When you live in a country where college campuses have to issue “trigger warnings” any time a discussion might challenge a few worldviews, it’s only a matter a time before hyper-sensitive millennials bring their crybaby-dictator personalities into the real world. The most recent example can be found with DC’s decision to pull a variant cover of Batgirl 41. Joker is apparently no longer allowed to be Joker if he’s interacting with women.
Here is what artist Rafael Albuquerque had to say after a campaign started by “Feminist Batman” picked up steam.
“My intention was never to hurt or upset anyone through my art. For that reason, I have recommended to DC that the variant cover be pulled.”
Since when was it the artist’s job to produce art that doesn’t upset someone’s sensibilities? Since when did artists begin torpedoing their work when it was deemed offensive to feminists and Gender Studies majors on Tumblr? At what point are we allowed to tell “Feminist Batman” and her friends that they’re acting like whiny kids who need to grow up and behave like a adults?
Ms. “Feminist Batman” said on Tumblr:
There are a lot of potential Joker variant covers that would have been amazing. I would have loved to see Barbara stepping on the joker’s face after punching him to the ground, perhaps using that iconic camera of his to take a selfie. But a violent, bloody cover of a weeping Batgirl as the man who molested her smiles by her side is sickening. It’s disgusting. And I am tired of her scenes in The Killing Joke being referenced while the serious issues involving her assault are casually ignored.
The great thing about art is that you can produce as much as you want. There is a 100 percent chance that Feminist Batman will find future covers and variant covers to her liking, so it seems incredibly bizarre for her to act as if this one variant cover somehow negates whatever progress her favorite character has made since the publication of 1988’s The Killing Joke.
As Patrick Bissett pointed out for The Daily Caller on March 17:
The Joker is a fictional character, a comic book villain whose raison d’être is to cause mayhem, to injure, to hurt, and to provide the Yin to Batman’s oftentimes complicated Yang. It doesn’t make sense to find the actions of a fictional character offensive, especially when those actions are central to the personality of that character.
Sadly, for every Mr. Bissett there is a Joshua Rivera out there who simply doesn’t get the big picture.
Mr. Rivera writes for Entertainment Weekly:
There are those that aren’t pleased with this decision, who think we’re seeing art being censored because it’s offensive. The claim of “censorship,” however, is objectively false. The art was never suppressed. You can look at it all you want—in this article, even! The fact that the creators themselves were involved in the cover’s cancellation is further proof that this is a move for artistic integrity—the people making the book have a vision for it, and the cover did not match that vision.
Josh can’t see that what is happening is worse than censorship — we now have artists who actually think it’s their job to produce art that doesn’t offend contemporary culture. We now have artists who will scrap their projects when the shrieks of politically correct kids reach a high enough decibel level. The artist willingly capitulates to the caprices of fickle feminists, online bullies, and ideological censorship clowns who inadvertently remind us that the seeds of tyranny exist within all of us.
If you’ve ever wondered why the comic industry seems to be in dire straits, then look no further than DC’s decision to pull its Batgirl 41 variant cover. The scope of what artists and writers can create these days is incredibly narrow because one wrong move results in an “off with their heads!” campaign, which only serves to stifle muses and crush imagination. Coddling the likes of “Feminist Batgirl” and her online allies may make Rafael Albuquerque feel good for a few days, but it does long term damage to the industry he loves.