‘Mission Impossible: Rogue Nation’: Tom Cruise and friends continue churning out cool spy flicks

Tom Cruise Mission Impossible Rogue NationTom Cruise’s Mission Impossible: Rogue Nation not only is a genuinely fun summer spy movie, but it now serves as the cinematic antacid for anyone who made the mistake of seeing Josh Trank’s Fantastic Four. The 5th installment of the Mission: Impossible franchise has everything fans expect from it — great acting, twists and turns, exotic locations, humor, amazing stunts, etc. — and there isn’t one of those levels on which it disappoints.

This time around, Ethan Hunt (Tom Cruise) and his IMF buddies are tracking the “anti-IMF” known as The Syndicate. There is only one problem: CIA Director Alan Hunley (Alec Baldwin) saw to it that the U.S. government officially shut down IMF. If Benji Dunn (Simon Pegg), William Brandt (Jeremy Renner), and Luther Stickell (Ving Rhames) help Ethan in his quest to bring to the “Rogue Nation,” then they will be committing an act of treason.

One aspect of Rogue Nation that helped guarantee its success was the ability of Rebecca Ferguson to nail the role of Ilsa Faust. She’s convincingly tough as nails, alluring, smart, cunning and athletic. She isn’t just a pretty woman in a fancy dress — she’s a take-no-prisoners, highly-trained intelligence agent (who may or may not have gone rogue).

Mission Impossible Rogue NationRogue Nation’s villain, played Sean Harris, is also impressive. Solomon Lane is convincingly one step ahead of Ethan Hunt throughout the movie, and in general the only thing to really gripe about is his brief time wearing a black turtleneck. No matter how evil a character is, it’s always slightly harder to take him seriously if he looks like the old Mike Meyers Saturday Night Live skit “Sprockets”… Regardless, it says something about a movie when the worst a critic can do is to complain about clothes the villain wore for less than five minutes of screen time.

If you like Tom Cruise movies, then see Mission Impossible: Rogue Nation. If you don’t like Tom Cruise and have just made up your mind that anything starring him is just “bad,” then take a moment to realize that your lack of objectivity is preventing you from seeing a really fun espionage flick.

In short, this movie reviewer hopes that Tom Cruise has a least another two or three Mission: Impossible movies up his sleeve, because Rogue Nation was one of his best efforts yet.

‘Edge of Tomorrow’: ‘Through readiness and discipline,’ Tom Cruise has made a solid sci-fi movie

Edge of Tomorrow Tom Cruise

Tom Cruise may be getting older, but that hasn’t stopped him from giving 110% in every role. With ‘Edge of Tomorrow,’ it’s paid off.  Director Doug Liman (The Bourne Identity) makes use of a solid screenplay (based on “All You Need is Kill,” by Hiroshi Sikurazaka), in addition to Cruise’s and Emily Blunt’s acting chops to create a product worth checking out. It’s impossible to ignore the ‘Groundhog Day’ jokes, but ‘Edge of Tomorrow’ is no joke.

Edge of Tomorrow Rita Emily Blunt

One element of ‘Edge of Tomorrow’ that makes it so good is Cruise’s ability to sell his transformation from self-absorbed public relations officer Major William Cage into a legitimate hero. Minutes into the movie Maj. Cage is informed that he’ll participating in a D-Day-type invasion that he helped sell to the world — and he isn’t happy.  His response to the direct order given General Brigham (Brendan Gleeson) is to try his hand at blackmail:

“I appreciate the confidence, general. I do this to avoid doing that. I was in ROTC in college, the war broke out, I lost my advertising firm — here I am. I do what I do — you do what you do, but I’m not a soldier, really. … General, I just inspired millions of people to join your army, and when the body bags come home and they’re looking for someone to blame, how hard to you think it would be for me to convince people to blame you? I imagine the general would prefer to avoid that. … I would prefer not to be filming acts of heroism and valor on that beach tomorrow.”

The general responds by having Cage arrested. As Cruise’s character tries to flee he is knocked out, only to wake up at a staging area for the next day’s big battle. Each time Cruise’s character dies throughout the movie, he is jolted into consciousness at that location; there he meets Master Sergeant Farell (Bill Paxton). The no-nonsense NCO puts Cage in his place:

“You’re a coward and a liar putting your life above theirs. The good news is there’s hope for you, private. Hope in the form of glorious combat. Battle is the great redeemer. The fire and crucible in which the only true heroes are forged. The one place where all men truly share the same rank, regardless of what kind of parasitic scum their were going in. … I envy you, Cage. Tomorrow morning you will be baptized — born again.”

Farell’s words are prescient — Cage is born again many times, and the sergeant’s assertion “through readiness and discipline we are masters of our fate,” becomes one of the major themes running throughout the movie. “You might call that notion ironic, but trust me…you’ll come around,” he tells Cage. It takes countless “deaths” for him to realize the wisdom embedded within the quote, but eventually it takes hold.

Edge of Tomorrow To Victory

Cage needs help if he’s going to save the world from invading aliens, and Rita Vrataski (Emily Blunt), also known as the “Angel of Verdun,” fills the role. At one point in time Rita shared Cage’s ability to “reset” with each death, but lost the power. Between the two of them, they slowly and methodically go about figuring out how to save humanity from the alien “Mimics.” Overall, Blunt delivers — she is believable as a woman who could slice and dice her way through deadly tentacled aliens.

What made her character even more interesting was that as Cage began to learn more about her (and become more attached) with each death, she still managed to keep her guard up. No matter how many intimate details Cage knew about Rita, he would never truly know her until she decided that she knew him enough to relax and present him with her “real” self — the one behind the tough-talk soldier exterior.

Tom Cruise Edge of Tomorrow

Like ‘X-Men: Days of Future Past,’ Cruise’s ‘Edge of Tomorrow’ wants us to know that people can change. It is possible to turn a cowardly liar into a courageous hero. It is possible to overcome seemingly impossible odds. “Through readiness and discipline we are masters of our fate.”

There is a treasure trove of positive messages in ‘Edge of Tomorrow’ that, coupled with Cruise’s ability to carry a film, make it worthy of your time. Movie money used on seeing ‘Edge of Tomorrow’ in theaters is money well spent. If you like science fiction movies, give it a chance. You’ll be glad you did.

Obama’s Libya Strategy: The Drunken Orgy

Obama Buzzfeed

The American people and political pundits of all stripes have been confused by President Obama’s Libya strategy for some time know. His “kinetic military action” formally know as war is mighty confusing.  Qaddafi  must go—but only if bombing his air defenses work. Actually, we’ll use drones—but only two of them. We’ll be out of there in days—except when it becomes months. We want the rebels to win, although we don’t know if they’re closer to the Rebel Alliance from Star Wars…or jihadi head choppers.

“What kind of a strategy is this?” the American people have asked. The answer is simple: The Drunken Orgy Doctrine.

Obama’s strategy is to “win”, in the purely Charlie Sheenian definition of winning with one’s  goddesses. Likewise, I assume (not having had personal experience) the goal of a drunken orgy is to get it on with a bunch of people (some friends, some not so much), deal with the messy and the confusing, and when it’s all said and done be able to say it was worth it. Obama is like Derek Zoolander—just replace “Finnish dwarfs” with “United Nations, and “Maori tribesman” with “Arab League”.:

“There was a moment last night, when she was sandwiched between the two Finnish dwarfs and the Maori tribesman where I thought, ‘Wow! I could really spend the rest of my life with this woman.'”

Victor Davis Hanson has the epiphany on the tip of his tongue in his latest for National Review Online, but couldn’t quite come to admit it:

“Obama is a multilateral artist, and Libya is his greatest masterpiece. Nobel-minded Europeans take the high profile while suspect Americans do the heavy lifting in the shadows. American officers publicly talk more of toning down a war than winning it. Female advisers—Hillary Clinton, Samantha Power, and Susan Rice–clamor for a use of force of the sort that a wobbly metrosexual American president seeks to resist.”

Like the movie Eyes Wide Shut, those sexy Europeans strut their stuff in the hallways, sipping their wine and eating their cheese in the buff (creating the allusion they’re taking part), while the real action is taking place in the “shadows.” Unfortunately, President Obama is the guy who loved the idea of an orgy…until it happened. And then he got “wobbly” where it counts while Hillary Clinton stood firm. I assume Bill’s dealings with Milosevic, among other things, prepared her for the experience.

Many conservatives have been muted in their criticism. That’s because conservatives aren’t any stranger to wild times (i.e., Iraq and Afghanistan). However, unlike the current President, they’re usually willing to go the distance. If you come to a party—or start a party—where crazy stuff is going down, you better be willing to carry through. Liberals, for all their talk, tend to freeze when reality meets rhetoric. If you’re the guy who gets to the Eyes Wide Shut party who ends up trying to slink out the door when the atmosphere gets much, much, weirder than you expected—bad things will happen.

I’m assuming there is one good thing about orgies: no one probably asks about your birth certificate.