and deadly…because illness.
Peter is on his way when he hears someone scream, “Stop! Thief! That’s all my money!” Our hero turns the corner and sees two men running down the street. He webs both of them up and a shop owner yells at Spider-Man for webbing up his son (even though it was perfectly understandable to make such a mistake and the hero literally secured the guy’s entire life savings).
Peter then inexplicably says he doesn’t blame New Yorkers for hating him.
Everyone wants to know why Peter used New U’s technology on an employee, but he doesn’t want it applied to Jay Jameson Sr. They don’t believe him when he says that further Parker Industries research has shown that conventional methods are probably safer as long as time permits. (Again, what is the disease? Can’t Dan Slott call a doctor and do a little research for something plausible?)
Jay privately asks Peter to go to his apartment and get a clock that was brought to America from Ireland. Jay wants to give it to his son before he dies. Peter agrees to get the heirloom.
Peter webs the clock to his back and heads for the hospital, but a greedy industrialist’s decision to ignore safety regulations (but of course!) causes an accident. A crane comes unmoored from a building and Peter, in a Christ-like pose, must hold it in place from falling while rescue workers arrive. Aunt May calls him and berates him for taking his time. She wants to see him face-to-face on his phone, but he tells her it’s impossible at the moment.
J. Jonah Jameson talks to the “reanimated” Marla and asks her what to do. She tells him to convince Peter to use New U’s technology on his father.
Peter’s webbing dissolves after an hour and the clock falls from his back. He finds it later and it’s broken.
Aunt May and J. Jonah Jameson cry as perpetually tardy Peter arrives to the hospital with the shattered clock.
Perhaps the two best ways to describe ASM #19 is “forced” and “convoluted.” Characters behave in ways that are downright weird to advance the plot, and Peter is shoe-horned into situations show the tension that his secret identity imposes upon his personal life.
What makes this issues climax fall flat is the fact that for well over a year Dan Slott has pulled out numerous inventions out of Peter Parker’s butt, but for no apparent his reason his technological butt-magic disappears in ASM #19. He literally held up an entire building with web fluid in ASM #6, but now — when he really needs it — the proven technology is not even mentioned.
Heck, Spider-Man even had “web-foam” literally spin off his back on voice command in ASM #9, which protected him as he entered earth’s atmosphere. Are readers supposed to believe he wouldn’t wrap a precious family heirloom in it? Thanks for making Peter look like a total doofus, Dan Slott.
Marvel’s message to readers translated: “Did you think J. Jonah Jameson was praying to God in the first panel? Gotcha! Who would do such a crazy thing? Haha. He was talking to Marla the whole time.”
In short, you may enjoy ASM #19 if you watch bad soap operas. Readers have hospital death scenes, people coming back from the dead, a lot of tears and hackneyed writing. Tune in next month for more Mighty Marvel Mayhem, true believers, when Peter Parker needs his “acid-webbing” to save the day, but then decides not to use it!
Douglas Ernst Blog 