Tag: DEVGRU

‘American Sniper’ success prompts Michael Moore to take pot shots at deceased hero Chris Kyle

January 19, 2015January 20, 2015by Douglas Ernst22 Comments

“American Sniper” is a box office hit. In four days of wide-release, it has pulled in $105 million. Audiences across the country have been moved by the Bradley Cooper’s portrayal of Navy SEAL Chris Kyle. Director Clint Eastwood did a marvelous job showing the kind of selfless service displayed by American war fighters while also not shying away from the psychological toll that combat takes on them and their loved ones. It’s a stellar film about an American hero, which is why Michael Moore and Seth Rogen responded just as the world expects Hollywood liberals to act: like pathetic men who deep down resent the fact that for all their fame and fortune they are still glorified clowns.

Chris Kyle was a real hero, and instead of just dealing with their envy and jealousy in the privacy of their own home, Michael Moore and Seth Rogen lashed out on Twitter so the world could see how truly petty they are.

Using Michael Moore’s logic, anyone who uses cover and concealment during the course of battle is a “coward.” Perhaps we should do away with camouflage and just wear bright red jackets with white pants in the middle of open fields, but I digress.
Once negative feedback came rolling in, Michael Moore decided to just make it abundantly clear that whenever he talks about cowards, he is really just projecting his own inner demons.

Translation: “What are you so upset about? I wasn’t disparaging Chris Kyle with my sniper comments, even though I made them on the very day millions of Americans were talking about him. Where would you get that idea?”

And then there is Seth Rogen, whose main achievement in life is that he made a dumb movie about North Korea (we all know why he didn’t target Iranian mullahs), which forced millions of Americans to confirm: yes, we will defend Hollywood actors’ right to the freedom of expression, even if they are classless imbeciles.

Seth Rogen’s tweet proves that he did not see “American Sniper,” or that he is a hate-filled buffoon (perhaps both?). The movie wasn’t a celebration of war or a piece of propaganda similar to faux-Nazi films created by Quentin Tarantino; if anything it was a clarion call to policy makers to think long and hard before sending men like Chris Kyle into war zones. Only a miserable person as defined by John Stuart Mill could watch Clint Eastwood’s “American Sniper” and think “coward.”

“The person who has nothing for which he is willing to fight, nothing which is more important than his own personal safety, is a miserable creature and has no chance of being free unless made and kept so by the exertions of better men than himself.” — John Stuart Mill.

C.S. Lewis, who fought and almost died during World War I, puts it another way in his famous essay, “Why I am not a pacifist”:

“For let us make no mistake. All that we fear from all the kinds of adversity, severally, is collected together in the life of a soldier on active service. Like sickness, it threatens pain and death. Like poverty, it threatens ill lodging, cold, heat, thirst, and hunger. Like slavery, it threatens toil, humiliation, injustice, and arbitrary rule. Like exile, it separates you from all you love. Like the gallies, it imprisons you at close quarters with uncongenial companions. It threatens every temporal evil — every evil except dishonor and final perdition, and those who bear it like it no better than you would like it. On the other side, though it may not be your fault, it is certainly a fact that Pacifism threatens you with almost nothing. Some public opprobrium, yes, from people whose opinion you discount and whose society you do not frequent, soon recompensed by the warm mutual approval which exists, inevitably, in any minority group. For the rest it offers you a continuance of the life you know and love, among the people and in the surroundings you know and love.” — C.S. Lewis

Michael Moore and Seth Rogen are very much like the “miserable creatures” referenced in Mill’s “On Liberty.” On many levels they are not worth writing about; they run in social circles with like-minded fools who would never point out that maybe — just maybe — the dough-like man-boys disparaging Navy SEALs might have a few insecurities hiding in those rolls of skin. However, because of their Hollywood connections, men like Michael Moore and Seth Rogen do affect American culture. The bully pulpit they have access to almost demands that those who can push back against their attempts at character assassination, should.

Congratulations, Michael Moore and Seth Rogen: you’re the type of guys who take shots at deceased Navy SEALs and the creative works that respectfully honor their sacrifice. Try doing that outside Hollywood circles and see how much it endears you to the crowd.

Update: Seth Rogen is now backtracking with the incredibly lame “Apples remind me of oranges,” excuse. Next he’ll say that every once-in-awhile he sits down, bites into a banana, and thinks, “Zucchini.”

Eastwood’s ‘American Sniper’ trailer is out, and it looks like a movie Chris Kyle fans will appreciate

October 2, 2014October 3, 2014by Douglas Ernst14 Comments

When it was first announced that Navy SEAL Chris Kyle’s life would be made into a movie by Steven Spielberg, my first thought was, “Ummm, how is that going to work? Did Spielberg even read the book? Knowing his politics, I’m pretty sure that it’s going to be a horrible movie.”

Interestingly enough, Mr. Spielberg dropped the project and Clint Eastwood was there to pick it up. “That makes much more sense,” I thought. Now that the trailer is out, it appears as though the world will get the Chris Kyle story it deserves.

“They fry you if you’re wrong.”

How do you win a war when the men responsible for securing victory are paranoid that any mistake they make will land them in prison for the rest of their lives? The answer: You probably don’t win. You lose. Or you wind up pulling out of that country for political reasons and then having to go back in when things spiral out of control…

Chris Kyle wrote in American Sniper:

“You cannot be afraid to take your shot. When you see someone with an IED or a rifle maneuvering toward your men, you have clear reason to fire. (The fact that an Iraqi had a gun would not necessarily mean he could be shot.) The ROEs were specific, and in most cases the danger was obvious.

But there were times when it wasn’t exactly clear, when a person almost surely was an insurgent, probably was doing evil, but there was still some doubt because of the circumstances or the surroundings —the way he moved, for example, wasn’t toward an area where troops were. A lot of times a guy seemed to be acting macho for friends, completely unaware that I was watching him, or that there were American troops nearby.

Those shots I didn’t take.

You couldn’t — you had to worry about your own ass. Make an unjustified shot and you could be charged with murder.

I often would sit there and think, “I know this motherfucker is bad; I saw him doing such and such down the street the other day, but here he’s not doing anything, and if I shoot him, I won’t be able to justify it for the lawyers. I’ll fry.” Like I said, there is paperwork for everything. Every confirmed kill had documentation, supporting evidence, and a witness.

So I wouldn’t shoot.” — Chris Kyle, American Sniper. (Harper Collins, 2012), 149-150.

If you’re not familiar with Chris Kyle’s life, then check out American Sniper — the book. And then make sure to see Clint Eastwood’s cinematic take on the Navy SEAL’s life. I’d recommend seeing Angelina Jolie’s take on ‘Unbroken,’ but she apparently gutted one of the most crucial aspect’s of World War II hero Louie Zamperini’s life — his conversion to Christianity that kept his world from falling to pieces and allowed him to personally forgive the men who tortured him in Japanese POW camps. If you’re wondering why I feared Spielberg’s take on Chris Kyle’s life, just think about Ms. Jolie’s “Unbroken” for a few moments, but I digress.

I’m looking forward to seeing “American Sniper” when it opens in theaters December 25. If you are as well, then stop by here shortly after its release, check out my review, and let me know what you thought.

‘Lone Survivor’: A part of Marcus Luttrell died so that we can see how to live

January 12, 2014January 12, 2014by Douglas Ernst28 Comments

“Winning here is a conscious decision. Make up your mind whether you want to pass — or choose to fail.” … “Just prove to your bodies through your mind that you can push yourself further than you thought possible.” … “Whatever you have to do — just find an excuse to win. Keep going.”

And so begins ‘Lone Survivor,’ the true story of former Navy SEAL Marcus Luttrell’s fight to survive in the mountains of Afghanistan with his band of brothers of Seal Team 10. Director Peter Berg wisely uses real footage of potential SEALs undergoing Basic Underwater Demolition/SEAL training (BUD/S) during the opening credits to set the stage. These are men who believe winning — on the battlefield, in the business world or life in general — is a conscious decision. Men who willingly submit themselves to instructors of the “I’m going to introduce you to something called ‘not being able to breath,'” variety are, quite obviously, of a different breed. They are special on many levels. From a cinematic point of view, it also lets the audience know that death is about the only thing that can prevent a SEAL from his quest to “keep going.”

By this time in history, most people know the general details of Operation Redwing. In 2005, Luttrell and his team were sent to the Afghanistan-Pakistan border to take out a high-value target who was responsible for killing scores of Marines. Their mission was compromised, and they were put in an impossible situation: Do you kill a small group of people who you believe are likely allied with the enemy — even though they are unarmed and could end up being innocent civilians — or do you let them go, knowing that if you are wrong it will unleash endless waves of Taliban soldiers on your position? The SEALs chose to let their captives go. The rest is history.

Given that so many people know how the story ends, it really comes down to whether or not Peter Berg, Mark Wahlberg and the cast and crew did it justice. Without reservation, the answer is “yes.” Peter Berg seemingly moved mountains in Hollywood to get the film made, Wahlbeg and the cast immersed themselves in their roles, and the realism of the violence is both gut-wrenching and satisfying — “satisfying” in the sense that viewers know it could have been given the “Hollywood” treatment, replete with unbelievable explosions that break the laws of physics.

Perhaps Berg’s greatest feat is his treatment of the mountain. As a “character,” the mountain is paradoxically vast and expansive while being claustrophobic and limiting. When you run out of real estate on a mountain from which to fight there’s only one way to go — down. And that’s exactly what happens. Fate dealt the SEALs the worst hand possible on that mission; even the mountain terrain seemed to be against them. It was chilling to watch it mete out punishment on their bodies as they attempted to find cover and concealment.

“There’s a storm inside of us. I’ve heard many team guys speak of this. A burning. A river. A drive. An unrelenting driver to push yourself further than anyone could ever think possible. Pushing ourselves into those cold dark corners where the bad things live. Where the bad things fight. We wanted that fight at the highest volume. A loud fight. The loudest, coldest, darkest, most unpleasant of the unpleasant fights.” — Mark Wahlberg as former Navy SEAL Marcus Luttrell, ‘Lone Survivor.’

Critics of the film will respond to the SEAL desire for a fight with the “live by the sword, die by the sword” rejoinder, which is a fair argument. However, fans of the film are also spot-on by acknowledging a.) that evil exists, and b.) there is something truly special about a man who will go to the “coldest, darkest, most unpleasant” corners of the earth to stamp it out. In service to their nation these men say “Send me. Send me to the dangerous places that no one else wants to go to so that I may ensure that they never need to.” For that, we should be eternally grateful. For the cast and crew’s efforts to bring ‘Lone Survivor’ to the big screen, we should also give thanks.

“Brave men fought and died building a proud tradition and fear of reputation that I am bound to uphold. I died up on that mountain. There is no question that a part of me will forever be upon that mountain dead as my brothers died. There is a part of me that lived because of my brothers. Because of them I am still alive, and I can never forget that no matter how much it hurts, how dark it gets or how far you fall — you are never out of the fight.” — Mark Wahlberg as former Navy SEAL Marcus Luttrell, ‘Lone Survivor.’

Why did Marcus Luttrell live while his brothers died? Perhaps so he could tell the tale. Perhaps so one day someone in a life-or-death situation will think back upon Marcus’ survival and remember that they too are “never out of the fight.” How many young kids will see ‘Lone Survivor’ and begin a path that will end with them in position to save others? Probably quite a few.

If you get a chance to see ‘Lone Survivor,’ do so. It’s an important film that is educational as well as entertaining.

‘Act of Valor’ SEAL blasts Washington’s attempts to lower standards in ‘Damn Few’

January 29, 2013January 30, 2013by Douglas Ernst35 Comments

Lieutenant Commander Rorke Denver was the former head of Basic and Advanced SEAL Training. He was one of the stars of a number one movie, “Act of Valor,” in which active-duty Navy SEALs gave Americans an inside look the world’s most elite fighting force. He is now the author of an illuminating book, “Damn Few,” which comes out February 19. And after its release, he’ll be known as the patriot who sounded the alarm on the Beltway political class’ efforts to lower the standards of arguably the greatest fighting force the world has ever known.

Since Secretary of Defense Leon Panetta announced that combat roles would now be open to female soldiers, Pentagon brass has assured Americans that the standards of excellence expected by infantrymen and special operations forces would not be compromised. Those promises ring hollow, given that the chairman of the Joint Chiefs of Staff, Patrick Dempsey, talked out both sides of his mouth in an effort to alleviate fears during a press conference last week: “[If we do decide that a particular standard is so high that a woman couldn’t make it, the burden is now on the service to come back and explain to the secretary, why is it that high? Does it really have to be that high?”

And that’s where the importance of Lt. Cmdr. Denver comes in. Speaking on the consequences of the success Navy SEALs had in Iraq and Afghanistan, the saving of Captain Richard Phillips of the MV Maersk Alabama when he was taken hostage by Somali pirates, and of course the capture and killing of Osama bin Laden, Lt. Commander Denver writes:

“The message as it was delivered from General Bryan “Doug” Brown, SOCOM’s commander, was simple: “You guys need to make ’em grow.”
Then an interesting thing happened.
The special-operations forces of the Army, Air Force, and Marines each produced projections of how their units could expand and how they would expand. Those units all expanded as promised. …
There was on notable exception: the SEAL teams. …
It didn’t take long, less than a year, for a fresh directive to find its way to the junior and senior SEAL leadership, this one considerably firmer in tone.
“That wasn’t a suggestion,” was the way it was heard on the ground. “We want more SEALs. You will get us more SEALs.” There was also an addendum to that, unstated by still perfectly clear: “And if you won’t, we will find new leaders who will.”

Lt. Cmdr. Denver’s first-hand experience should serve as a clarion call for anyone who cares about the safety of the American people. Pundits and politicians of all stripes — as well as Pentagon officials — claim that the integrity of our elite units will be maintained when it has already been attacked. “Damn Few” even details how at one point during Lt. Cmdr. Denver’s tenure on the SEAL’s Academic Review Board, candidates were getting “ten, eleven, and twelve opportunities to pass their tests.”

The mindset in Washington is that if teams of SEALs are so effective, the U.S. should simply double or triple or quadruple the numbers — but it doesn’t work that way. Why not just have all soldiers be SEALs while we’re at it? What Congress doesn’t get, and what “Damn Few” does an excellent job of demonstrating, is that it takes a very special, very rare kind of person to even want to try out for the challenge of becoming a SEAL. And then, only the best warriors have the mental and physical toughness to earn the coveted “SEAL Trident.”

Social engineers in Washington and the high-ranking Pentagon officials who want to curry favor with them are trying to turn the “damn few” into the “damn many.” Sadly, the concerns in Lt. Cmdr. Denver’s book may be a harbinger of things to come. At one point he writes of his time as an active-duty SEAL that “it was like being a member of an excellent fraternity, the greatest man club in the world. Maybe the last one.”

Inevitably, some women will have what it takes, physically and mentally, to become SEALs. But they shouldn’t earn that distinction with lower standards. It would be a shame if politicians who claim to act in the public’s interest decimated the one fighting force that consistently secures freedom and liberty around the world. “Damn Few” comes out February 19. For those who take national security seriously, it is a must-read.