Tag: Comics

Robert Downey Jr. ambushed over politics: Reporters want Iron Man to be a liberal activist

April 22, 2015April 22, 2015by Douglas Ernst9 Comments

I said in 2013 that one of the reasons conservatives defended Robert Downey Jr. was because liberals attacked the man. Perhaps the best example was the 2011 hit piece from Jeffrey Wells’ Hollywood Elsewhere (now flushed down the Memory Hole), in which an anonymous source said the actor’s values “are pure Republican values.” That came after an interview in The New York Times that drove liberals batty, but before the actor attended a fundraiser for President Obama. Apparently Robert Downey Jr’s ideological blasphemy is still stuck in the media’s craw because he was just ambushed during an interview with British reporter Krishnan Guru-Murthy.

The Huffington Post reported Wednesday on the interview, which ended with Marvel Studio’s Iron Man walking out:

Krishnan Guru-Murthy: I’d really like to ask you about a quote you gave to The New York Times. I don’t want to pry so if you don’t want to talk about it that’s fine, but what you said to The New York Times was — it was about, it was after your incarceration and you said that you can’t go from a $2,000 a night hotel suite to a penitentiary and understand it and come out a liberal. I just wondered what you meant by that.”

Robert Downey Jr.: The funny thing is — and I appreciate your point of view — things you said 5-7 years ago or things you said in an interview that made sense to you at the time — I could pick that apart for two hours and I’d be no closer to the truth than I’d be giving you some half-assed answer right now. I couldn’t even really tell you what a liberal is, so therein lies the answer to your question.

Krishnan Guru-Murthy: The statement sort of stands by itself, doesn’t it? Does that mean that you’re not a liberal? Or that you came out of a prison not being liberal?

Robert Downey Jr.: Are we promoting a movie? To me the thing is that it’s — I’m certainly not going to backpedal on anything I’ve said, but I wouldn’t say I’m a Republican or a liberal or a Democrat. I think when I was talking to the person who was doing the interview that day and that just happened to be my opinion. That’s the nice thing, you can have opinions and they change and flow.”

Robert Downey Jr. is in a horrible position. A guy who has been to prison probably realizes that hard-core criminals will never adopt the peace-love-dope worldview of liberal beat poetry readings and bongo-circles. Perhaps he’s a fiscal conservative who is socially liberal. Maybe he was against the war in Iraq but he understands that leaving radical Islamic head choppers the their own devices is a bad idea.

How does the man define himself politically, especially when he has to work with hard-core liberal activists like Joss Whedon and Mark Ruffalo? The best thing to do to keep the peace on set is probably to just stay silent and stick to playing Tony Stark really well — but that is not good enough for the media.

Robert Downey Jr. will always have to be on guard against a media ambush because he refuses to use his Twitter feed to lecture people on climate change. He doesn’t get into abortion politics. He doesn’t harangue people about minimum wage laws or demonize Republican politicians. This is unacceptable to pundits who want celebrities to push liberal politics on as many people as possible while they’re in the limelight.

The vast majority of Americans do not want Hollywood stars to lecture them on public policy. They appreciate that Robert Downey Jr. keeps his politics close to the vest. They are glad that he walked out on Krishnan Guru-Murthy and wish more actors would follow his example.

The moral of the story is this: The creative team behind “Avengers: Age of Ultron” could learn a thing or two from Robert Downey Jr. If Marvel’s talent wants independent, libertarian, and conservative fans to continue flocking to Marvel Studio movies, then they should knock it off with the political activism.

Iceman is now gay because … diversity! Marvel hopes Brian Michael Bendis critics stay in the closet

April 21, 2015May 3, 2016by Douglas Ernst82 Comments

One of my older brothers used to read X-Men and X-Factor when I was growing up in the 80s. Regular readers know that I’ve always been a Spider-Man fan, but I think it’s safe to say that I read plenty of stories with Bobby Drake. Now, after all these years, Brian Michael Bendis has decided that the character is gay. Why? Answer: Diversity!

The Verge reported Tuesday:

Bobby Drake, otherwise known as classic X-Men member Iceman, will come out of the closet this week. In a collection of leaked panels from All-New X-Men #40, due out tomorrow, Drake finds himself outed by fellow teammate Jean Grey. The revelation makes Iceman one of the most prominent (and powerful) LGBT superheroes in Marvel comics, and is in keeping with the company’s push for more diversity among its characters.

The circumstances surrounding the character’s coming out are unique, to say the least. Readers discover that the past, teenaged Bobby Drake, who has been transported to the future along with the original X-Men to help solve a crisis, is gay. Meanwhile, the present-day Iceman — who is still very much around — has had relationships with multiple women in the past. Apparently, that was an act.

A writer who thinks that a character with a long history of dating women can convincingly be turned gay over night is almost as embarrassing as the writer who tells a long and involved tale that ends “…and then I woke up!” Only a company with zero respect for its audience would allow such lazy and transparent pandering to happen. Marvel expects its fans to clap like trained diversity seals who care more about politically correct editorial mandates than sound storytelling. Given that comic industry journalists are little more than Marvel and DC propaganda arms, it’s a good bet you will soon hear the sound of happy seals.

Perhaps just as bizarre was Brain Michael Bendis lamenting the fact that the issue couldn’t come out and “just be. no press. no sensational headlines.”

If Marvel created a brand new hero who just so happened to be gay — or perhaps a gay, disabled, black and Muslim super-powered diversity-mutant — then that could have happened. No one really cares about introducing new characters, but they do care about arbitrarily making drastic changes to a character they’ve known for decades. They also care when legitimate criticism runs up against men like Dan you-support-Jim-Crow-laws-if-you-think-Peter-Parker-should-stay-white Slott.

Read through the comments section on the websites reporting on the suddenly-gay Bobby Drake, and you’ll see plenty of the “you just have a thing against gay people” mentality on display. It’s sad and pathetic, but it’s the kind of stupid partisanship Marvel needs in spades if it plans to continue these stunts.

After years and years of evidence to the contrary, readers are now supposed to believe that the way to melt Iceman’s heart is to have a Y chromosome. If you’re not a fan of Marvel’s diversity for the sake of diversity business model, then I suggest walking away from the brand and letting them know on your regular circuit of comic-related news sites. Only when it bleeds enough in sales will the company possibly get the message.

Hat Tip: douglasernstblog.com reader Eidolon.

Nick Lowe tries out Marvel’s ‘permission to leave’ business model

April 5, 2015April 7, 2015by Douglas Ernst34 Comments

Marvel Senior Editor Nick Lowe is the type of guy who dresses up as the pope on Halloween because he’s scared to death of what would happen if he pranced around the office as an imam or Mohammed. Marvel Senior Editor Nick Lowe is the type of guy who dresses as the pope for Halloween because Dan Slott would probably not find it funny to see his editor mock Orthodox Jew rabbis on Halloween. Marvel Senior Editor Nick Lowe is also the kind of guy who needlessly burns bridges with loyal Marvel customers in the Letters to the Editor section of The Amazing Spider-Man.

It’s no secret that Marvel has run its Letters to the Editor section like something out of the Kim Jong-un School of Journalism for quite some time. Issue #17 of The Amazing Spider-Man continues that trend, although 1 out of 9 letters actually provides a critique of Dan Slott’s work.

Here is an excerpt from a letter sent in by Ryan Knight of New Port Richey, Florida:

Can you please offer your readers some kind of idea when Dan will be off the book? He’s written more Spider-Man than anyone with the exception of Stan Lee … and Brian Michael Bendis. I understand that his work is accessible for many casual readers with little to no frame of reference, but even many of his strongest supporters believed he should have left when Superior ended. …

I am sick of Marvel “Events” and so-called story arcs (look up the word story arc in the dictionary. You Marvel folks will see it’s different froma multi-part look at the Tablet Arc in Stan Lee’s run or the Jackal Arc in Conway’s if you want a clue.) screaming for attention, it just betrays how corrupt and lame some corners of the universe are. …

How often do we get one-issue stories? Two-parters? Character studies? Slice of life? Of yeah, Slott is a self-confessed plotter by nature. Howard Mackie’s run is downright readable in comparison to most of Slott’s work. History won’t remember the BND/Big Time/Superior/Relaunch era fondly at all.

Mr. Knight is not too happy with the current direction of the book. However, it’s obvious that he’s been reading Spider-Man for years. He’s a loyal Marvel customer. He has stuck through the book through thick and thin. Say what you want about the tone of his email, but he’s clearly sunk loads of cash into Marvel, and by extension Nick Lowe’s and Dan Slott’s bank accounts.

One would think that Mr. Lowe would be grateful for such customer loyalty and, even in the face of hard-nosed criticism, respond in a professional manner. Mr. I-dress-up-as-the-pope-because-I’m-scared-to-dress-up-as-Mohammed Lowe chose the “We don’t need you” route instead.

Nick Lowe responded:

Hi, Ryan. Sorry you don’t like Dan’s run, but you certainly seem to know it very well. If you’re a Gerry Conway fan, definitely pick up Amazing Spider-Man #16.1, on sale now. It’s the first part of a five-parter (sorry). Pains me that you’re so unhappy, so take this as permission to leave the book behind. I’m a big fan of Dan’s work and won’t be replacing him any time soon, providing we’re still publishing Spider-Man after Secret Wars.

In the mind of Nick Lowe, Marvel’s faux pope, it is a mortal sin to question the direction of The Amazing Spider-Man, even if you’re someone who has been religiously buying the book for decades. Question Dan “deus ex machina” Slott’s work, and you must be excommunicated from the Church of Marvel.

If you’re like me, then you long ago realized that Marvel decided on a business model that involves needlessly lashing out at paying customers. If you’re like me, then perhaps you’ve become much more discerning in which books you buy each month — if any — from the company.

The next time you see Nick Lowe at a Comic Con, ask him when he’s going to be Mohammed for Halloween, and then let him know what you think about Marvel’s “permission to leave” business model.

Hi, My name is Nick Lowe. I think it's a good idea to tell loyal Marvel customers to take a hike when they disagree with the direction of a book. I also dress up as the pope as a joke on Halloween because I know Catholics turn the other cheek. Dressing up as an imam or Mohammed as a joke would actually require me to display courage, so I won't do that. — Hi, My name is Nick Lowe. I think it’s a good idea to tell loyal Marvel customers to take a hike when they disagree with the direction of a book. I also dress up as the pope on Halloween because I know Catholics turn the other cheek. Dressing up as an imam or Mohammed as a joke would actually require me to display courage, so I won’t do that.

Joe Quesada, giant hypocrite, plays dumb when confronted on other comic industry hypocrites

March 21, 2015April 1, 2023by Douglas Ernst43 Comments

Joe Quesada, Chief Creative Officer of Marvel Entertainment, took to Tumblr on Friday night to bemoan the way comic industry “professionals” are treated by fans. He played the world’s smallest violin for people like Steve Wacker, Dan Slott, Mark Waid, Erik Larsen, Gail Simone and countless others who say incredibly nasty things via their social media accounts. When confronted about his silence on the despicable behavior of his buddies, he chose to play dumb.

Here is what Mr. Quesada said Friday:

“It has never ceased to amaze me how some people, in defense of their favorite fictional characters or stories, treat creators and each other, flesh and blood people living actual lives with actual feelings and families, with such disrespect and cruelty as though they were two-dimensional, fictional villains who merely exist on a page or the imagination.”

A fan then called him out on the laughable attempt to play the victim.

Joe Quesada’s response: What you talkin’ about Willis?

I don’t know what inexcusable behavior you’re referring to, but I know that they all love this medium and the fans as well. I see them at conventions and online, they’re giving of their time, funny, even cheeky at times, even when provoked in horrible ways. But, I’ve never known them to behave inexcusably.

Let’s take a trip down memory lane just for Joe, shall we?

There was that time Dan Slott stalked and upset a random woman on Twitter.

And then there was that time when Dan Slott told Hobby Lobby supporters to go to “Christ-Land.”

Note: I’m pretty sure that if a group of mostly Jewish individuals won a court case and I told them to go to “Jew-Land,” Dan Slott would find that rather repugnant. The same goes for a request to go to “Muslim-Land” to a group of Muslims. But hey, Mr. Quesada has “never known” Dan Slott to behave inexcusably.

Moving on, we have Erik Larsen last year letting all his Christian fans know just what he thinks of their faith by posting an Easter bunny ejecting bloody eggs out of its butt, which then hatched different versions of Jesus. But again, Mr. Quesada has “never” known comic book industry “professionals” to behave inexcusably.

What about if you’re a conservative comic book fan? How do writers and artists comport themselves online, then? Since Mr. Quesada has “never” known creators to behave inexcusably, let’s see a snapshot of Mark Waid’s online behavior. Ah yes, he wants Republicans to go “f**k themselves.” How quaint.

Speaking of conservatives, how many conservatives work with Joe Quesada? I know he likes to talk about diversity, but I seem to have trouble finding one comic book writer employed at Marvel who is openly conservative. I guess ideological diversity doesn’t count.

I can go on and on, but since Mr. Quesada struggled to find comic book industry “professionals” acting inexcusably I’ll even add in an example from Gail Simone. Apparently it’s okay to start resorting to personal attacks against combat veterans if they disagree with Ms.Simone’s politics.

If I called Ms. Simone a “walnut-brained woolly mammoth” over a disagreement on politics or comics, I suppose Mr. Quesada would lecture me on how I need to treat her like “flesh and blood” with “actual feelings.” We all know that he won’t give that lecture to Ms. Simone, though — he agrees with her politics.

Here’s the bottom line: At Marvel, tolerance, tact and understanding are all part of a one-way street.

If you agree with them on politics or the creative direction of their books, then they’ll laugh and giggle and chortle along with you all day long. If you happen to think that young women who work the late shift at a hospital should be able to carry a handgun, then things start to change. If you think having Peter Parker make a deal with the devil goes against everything the character stands for, then it’s a different story. Steve Wacker and Dan Slott and Tom Brevoort and the whole Marvel crew can make smarmy, condescending cracks in your direction all day long, but if you’re a smart guy who has a few intellectual nuclear warheads in your back pocket, then suddenly you need to be concerned about “feelings” and “families.”

Joe Quesada is the guy who burns bridges and then berates fans for not making those bridges out of stronger material in the first place. Joe Quesada is the guy who eggs on his buddies to act like bullies, and then when fans give them a verbal beat-down he gives lectures on inflammatory rhetoric. The brown-nosing comic book and entertainment “journalists” who will do anything to cozy up to a few Marvel writers and artists may not call out inappropriate behavior, but bloggers will.

Keep playing dumb, Mr. Quesada. Keep going with the Arnold Jackson “What you talkin’ about Willis?” strategy. This isn’t 1990. The digital trail doesn’t go cold very quickly, and bloggers are always ready to chronicle your hypocrisy. If you want to know why you’re not treated with respect by countless fans — or why the comic book industry is a shadow of its former self — all you have to do is look in the mirror.

Dan Slott: I write Peter Parker like a blockhead because Charlie Brown never kicked the football

March 20, 2015March 21, 2015by Douglas Ernst27 Comments

Marvel’s “Renew Your Vows” is just around the corner, which means Dan Slott has been making the rounds to preemptively defend the weird editorial mandates Marvel will soon shove down readers’ throats. Think of it like the “medicine” Tom Brevoort is fond of telling fans they need.

Flashback: “The medicine may not taste good, but if it makes you feel better, then you need to take it.”

In its lead-up to questions with The Amazing Spider-Man writer Dan Slott, here’s what Entertainment Weekly said March 16 about Marvel’s past attempts to administer fans their “medicine.”

While there isn’t much of a way to objectively measure these things, the dissolution of the Spider-marriage in 2007’s One More Day is easily one of the most widely disparaged story decisions for the character in recent memory. (The “death” of Peter Parker leading up to Superior Spider-Man may have come close, but a lot of people have come around on that front. Not nearly as many have said, “Hey, the Parkers selling their marriage to the devil to save Aunt May was actually great.”)

Entertainment Weekly writer Joshua Rivera (perhaps best known for not understanding why self-censorship is a bad thing for the industry), gently alluded to the possibility that Marvel would once again screw things up with “Renew Your Vows.” Dan Slott’s reaction: talk about Charles M. Schulz denying Charlie Brown the opportunity to kick the football out of Lucy’s hands.

Mr. Slott said:

“With any story where you give people what they want—there’s a difference, as a storyteller, between what your readers want and what your readers need. In a good Peanuts story, you want Charlie Brown to kick that football. But if Charlie Brown kicks the football, it’s over!” says Slott. “All the best stories in serialized fiction–it’s always about teasing the greatest wishes and wants, but monkey-pawing it. Always giving you what you want, but not the way you want it.”

The Marvel writer was so proud of his false analogy that he even started using it on Twitter:

How bizarre is it that Dan Slott willingly casts himself as the comic industry’s Lucy Van Pelt and then wonders why fans often want to verbally kick him around like a football? Regardless, like Mr. Brevoort’s “medicine” comment, the hubris of the modern comic book creator is on full display. Tom Brevoort knows what medicine you “need” to take. Dan Slott knows what you “need” — and it’s not what you want.

Dan Slott seems to really believe he is comparing apples to apples when he compares a static character who never ages with one who is much more dynamic. In one instance there is Charlie Brown — the sole property of Charles M. Schulz — who is inspired by the artist’s childhood. In the other instance there is Peter Parker, a character who was created by Stan Lee and Steve Ditko, but in no way meant to be trapped in his own hell-ish editorial version of Groundhog Day.

Why is it “over” if Charlie Brown kicks the ball? It’s not. It’s only over if your point all along was to convey some strange message about how women are duplicitous jerks who send good men reeling when they are trusted.

Is Dan Slott saying that Peter Parker’s “Lucy and the football” situation is marriage to a strong woman like MJ? What does Dan Slott have against writing a married version of Peter Parker? Just as it’s totally legitimate to ask what the heck Charles M. Shulz was thinking by never allowing Charlie Brown to kick the football, it is also quite valid to wonder why so many writers and editors at Marvel are uncomfortable with a marriage between Peter and MJ.

If Dan Slott really believes that his job as a writer is to be the best “monkey-pawer” in the business — and I have no reason to doubt that he is sincere when he makes that case — then it should be abundantly clear why the relaunch of The Amazing Spider-Man has been an embarrassment in terms of Peter Parker’s characterization.

Dan Slott is great at telling naked Spider-Ham jokes and he is great at treating Peter Parker like Charlie Brown trying to kick at the old pigskin, but he is not great at characterization. If you plan on buying “Renew Your Vows,” then you should take the writer at his word when he says that his job is not to give the fans what they want.

Dan Slott’s Spider-Verse Epilogue: Wrap-up oddly more exciting than main story

February 25, 2015February 26, 2015by Douglas Ernst15 Comments

Dan Slott is an interesting guy — when he’s not trolling random women on Twitter or casting countless Peter Parker fans as racist rubes, he’s making the epilogue to his big Spider-Verse tale more exciting than the main story. In some weird way, the constraints imposed upon the writer by his epilogue — he had to wrap up countless loose ends and couldn’t engage in superfluous Spider-Ham jokes — forced him to put forth a tighter product. The result is, oddly enough, the most satisfying issue of The Amazing Spider-Man in months.

The good thing for Dan Slott with an epilogue like this is a.) there is no real need for characterization — readers are essentially told, “Hey, this is where are heroes ended up,” and b.) it provides the author with an easy opportunity in terms of providing fans with some “feel good” closure. With no defenders in his way, Dan Slott managed to sink a layup at the buzzer. He still lost the game…but at least he made his last shot.

With that said, Spider-Man fans might be disappointed when the thrill of seeing Peter Parker crack Doc Ock with a left hook wears off. As Peter Parker stands above Otto, the villain unmistakably telegraphs the vehicle that will carry him to revenge. Otto tells his hologram girlfriend “Now, Anna, as we discussed.” Was Peter Parker deaf, or did he just shrug his shoulders and say “What was that was all about? Eh, probably nothing.”

Another bizarre instance occurs when Karn reveals that the nuclear wasteland the Inheritors have been imprisoned on “fortunately” has a bunker “teeming” with spiders. What are the chances? It’s almost like Master Weaver giving the heroes a scroll with “everything” they need to succeed, or Silk conveniently teleporting to the planet and finding the bunker to begin with. Dan Slott’s Peter Parker is big on the “no one dies” mantra, but he’s apparently okay with the “shut you in a bunker and force you to live on spiders for all eternity,” verdict as well. Under normal circumstances such a panel could be laughed off, but since the writer has invested so much in “no one dies” during his tenure, it should not be ignored.

If you’ve purchased the rest of Spider-Verse and were thinking about skipping the epilogue, then you may want to reconsider. Dan Slott may have oversold the book when he promised “Big Things” (shocker, I know), but it’s still one of his better efforts in quite some time. If nothing else, Spider-Verse: Epilogue shows that Marvel might get tighter stories out of its scribe if it puts more constraints on him.

Spider-Verse ends with puerile pheromone talk, Dan Slott’s sex-crazed Silk called ‘honey’: ‘Nuff said

February 11, 2015February 12, 2015by Douglas Ernst83 Comments

It may have taken 20 issues and $80, but Dan Slott’s Spider-Verse is finally over. Unfortunately for Peter Parker fans, the writer was able to get in one last parting shot by making his sex-crazed concubine Cindy Moon (Can anyone deny that’s how she comes across?) try yet again to get into the pants of Peter Parker. Our hero then takes their relationship to another level by calling her “honey.” Shouldn’t feminist comic book fans be raging over this bizarre and puerile treatment of Silk? The muted criticism is rather strange, but I digress.

When reviewing Spider-Verse Part 6 there is much to cover because it became a giant discombobulated mess. Perhaps one of the main takeaways is that the final battle ends — fast. In fact, the whole final battle is wrapped up so quickly that one of the main villains understands that something does not add up. It’s almost like Dan Slott subconsciously knew what readers would be thinking. He seemed to think that by having Morlun draw attention to the villains’ rapid downfall that readers would believe Spider-Man’s answer: “Everything is going according to my plan.”

What plan? There never really was a plan. For a good portion of Spider-Verse, Otto was in charge. When Peter was nominally the leader, he couldn’t even control his own team members.

Kaine took off to do his own thing, which prompted a “son of a…” response. Cindy took off as well (twice), which prompted a “@#$%! She took off again, didn’t she?!” response, and Dan Slott literally inserted a deus ex machina into the tale, which gave Peter’s team “everything” they needed to prevail. When it all spun out of control, his response was “Whatever you’re doing — drop it! We’re going to Loomworld.”

That doesn’t sound like a plan. That sounds like, “Charge!” (and hope for the best).

Perhaps one of the biggest problems with Spider-Verse is that there is no intellectual consistency. The Inheritors are built up to be almost unstoppable enemies, who then essentially collapse like a house of cards.

In one instance, Solus defeats a version Cosmic Spider-Man in the blink of an eye, but in the next he is effortlessly impaled to death by Kaine. The Inheritors have survived for time eternal, have the ability to clone themselves and insert their life force into crystals, but yet they can’t figure out how to clone a body that is resistant to radiation. The Inheritors feed off the life force of men and women powered by the bite of radioactive spiders, but a landscape with nuclear fallout in the air sucks the life out of them.

Spider-Verse seems as though it was born out of a stream-of-consciousness writing exercise that never had an editor take the time to go over it with a fine-toothed comb.

And what of Superior Spider-Man, you ask? Answer: Dan Slott has him kill Master Weaver — the character who controls “the nature of reality itself,” and the “god in the machine” who gave the spider-team “everything” they needed to be victorious. Yes, in that situation Dan Slott wants readers to believe that Otto would have applied Occam’s Razor to the idea of killing Master Weaver and followed through. I’m inclined to think Otto would be smart enough to know that killing a being that is literally tasked with weaving together space and time would not be wise; he would have found a different (evil) path to victory, but we can always debate that in the comments section. (Luckily for him, Master Weaver’s death seems to have no immediate consequences. How convenient.)

Whether you’re a fan of Spider-Verse or not, let me know what you think in the comments section below. As long as you keep it respectful and don’t start soliciting people for sex like Dan Slott’s Silk, we should get along just fine.

G. Willow Wilson’s A-Force: Will Marvel put ‘the boundaries of diversity’ before good writing?

February 6, 2015February 8, 2015by Douglas Ernst27 Comments

Marvel’s upcoming Secret Wars will bring about the end of The Avengers and start of an all-female group known as A-Force.

Marvel confirmed Feb. 6:

Marvel Comics is excited to announce the new group of Earth’s Mightiest Heroes taking over an all-new era with Marvel Comics’ A-FORCE co-written by G. Willow Wilson and Marguerite K. Bennett with artwork by Jorge Molina .

This May, beginning in Marvel’s Secret Wars, the Avengers are no more! …

“She-Hulk, Dazzler, Medusa, Nico Minoru and other fan favorites, will take charge,” says series co-writer G. Willow Wilson. “We’ve purposefully assembled a team composed of different characters from disparate parts of the Marvel U, with very different power sets, identities and ideologies.”

Given that the current crop of Marvel editors and writers tend to prioritize political correctness over sound storytelling, one has to wonder if A-Force will actually be a creative juggernaut or a forgettable mess loved only by feminists for what it aimed to do instead of what it actually accomplished. Series editor Daniel Ketch hints at the answer, and it is not good.

The Huffington Post reported Feb. 6:

“Marvel has always celebrated the diversity of its family of characters and creators,” series editor Daniel Ketch said. “This new series will unite Marvel’s mightiest heroines with the exceptionally creative minds of writers G. Willow Wilson and Marguerite Bennett to craft a story full of epic battles, personal triumphs, and heart-stopping peril … and an all-new character who will push the boundaries of diversity in comic books even further.”

If a character just so happens to break new ground, then that’s great. It is a completely different situation when the creative origin of a character is “How do I push the boundaries of diversity?” The probability that the project will turn into politically correct psychobabble increases exponentially with the latter scenario because a writer will usually compromise his or her character’s integrity at the alter of “diversity” before allowing said hero to enter uncomfortable places.

Regardless, Ms. Wilson assured fans on Friday that she wasn’t going to “create yet another amazon.”

Marvel fans who rolled their eyes at She-Thor hope Ms. Wilson and Mr. Ketch are telling the truth. If they are, then perhaps A-Force will be a comic worth reading. If they are not, then it will be another embarrassing stain on a company that employs men like Tom take-your-devil-dealing-OMD-“medicine”-and-shut-up Brevoort.

Exit question: Marvel’s Daniel Ketch says the company celebrates the “diversity … of its creators.” Really? How many openly conservative writers are employed at Marvel? Can he name one? Where is the Captain America book penned by a writer who shares Nicholas Irving’s worldview? Has there been one since September 11, 2001? I don’t believe so.

Marvel’s ideological diversity seems to include a very small spectrum of political thought, which begins and ends with people like Dan go to “Christ-Land” Slott.

Update: If you’re one of the people bashing me over at Bell of Lost Souls, then … thanks for reading! I find it strange that you have such animated opinions of me that you’re willing to share with your friends, but not in the comments section here…but to each his own. It is telling, however.

And for the record, my avatar isn’t Tyler Durden from “Fight Club”; it’s Mickey O’Neil from “Snatch.” It fits with my “bareknuckled commentary” tagline. Your insults aren’t as funny when you can’t even get those straight.

Dan Slott trolls random woman on Twitter, then has the gall to bash GamerGate supporters

January 29, 2015February 13, 2015by Douglas Ernst43 Comments

If comic book industry journalists did their job, then they would take Dan Slott to task for behaving like an immature clown on social media. The appropriate websites have abdicated their responsibility to discuss what it means to be a professional, so douglasernstblog.com will fill the void.

Those who follow The Amazing Spider-Man scribe probably remember the time he stalked The Main Event and got smacked down via YouTube. Readers of this blog will remember the time he tried to sic his Twitter followers on yours truly. Fans of Spider-Man Crawlspace and a host of other message boards undoubtedly have their own tales to tell. Now comes the time when Dan Slott tracked down and trolled a random woman on Twitter who said that The Superior Spider-Man sounded lame, and then afterwards he had the gall to bash GamerGate supporters.

I’m not sure when a man’s behavior qualifies him to be labeled a “douche canoe,” but it seems as though Dan Slott’s online impulse control problems can serve as a sound litmus test.

Ami Angelwings took the high road and simply pointed out how ridiculous and weird it is for the Marvel comic books writer of The Amazing Spider-Man to be manically searching through Twitter streams for criticism that he can use as an excuse to lash out at young women in front of his 65,000 + Twitter followers.

Slott, rightfully feeling shame, apologized. Then, without even picking up on the irony, he soon was bashing GamerGate supporters.

Despite the fact that GamerGate supporters are both men and women from a variety of different backgrounds, and despite the fact that many of them — including the Main Event — have very legitimate gripes about the gaming industry and the journalists who cover it, Dan Slott then goes on to slime all of them. Dan Slott — the man who just moments before found a random woman online and made jokes about the value of her life — said he will block people who merely defend guys like The Main Event. Telling.

Luckily, guys like Raúl get it: “She didn’t even tag you. You actually searched for people to bully. How is that okay?”

It’s not okay, Raúl. You are 100 percent correct. The problem is that Dan Slott — the guy who complains about deadlines — is busy finding random women on the internet to spout off to because they didn’t like the premise of The Superior Spider-Man.

The next time you read The Amazing Spider-Man and ask, “Isn’t that sort of lazy for a writer to literally insert a deus ex machina into his big Spider-Man project,” you can now say “Yes” without skipping a beat.

The reason is simple: Thin-skinned writers who feel the need to sift through Twitter streams looking for women to troll are not very efficient with their time.

In the future, Dan Slott can go back to stalking random Twitter users and then mocking them in his own Twitter feed without identifying them by name. The thing is, he doesn’t even realize that such a bizarre way of fishing for compliments is just as sad.

Exit question: What are the chances that “Mister Mets” over at Comic Book Resources will ever take Dan Slott to task over his online behavior? And if you talk with Mister Mets, ask him what I’ve done on Twitter that comes remotely close to Dan Slott’s behavior. I’d really like to know. Please, go through my feed. All of it. Or not, because I don’t act like Dan Slott.

Notice that Cameron Samuri was banned? Why do I think it has more to do with him not adhering to Orwellian message boards rules than actually speaking out of line?

Dan Slott talks Silk follow-up — ‘Lady Liberty’ — the faster, stronger Captain America fans demanded

January 29, 2015January 29, 2015by Douglas Ernst22 Comments

With Dan Slott’s creation Silk getting her own ongoing series in February, fans are wondering what he’ll do next to shake up with Marvel universe. It turns out that he hasn’t been resting on his laurels. “Lady Liberty” — a faster, stronger version of Captain America — is coming down the pike.

The creator of “The Superior Spider-Man” sat down with Comic Book Resources on Jan. 26:

CBR: First off, congratulations on your female version of Peter Parker who is better than him in every way. Fans have been clamoring for that for quite some time, so I’m glad you made it happen with “Silk.” We barely had time to catch our breath over her amazing ability to spin different colored costumes that can double as radiation suits before you announced Lady Liberty. Give us the scoop.

Dan Slott: Thanks! Well, I probably shouldn’t say it, but I know you guys will shill for anything I do — so what the heck?! Long story short, I want to make Red Skull into Captain America for a year. Then, when the real Cap comes back, we’ll have him discover the truth about Aiko Tinaka, a Japanese American who was the first truly successful applicant of the Super Soldier program (thanks to experiments conducted on Isaiah Bradley).

CBR: What?! That’s crazy town banana pants!

Dan Slott: Aiko is ironically inside an underground bunker in Hiroshima when the U.S. drops “Little Boy” on Aug. 6, 1945. The blast buries her and a secret unit of the Japanese military in a gigantic complex one mile beneath the earth. It is only after Steve Rogers puts all the pieces together and realizes that she may be alive that our story begins.

CBR: You had me at “female version of Captain America who is better than the original,” but now we’re really sold!

Dan Slott: Not only is she not white (score another one for ‘diversity for the sake of diversity!’), but Aiko will eventually discover that while she was serving her country, her family became prisoners of Japanese internment camps created by liberal icon Franklin Delano Roosevelt.

CBR: But…FDR was a liberal — and disabled. I’m a little uncomfortable with that.

Dan Slott: (laughing) Oh ye of little faith! That’s nothing a Republican Skrull couldn’t fix. Listen, I can’t tell you how many anonymous fans have been telling me at comic conventions that what the world needs is a female Captain America who is better in every way than Steve. I’m going to give it to them, but I’m going to do it the only way I know how — in Slottian style.

CBR: Dan, we can’t thank you enough. This was a real treat. I’m so overwhelmed with joy right now that I feel like I’m living in a piece of satire. I’m sure all of our fellow comic book “journalists” will be on board with this because it’s an insanely awesome idea. I’m sure that if you introduce Lady Liberty during a Captain America relaunch that a bulk of the sales will be because people want to know who she is and where she came from. Don’t be a stranger. Stop in again soon.

Dan Slott: I will. Thanks, buddy.

So there you have it! “Lady Liberty” — the faster, stronger version of the true Captain America, Steve Rogers. Dan Slott does it again. Genius. Until that comes out, make sure to buy Silk #1 this February — the title at the top of the pull list for every Peter Parker fan — written by Robbie Thompson with art by Stacey Lee.