Dan Slott’s Peter Parker: ‘I’m an idiot’ (Fans wonder when recurring theme will end)

ASM 10 Scorpio

Readers of The Amazing Spider-Man know that a recurring theme under writer Dan Slott’s watch has been Peter Parker’s Sudden Onset Idiocy (we’ll call it SOI), such as forgiving multiple women in his inner circle who allied with corporate saboteurs or terrorists groups to destroy his company. ASM #4 featured the time a child had to clue him in on how to stop a terrorist attack. Years from now, however, it appears at though ASM #10 will cited more often as the quintessential Slottian Spidey.

The latest issue of ASM takes place moments after the hero’s “nuke the fridge” moment — Spider-Man has fallen to earth like a meteor and survived. The terrorist leader Scorpio stands over Spider-Man ready to administer a death blow when his Gemini minions earn their deus ex machina badge. They tell Scorpio that he will miss “The Ascension” if he uses an extra second to blast through Frenchmen acting as a human shield for the hero.

Luckily for Peter, Anna Maria Marconi and Living Brain (i.e., Doctor Octopus) arrive in a flying car to help him locate the villain once he escapes. They eventually track him down to the Chunnel, where SOI rears its ugly head — Parker tries to spray his web-shooters forward on a train going 186 miles per hour and then somehow comes to the conclusion that Scorpio — who would be firing an energy weapon backwards — can’t get “a good shot either.”

Scorpio inexplicably decides to target Anna and Living Brain instead of Spider-Man, who can barely keep his footing on the fast-moving train and is rendered highly immobile. The terrorist escapes again.

With time running out before The Zodiac take control of the future, Peter needs to find clues as to where Scorpio might be. He’s stumped. SOI returns, but Doctor Octopus hidden within Living Brain jogs his memory regarding ways to track Scorpio’s movements.

“Brain. I’m an idiot. And YOU, are one smart robot!” Peter says for the intellectual assist.

ASM 10

The trio eventually wind up in the home of Vernon Jacobs, Parker Industries’ “biggest shareholder and investor.” After admitting that Jacobs (aka: terrorist Scorpio) was his “Secret Santa” for Christmas, Peter’s SOI kicks in and he asks Anna for help figuring out how Parker Industries’ technology was exploited.

Anna (who does not suffer from SOI) tells Peter to utilize his employees, calls them in for a hologram meeting, and harnesses their collective genius to quickly figure out what Scorpio has been up to for months.

ASM 10 Anna

The issue comes to a close with Scorpio appearing via a hologram and threatening to use his inside knowledge of Parker Industries to bring it all crashing down.

Spider-Man responds by saying Peter would still have “responsibility” if his company tanked, and that “losing it all” would be worth it if the end result were Scorpion’s defeat. Fans are asked to come back next month for a showdown that should have happened seven issues ago.

If readers are looking for a graphic analogy for ASM’s Zodiac story line, I will liken it to a bout of diarrhea I recently suffered while on vacation: It was funny at first for all the wrong reasons, annoying and embarrassing, repetitive, it went on for far too long, and in the end it was downright exhausting.

The stars are speaking, and this story needs to come to a close as soon as possible. Scorpio is a dud as a villain, which is always unfortunate, but he is now a failed foil who will have consumed at least eleven issues of ASM during its latest relaunch.

Do not buy this book unless you enjoy seeing Peter Parker repeatedly bailed out after outbreaks of Sudden Onset Idiocy.

Editor’s Note: Did anyone else find it odd that Peter Parker could run calculations in his head that would allow him to enter Earth’s atmosphere as a human meteor, but he doesn’t know how to convert kilometers to miles? There’s that SOI again…

Bendis gives Miles ‘toughest villain yet’: Christian grandmother

SP3 promo

The promotional material for the third issue of Brian Michael Bendis’ Spider-Man promised Miles Morales would go up against “his toughest villain yet.” It did not disappoint, as the young hero and his family are subjected to an irascible jerk of a woman for most of the book. I found myself at times shocked that social-justice obsessed Marvel would allow a minority character to be written with so many flaws until Bendis disclosed the reason why: She’s a Christian hypocrite.

Miles Grandmother

Spider-Man #3 is a perfect example of how Marvel’s track record for inserting politics into comics alienates fans and mars an otherwise good title. It also shows how a good writer can subtly insert an agenda into his book so that many readers will be none the wiser.

Unlike other writers at Marvel, Bendis understands that most people will not care about the character under the mask if his personal life is not adequately developed. Readers will not be invested in supporting cast members if they randomly fly past the hero’s obit on occasion like a comet.

If Miles’ grandmother is going to play a huge part in his life moving forward, then it makes sense that an entire issue would be devoted to introducing her to the audience. If not, then the decision was a waste of time. I’m inclined to give Bendis the benefit of the doubt due to his track record.

Miles Dad

The problem, at least as far as this reader is concerned, is that once again a Marvel book shines an unfavorable light on Christianity.

Miles grandmother generally acts like a buffoon. The way she treats his father is horrible. She shows zero respect for her own daughter. She barrels through the house and leaves anger and confusion in her wake, and then when she tries to show a softer side she tells Miles, “Let Jesus be your guide.”

Indeed, that is great advice. Unfortunately, it seems as though the only time Marvel talent puts a spotlight on Christianity it is in a negative light.

  • Dan Slott of The Amazing Spider-Man tells Christians who win legal cases before the U.S. Supreme Court to go to “Christ-Land.” (I’m still waiting for him to tell a bunch of Jews to go to Jew-topia over a similar disagreement, but I don’t think that will happen.)
  • Nick Lowe dresses up as the pope for Halloween for laughs because dressing up as Mohammed or an Orthodox Jew would require personal and professional courage.
  • Dan Slott used the San Bernardino, California, terror attack to mock Christians who prayed to God after the massacre.
  • Jose Molina’s “point” tales in ASM turned Peter Parker into The Amazing Spider-Atheist — so much so that he called God a “lie” after Uncle Ben’s death.

Under normal circumstances there would be no reason to care about having a Christian hypocrite appear in the Marvel universe because everyone is guilty of hypocrisy at some point. We are all fallible.

The reason why it is an issue with Marvel as a company is because there is a repeated pattern of anti-Christian sentiment disseminated by its staff.

Jose Molina’s Peter Parker will call God “a lie,” but where is the Marvel character who openly calls God “the Truth” in print? Daredevil is a Catholic, but his faith is regularly ignored and Tom Brevoort makes jokes of that fact on Formspring

How sad is it that fans of the character have to watch the Netflix series to see him go to confession or make the sign of the cross?

Brevoort Formspring Daredevil

Brian Michael Bendis will introduce a Christian hypocrite who is incredibly grating to readers, but when will they get a Christian character who is the modern equivalent of Saint Francis, Dom L. Scupoli Apulia, G.K. Chesterton, St. John of the Cross, etc.?

Regular readers of this blog know that I have given Bendis’ work great word of mouth for months — for both Invincible Iron Man and Spider-Man.

I want to support Marvel, but there is almost no reason to do so when time after time its creators needlessly take sucker punches at my faith or political persuasion.

Miles Morales Grandma

With that said, the only other development in the issue involves Black Cat, who apparently wants to go after the “new” Spider-Man in town.

Marvel’s insistence on portraying Black Cat as a wannabe Mafia Queen is laughable. As is the case with every other editorial misstep, the guys in charge would rather dig their heels into a stupid-trench than admit they were wrong.

Black Cat Hammerhead

Spider-Man #3 is an important issue in terms of establishing family dynamics that will come into play in the months ahead, but it should also serve as a red flag for potential customers of faith.

When there is a chance to denigrate your worldview, Marvel will almost always jump at the opportunity. Its best writers insult you with kind of finesse that on some level is impressive, but they insult you nonetheless.

Do not buy this book if you are sick and tired veiled and unveiled political pot shots by Marvel’s writers and editors.

Exit question: Should I continue reviewing Bendis’ Spider-Man? On some level I feel as though it is important to shed light on what Marvel is doing. My thought process is that I may spend $50 a year reviewing a book, but exposing political or religious suck-punches will cost the company more in the long run. Let me know what you think in the comments section below.

Invincible Iron Man #8: ‘Ninjas and robots and Rhodey…oh my!’

IronMan8

Say what you want about Brian Michael Bendis, but the man’s self-awareness is better than 95 percent of the rest of the writers employed by Marvel. When he knows a particular story is open to criticism, he tends to find ways to subtly acknowledge the problem within the issue as a way of disarming bloggers like yours truly.

Take, for example, Invincible Iron Man #8, which is bursting at the seams with all it’s trying to accomplish. It is busy, busy, busy — but at one point Spider-Man says of the situation, “Ninjas and robots and Rhodey in his embarrassing boxers, oh my!”

Touché, Mr. Bendis. Touché.

For those who have not been reading the story, it goes as follows: Tony Stark offered a job to Mary Jane, Rhodey disappeared in Japan trying to find bio-hacking ninjas, and Spider-Man was called to help find him.

IIM #8, again, is a very busy issue. Mary Jane appears to walk away from Stark’s job offer (we know that won’t last), Iron Man and Spider-Man look for Rhodey, and it all culminates in a battle involving a horde of ninjas and a gigantic Iron-Man-inspired suit that utilizes mysterious technology.

Question: Is it a good issue?

Answer: Yes — with one minor caveat.

The problem with writers who take on Tony Stark and Peter Parker is that sometimes they use the sarcasm button too many times in a single issue. Yes, both men are masters at the one-liner. Yes, both men use sarcasm to mask all sorts of fears and insecurities, but it is possible to overdo it. Using such a trait when it’s uncalled for makes a character come across as a jerk. Luckily for Bendis, he realizes that one way to add extra gravity to the book is to find a situation so dangerous that it finally shuts Tony up.

IronMan8 Tony

Whoever this new villain is, he or she found a way to leave Tony speechless by the last page. It was a welcome surprise after countless panels of Iron Man, Spider-Man, and Rhodey all basically blowing off what appeared to be a serious opponent.

In many ways IIM #8 was going to succeed or fail based upon what happened on the final page, and it is safe to say that Bendis … detonated it.

IM8 explosion

Invincible Iron Man continues to be one of Marvel’s most carefully crafted books. If you want stories by a “writer’s writer,” then you should check out Bendis. If you want “nuke the fridge” moments reminiscent of Indiana Jones and the Kingdom of the Crystal Skull, then I suggest checking out Dan Slott’s run on The Amazing Spider-Man.

Bendis Bonus:

If you’re like me, then you were glad to see that Bendis seems to feel the same way about Spider-Man’s stupid glowing spider on the new suit. In response to finding out that Iron Man’s suit has A.I., Spider-Man says, “Cool. My spider glows now for no apparent reason.”

Zing!

IronMan SpiderMan

 

 

Charles Soule’s Daredevil: ‘The man without fear’ done right

Daredevil 5

Marvel is a strange company. On any given week readers might find themselves subjected to something as cringeworthy as The Amazing Spider-Man 1.4, or as spectacular as writer Charles Soule’s Daredevil. Your friendly neighborhood blogger is late to Soule’s ballgame, but it appears as though he and artist Ron Garney are in the middle of something truly special.

Blindspot

For those who haven’t purchased issues 1-4 of Daredevil, the story goes something like this:

  • Matt Murdock is now a New York City prosecutor (it’s about time!).
  • A Chinese illegal immigrant named Samuel Chung has become Daredevil’s protege.
  • A criminal named Tenfingers split from The Hand, stole some mystical power on his way out the door, and started his own cult.
  • The Hand sent a zombie-like being known as The Fist to exact revenge.
  • Tenfingers orders the assassination of everyone inside his church because they are witnesses to his failure. He cannot be seen as a savior if there is evidence of a setback.
  • Chung’s mom works for Tenfingers.

DD Blindspot

I haven’t followed Daredevil in years, but it appears as though the last time the book looked this cool — coupled with solid writing — was the 1980s. I tried to get into Daredevil on and off over the years, but this is the first time the title appears to have that “pop” that the defender of Hell’s Kitchen deserves.

If Mr. Soule doesn’t get too weirdly political with Chung’s immigration status, then I can certainly envision myself investing in this title for the long haul. Well done, Messrs. Soule and Garney.

Molina’s Spider-Atheist: God ‘a lie’ because Uncle Ben died

ASM Peter

Peter Parker’s origin has been told numerous times over the course of decades, but one thing that has remained consistent is that he primarily blames himself for Uncle Ben’s death. Writer Jose Molina, however, used the publication of The Amazing Spider-Man 1.4 to give Peter an easy way to avoid responsibility for his behavior on that day. Who does Peter blame for his uncle’s death? Answer: Jesus.

Yes, that’s right, Molina’s Amazing Spider-Atheist had his beliefs solidified on the day he infamously told a cop that looking after “number one” was all that mattered — right before the fugitive he let escape killed his uncle. It was all God’s fault, which is why years later the character is obsessed with proving that Julio Rodriguez did not return from the dead and miracles are all lies. (Note: At no point in this story does Peter bother to think about that time he died and came back to life…or the times he interacted with dead loved ones.)

SpiderMan fugitive

Sadly, this tale requires Anna Maria Marconi to be the voice of reason by mentioning that man’s purpose in time is, as Whittaker Chambers put it, not God’s purpose in eternity.

It seems safe to say that God would not be God if his totality were transparent to self-centered teenagers and cocksure adults, but that never dawns on Molina’s Peter Parker; acting out of character can do that to a superhero.

ASM AnnaPete

Perhaps the only bright spot in this story is that it will soon be over. Spider-Man goes full-Batman, dangles Julio’s murderer over a balcony, and finds out that dying was always Rodriguez’s intention. He apparently needed to sacrifice himself — just as he had to sacrifice his father in the previous issue.

Spider-Man finally tracks Julio down and he admits that his resurrection was all part of a plan to restore faith in mankind. The two are separated when a police helicopter unleashes a hail of bullets, and the next time readers see Julio he is in church allegedly talking with Jesus. This “Jesus” (we’ll just assume Julio has been possessed by a demon and give Molina the benefit of the doubt) promises that superheroes will come to Rodriguez like “lambs to the slaughter.”

ASM Julio

The final page of ASM 1.4 asks, “You want to know what happens next? Don’t miss The Amazing Spider-Man 1.5.”

Well, yes, I do want to know what happens next, but for all the wrong reasons.

  • Will Suddenly Spider-Atheist be vindicated?
  • Will Jesus be a new Marvel villain? (I wouldn’t put it past Marvel these days.)
  • Will Julio actually be possessed by a demon, or will he be a cyborg that will allow Spider-Atheist to rest easy at night?

Julio Rodriguez may have returned from the grave in this story, but copies of this book certainly deserve to be buried six-feet under.

RELATED: Dan Slott uses terror attack to mock Christians, play partisan politics

Daredevil Season 2: Hold onto your principles — at any price

Daredevil

The second season of Marvel’s Daredevil is finally on Netflix — and it is good. Correction: It is great. The writing is so strong, in fact, that it is hard to fathom how the creative team will be able to live up to expectations going forward. It is rare to find a show that is about friendship, family, honesty and the importance of holding fast to core principles, but Daredevil delivers on all counts.

Frank Castle

This is a spoiler-free review, so I will try to only address the overall themes going forward.

In short, Matt Murdock (Charlie Cox), Frank Castle (Jon Bernthal), Elektra Natchios (Elodie Yung), Karen Page (Deborah Ann Woll), Foggy Nelson (Elden Henson), Claire Temple (Rosario Dawson) and pretty much every actor with decent screen time fires on all cylinders. What makes the series so good is that each character has a clear idea of his or her ideal self, but the fierce pursuit of those ideals put them at odds with friends, family, co-workers, fellow citizens, and even the rule of law.

Matt Murdock

What would you do for your core principles?

  • Would you be willing to quit a job?
  • Would you walk away from someone you love?
  • Would you be willing to shed blood and die?
  • Would you kill?
  • Would you be willing to be hated by society?

Over and over again the writers of Daredevil look at the cast and say, “Okay, what defines these characters and how do we put them in situations where their fidelity to core principles is tested?” 

The series explores big questions about life, death, truth, justice, loyalty, honesty, integrity, redemption and friendship in every episode — but it does so with intelligence and grace.

Finally, without a doubt, Jon Bernthal nails his performance as Frank Castle (aka: The Punisher). He was given a tough role, and he crushed it. There are not really enough good things to say about his take on the character other than to tell the man to take a bow. One can only hope he makes an appearance in Luke Cage.

If you do not have a Netflix account, then you may want to consider getting one to watch Daredevil. At this point the only question is: When will Charlie Cox’s version of Matt Murdoch make an appearance on the big screen? He certainly deserves it.

 

 

‘Captain America: Civil War’ trailer: Spidey, and more proof Russo bros. on point

Tony Stark Civil War

The second trailer for Captain America: Civil War was released Thursday, and it is good. Correction: It is excellent. It looks as if directors Joe and Anthony Russuo, along with writers Christopher Markus Stephen McFeely, will handle “Civil War” like is should have been years ago in the comics. Who is right? Who is wrong? The comic books — predictably — went with stupid political potshots instead of exploring complex issues in ways everyone could enjoy.

How do political leaders maximize security and individual liberty when man is fallible and capable of horrendous deeds? It’s a good question. Markus and McFeely appear to understand that’s it’s not as simplistic as “Conservatives, bad! Liberals, good!” as the writers in Marvel’s comics division would have you believe.

The exchange between Tony Stark and Steve Rogers in the trailer portends good things to come on May 6:

Tony Stark: That’s why I’m here. We need to be put in check. Whatever form that takes, I’m game.

Stever Rogers: I’m sorry, Tony. If I see a situation pointed south, I can’t ignore it. Sometimes I wish I could.

Tony Stark: Sometimes I want to punch you in your perfect teeth.

Steve Rogers: I know we’re not perfect, but the safest hands are still our own.

It is telling that Captain America’s rebuttal to Tony’s call for a “check” on people with superpowers is to acknowledge that he has no self-control.

Steve Rogers is obviously a good man, but a.) Not all men are good, and b.) The individual with an all-consuming desire to right wrongs in a fallen world is, in fact, dangerous.

Captain America Civil War

Captain America: Winter Soldier showed that there are legitimate reasons to fear and distrust the federal government, but Rogers appears to have decided that because man-made institutions are subject to the shortcomings of men, then he should be given a license to act outside the rule of law. When Stark talks about punching Rogers in his “perfect teeth” it resonates with viewers because Captain America smugly but unwittingly stands upon a moral pedestal.

How strange is it that Tony Stark understands The Federalist Papers better than Captain America?

“If men were angels, no government would be necessary. If angels were to govern men, neither external nor internal controls on government would be necessary.” — Federalist 51, James Madison.

These are the questions the Russo brothers seem ready to explore with maturity and professionalism, and for that fans should be grateful. Sadly, the comic book writers tend to dish out partisan slop and then feign indignation when they’re taken to task.

Tony Stark Cap

Finally, it is good to know that Spider-Man will make an appearance in a great movie for the first time in years. While it is frustrating that Marvel Studios was not able to wrestle full control of the character from Sony Pictures, at least fans know there will be a “check” on Sony’s habitual stupidity.

Check back in at this blog opening weekend for a full review of Captain America: Civil War. I’m looking forward to your feedback.

SpiderMan Civil War

Dan Slott’s Spider-Meteor: Peter Parker ‘Nukes the Fridge’

ArachnoRocket ASM

Your friendly neighborhood blogger correctly predicted months ago that Dan Slott was on a stupid-trajectory to write”Spider-Rockets” into The Amazing Spider-Man. “Arachno-Rockets” are officially part of Spider-Man history with the ninth issue of ASM. Sadly, it also includes Peter Parker’s “Nuke the Fridge” moment, which anyone remotely familiar with Indiana Jones and The Kingdom of the Crystal Skull will understand.

Here is the set-up: Peter Parker and S.H.I.E.L.D. are desperately looking for an international terrorist organization known as Zodiac, more specifically its leader Scorpio. The group hijacked all of S.H.I.E.L.D.S. satellites to locate an artifact known as The Orrery. Peter thinks he can manually take back control of the satellites and use them to pick up the energy signature of the artifact, a plan that coincidentally eluded Zodiac’s soothsayers because he came up with the idea exactly “one second after midnight.” (Seriously.)

The issue begins with Spider-Man giving Nick Fury a spacesuit he happened to have on hand (it also makes digital logos “on the fly”), and the two literally take off from a launching dock connected to Parker Industries. After successfully locating The Orrey and fending off satellites doubling as battering rams (the “Arachno-Rocket” was destroyed in the process) Spider-Man tells Fury to “space walk” to the international space station while he turns himself into a human meteor and heads for Paris, France.

ASM web foam

It is hard not to read ASM #9 and wonder if Marvel has instructed Dan Slott to destroy all of Peter Parker’s credibility at any cost. Besides the jaw-dropping recklessness of turning himself into a meteor over Paris — without knowing if his plan would even work, where he would land, or how populated the area might be — one then needs to deal with the absurdity of “Spider-Suit Emergency Beacons, Spider-Back Spinnerets, and Emergency Web-Foam.

ASM Spider-Meteor

One must assume that it is only by the grace of God that Spider-Man only destroyed multiple vehicles (hopefully no-one was inside), instead of the nearby crowd of stunned citizens.

Spider-Man eventually pulls himself out of the wreckage like Indiana Jones from a refrigerator after a nuclear test, and the terrorist Scorpio appears. The villain says there is no way the Spider-Man will “make it to tomorrow,” but readers know that in many ways their hero is already dead.

Indiana Jones refrigerator

It is an absolute shame that the quality of Brian Michael Bendis’ “Spider-Man” towers over The Amazing Spider-Man. There is certainly room in the Marvel universe for fans of both Miles Morales and Peter Parker, but there is no excuse for allowing Dan Slott to “Nuke the Fridge” in the pages of ASM. At this point Nick Lowe is only nominally ASM’s editor because it appears there is little, if any, push-back against Dan Slott’s worst ideas.

The ninth issue of The Amazing Spider-Man should have been renamed The Atrocious Spider-Man. Do not buy it unless you plan on using it for toilet paper.

Iron Man #7: MJ hired by Stark, but is mystery girl Tony’s future replacement?

Iron Man 7

The issue of Invincible Iron Man that Mary Jane fans have been waiting for has arrived. The seventh issue on Bendis’ run features MJ’s first day at work for Tony Stark, and before it’s over she needs to reach Peter Parker at his emergency number. It may be the character who is introduced on the final page of the book, however, who Stark fans should be talking about.

One of the things Bendis understands, which certain other high-profile writers at Marvel do not, is that sometimes it is absolutely necessary to slow things down and just focus on character development, character development, character development. (Should I say it a fourth time?)

IIM #7 dedicates almost the entire issue to Tony’s first professional interactions with his new hire. They talk…and talk…and talk, but in this case it’s okay because standards are set, boundaries are established, and chemistry needs to form.

Readers simply need to imagine what a similar introduction between Peter Parker and Pepper Potts would look like in The Amazing Spider-Man. Instead of devoting 95 percent of the issue to authentic human interactions, Pepper would get a cursory introduction and then a calamity would strike. The audience would weirdly be expected to care for the new relationship simply because it’s Pepper and Peter working together — and then Comic Book Resources would give it the obligatory glowing review.

Iron Man

Perhaps one of the few awkward things about Stark’s decision to hire MJ is his cluelessness about her past. He invites a woman into his inner circle but does not really vet her. Only issues before he was telling his girlfriend about telepathic espionage, etc., and now he impulsively hires a former club owner. Regardless, Bendis’ scenario as it is written passes the smell test (barely).

Iron Man MJ

Aside from MJ’s meeting with her new boss, the rest of the issue is dedicated to Rhodey, who was sent to Japan to investigate a group of bio-hacker ninjas until Stark can get around to it. Rhodey goes missing, and through a strange twist of fate it turns out that technology titan Peter Parker is in country.

“You know your bodyguard, Spider-Man? Is he doing anything right now? Listen, I need a favor. It’s kind of a big one,” Stark says after getting Parker on the phone, which nicely sets up IIM #8.

One would think the issue would end with Iron Man racing to save his friend, right? Wrong. Bendis cuts to Massachusetts Institute of Technology, where a young woman appears to be making her own “Iron Man” suit in one of its labs. She is scolded by some older staffers who call her a “kid” in the final panel.

Who is this kid genius? Why is she making “Iron Man”-type armor? (And yes, I realize I am asking these questions when “to be continued…” obviously means that we will get answers in due time.)

The previous questions need to be asked because Marvel has made no secret of its desire to social justice the heck out of its own universe. It seems entirely plausible that Bendis could be setting the stage for Tony to be “killed” or temporarily replaced, just like Captain America, Thor or even Spider-Man (e.g., Bendis’ Miles Morales wants to be seen as “the” Spider-Man”).

If you have thoughts on IIM #7, feel free to share them below. I’d love to hear what you thought of MJ’s first day on the job, Bendis’ mystery character, or predictions for the next issue.

Iron Man issue 7

 

Bendis weakens established heroes to elevate Miles, readers notice cheap shortcut

Miles Blackheart

Writer Brian Michael Bendis has a tricky job ahead of him. He is trying to establish Miles Morales as the Spider-Man, but he wants to do it in a short amount of time. While the first issue of Spider-Man was admittedly a fun read, the second issue shows some of the challenges Bendis’ social-justice project presents.

SM #2 begins with Spider-Man — the original — asking Miles who or what took out all the Avengers, yet retreated when he entered the fray. As the two are discussing the matter, along with whether or not Miles should continue to go by just “Spider-Man,” the demon Blackheart returns from the spirit world and essentially takes Peter Parker out of the fight with a single blow. Miles uses multiple venom blasts and Captain America’s shield to quickly dispose of the villain.

“You did this?” Tony Stark asks as he regains consciousness and stumbles forward. Even Bendis knows this is absurd, so he has Miles reply, “Well, uh, I mean it was more like a group effort.”

Miles IronMan Falcon

There is only one problem with that line: It wasn’t a group effort. Everything about the first two issues — including the cover, with Miles triumphantly standing with Cap’s shield over helpless Avengers — screams, “Respect this Spider-Man! Respect him! Seriously! Please?”

The reason for the cheap shortcut comes soon afterward, when word spreads of the new Spider-Man. A girl calls Miles “black Spider-Man” and this annoys him.

“I don’t want to be the black Spider-Man. I want to be Spider-Man,” Miles tells his friend Ganke.

“Okay, poof, you’re Spider-Man,” his friend replies.

If only it were that easy — but it’s not.

Readers can simultaneously appreciate Bendis’ mastery of the craft of writing while acknowledging that Miles is getting an embarrassing assist in the credibility department.

Miles SM2

Fact: In a world where Peter Parker exists, he will always be seen as the Spider-Man. Any derivative of him can never be the Spider-Man because Peter Parker was and always will be the original. Readers can either call Miles “black Spider-Man” because he is black, or because he chose to wear a black costume.

At the end of the day, it is bizarre to arbitrarily make Captain America black, Thor a woman, and Spider-Man a black guy when the original characters — who are still popular — are something else. Many Marvel readers get this, despite the creators’ best efforts to brainwash them otherwise.

Is Spider-Man a good book? Sure. So far. Is it worth spending $4.00 on? Yes. Will I ever consider Miles Morales the Spider-Man? No — because he’s not. He’s a Spider-Man (a good one), who came after Peter Parker.

I look forward to reading the third issue of Spider-Man. I just hope Bendis doesn’t have Miles taking down Ultron to prove the character’s worth.